Hot! Hot! Hot!

AKA Painting the Los Gatos Plein Air Festival

My panel at the show
My panel at the show

I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.

 


Tuesday

Cowell, 16x8, oil on panel, plein air
Cowell, 16×8, oil on panel, plein air

After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—

After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—

Hakone Pals, 24x12,oil on canvas
Hakone Pals, 24×12,oil on canvas

 


Wednesday

The Old Swing, 8x10, oil on panel
The Old Swing, 8×10, oil on panel

Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—

 


Silicon Valley View, 12x16, oil on panel
Silicon Valley View, 12×16, oil on panel

That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—

 


Thursday

Vasona, 11x14, oil on panel
Vasona, 11×14, oil on panel

Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—

 


Friday

Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.

My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.

Ready to hang!
Ready to hang!

Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—

 


Saturday

Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—

 


All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!

Some photos courtesy Ron Lykins.

Cleaned Out!

(AKA 2017 Carmel Art Festival)

Perkins Park, 12x16, oil on panel
Perkins Park, 12×16, oil on panel

 


I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…

 


Wednesday

I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.

After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.

I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—

After heading back to the motel to get cleaned up, I finished the day with a dinner at my go-to Indain Restaurant, Ambrosia.

 


Thursday

Vertigo!, 24x12, oil on canvas
Vertigo!, 24×12, oil on canvas

The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.

My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.

Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—

 


Palