art

Carmel and Big Sur

Sandy-by-the-Sea Gallery in Carmel wanted a few more of my miniatures, so I took a day trip to Carmel to drop off paintings and do a little plein air work. Nick White, one of my good plein air painting buddies came along. I decided I wanted to paint along the Big Sur coast in the afternoon rather than my usual morning stints, so we left around mid morning.

We arrived in Carmel around 11:00 and stopped by the gallery to drop off 5 small paintings, including one I just did at Elkhorn Slough, shown below.

Elkhorn Slough

Misty Elkhorn * 8×16 * Oil on board

After lunch, we headed down the coast to scout out a place to paint. What a wonderful day!! A large northwestern storm had sent huge swells down the coast and the entire Big Sur area looked like a sea of churning whipped cream. This same storm system was pounding Washington and Oregon with floods, even closing Interstate Highway 5.  I remarked to Nick that what looked like fog was actually mist kicked up from the churning water. The waves were probably 15 to 20 feet high and the ocean churn probably went over a quarter mile out.

We were at the southernmost tip of this storm system, so the sun was peeking in and out of the cloud cover. The painting mood today was definitely misty, gray, churning coastline! What a great time to paint!  Below is a shot from where we painted.

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I had been doing a number of 8×16 paintings lately and really enjoyed the change from some of the more standard plein air sizes. With the grand panoramas before me, today was a good day to paint in that horizontally elongated size again. I set up fairly close to my car with a nice camping chair to occasionally rest and spare my back, so we painted for a couple hours.
Below is a shot of my easel with Nick painting down the hill a bit.

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Here is me beside my easel and painting.

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This is a quick snapshot of the painting sitting on my easel, the snapshot a poor representation of the painting, definitely a keeper, but maybe needs a little further touch-up.  I’ll try to get a better image in the next couple days.

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We finished around 2:30 and then drove further down the coast for some picture taking and general sight seeing. We went as far as Bixby Creek Bridge, shown below. Notice what looks like fog in the background is actually mist kicked up by the surf.

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All too soon, it was time to head home. What a great day trip!!

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Off to Yosemite

I am off to Yosemite today.  Although this is more a Thanksgiving/social trip, of course I am bringing my paints and hope to do a few paintings.  I was last in Yosemite in January where I accidentaly ran into Scott Burdick, and we hung out and painted together for a few days.  Below is a piece from that trip.

Yosemite

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Catching Up

Finally caught up and did a photo shoot today. Below are better shots of a couple of recent plein air paintings.

This painting is from Elkhorn Slough I did a week or so ago.

Elkhorn Slough

Misty Elkhorn * 8×16 * Oil on board

The following is the painting I did in Coyote Valley yesterday. I am still thinking it needs a little something in the lower right field. Maybe a fence line, a couple chickens that were actually there, or maybe a water pump for the field? Any comments?

Coyote Valley, San jose

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Painting Coyote Valley

Coyote Valley is a large expanse of farmland, orchards and homes located in the most southern part of San Jose, California Much of it is largely undeveloped and has been the subject of much controversy, as many in San Jose want to develop the land as a logical growth of the city, but many environmentalists want to keep it untouched.

I met the Los Gatos Plein Air Group here, for their usual Monday morning paint-out. We met at the corner of Palm Ave and Palm Court, right in the middle of the valley.

It was a wonderful morning! We had rain over the weekend which cleared much of the sky including haze which had seeped our way from the many fires in Southern California.

It was a great place for me to paint for now, as I could paint right by the car with my comfortable folding chair, and not strain my back too much!

I settled in and painted a fairly good scene of the farmland and California Hills. Below are some shots of the day.

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Nick working on a masterpiece. Later, I think the owner of the farm was interested in purchasing the painting…way to go Nick!

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Dave working away.

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A shot of some of the group.

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A picture of my work in progress on the easel. I draped a blue painting apron over the back to block the morning sun from my palette. You can make out a few unexpected visitors…the local hen population decided to join us for the paint-out.

The painting turned out quit well, I think a ‘keeper’, but it is lacking something. After bringing it home, I decided there needed to be a little more interest in the field in the lower right part. I might touch it up and put it on the blog in a couple days to see what you think.

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A Handy Tool

I have never really been into ‘view finders’ when plein air painting. These are usually square cutouts you hold up to frame and isolate the scene so you can get a better handle on the composition and how to paint it. Many artists make their own just by cutting a square out of a piece of cardboard or matting board. Here is some info on using a viewfinder. While in the field if I need an aid, I usually just hold my hands up or use my camera as a viewfinder.

When I was at the PAPA paintout several weeks ago, Kevin Macpherson was using a viewfinder which I thought was really worth getting…well actually, I just had to have one!! It is made by Artwork Essentials. It comes with a dry erase marker, so you can actually draw your scene on the viewfinder as you hold it up. It also has a value bar with three peepholes to better isolate and judge values in the scene. It comes in two sizes, a 6×8 and a 3×4, so I ordered both.

I tried it out yesterday at Elkhorn Slough and it worked great! I did find if you are sketching on it, you need to prop it on the top of your easel or other support to get a good sketch.

One of the other features I especially liked was the hairline partitioning of the viewfinder. The hairlines partition the scene by thirds both horizontally and vertically. On the larger viewfinder, the “Golden Section” is also indicated with slightly smaller hairlines. I won’t go into details about these rules of composition other than saying generally put the center of interest somewhere along the one third line intersects. This viewfinder makes doing so a snap. You can read more about these composition rules here.

All-in-all, this is the handiest tool I have seen in a long time! Both viewfinders are very affordable at around $10 and $4.50 depending on size. You can get more info and order it at:
http://www.artworkessentials.com/products/accessories/Viewfinder/VF68G.htm

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Elkhorn Slough

Located at the center of the Monterey Bay coastline, Elkhorn Slough harbors the largest tract of tidal salt marsh in California outside of San Francisco Bay. This ecological treasure provides habitat for plants, animals , and more than 340 species of birds, and is a major fish nursery for the region.

The slough is an interesting study for paintings. The tidal areas and land mass form interesting patterns of light and dark, giving the entire area an abstract look. These abstract patterns can make interesting paintings, and every time you visit it, the tide and weather form an entirely different painting.
The last time I painted this area was February of 2005 and I have wanted to come back ever since. I painted Elkhorn Slough several years ago with the Los Gatos Plein Air group. Once again, they met and painted there just last Monday. With a combination of bad back and lousy weather I decided not to go. Well, the weather looked good today, so I went.

Actually, the morning was quite foggy, but the forecast was clearing, so I left around 1 PM to catch the afternoon sun. It was about an hours drive, and when I got there, the fog was still drifting in and out with probably less than a mile of visibility. I could barely see past some of the tree lines, and the distant water was barely visible. Wonderful! I was ready to paint a more moody painting of the slough!

I knew the turnout I wanted to paint at (same as before), and could set up right there with my chair for back support. I painted probably the first hour standing, and the last hour sitting down. It took about two hours to finish the painting.

The painting I did several years ago was good (showing now at Sandy-by-the-Sea Gallery in Carmel), but the one I did today had a totally different tone, and I think I like it better…at least for the time being!

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<

p align=”center”>Starting the painting.
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A shot of my comfortable setup.

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Similar shot near the end of the day.

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Here is a quick shot of the painting on the easel. I will get a better shot later.

Below is the same scene I painted in 2005. It was a clearer day, and the mood quite different.

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Painting Locations

One of my many email subscriptions is to Barry John Raybould’s Virtual Art Academy. It is a monthly two or three page edition with a variety of mini art lessons, painting tips, and other information. You can see the latest edition here. You can subscribe here. He also has a full set of self study courses which comes with a small fee.

His last newsletter mentioned the start of a weblog which features painting locations around the world, which I thought might be of interest to my readers–

http://pleinairpaintinglocations.blogspot.com/

Ed Terpening also started a more localized version for primarily California. You can find it at–

http://edterpening.com/blog/california-plein-air-tour/

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Guadalupe Oak Grove Park Painting

I finally took a snapshot of the painting I did yesterday at Guadalupe Oak Grove Park–

As I mentioned, it was more impressionistic, looser, and ‘painterly’ than I normally do, but I kinda like it for a change.

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Guadalupe Oak Grove Park

The Los Gatos Plein Air group was painting at Guadalupe Oak Grove Park today, so decided to join. My bad back wasn’t doing much better, but really was getting stir crazy and wanted to get out. The park is about a 30 minute drive from the house, so off I went.

Guadalupe Oak Grove Park is a small park in south western San Jose. It is the site of an old quarry, with plenty if majestic Oak trees, granite outcroppings, and nice grassy areas.

Quite a few from the group were out, probably 8-10. I did one fairly quick painting. I was trying to capture the hillside as quick as I can with lots of color to make it interesting. It was time to call it a day so as not to over do it. Below are a few shots of the day.

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Looking down a hill. Way in the back are several other artists out for the day.

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Nick White working on his masterpiece.

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Looking up the hill from where the previous shots were taken. You can see my painting sticking up in the foreground. I will try to get a better picture of it on the website in the next couple of days.

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Facebook Plein Air Painters Group

Facebook Plein Air Painters Group Read More »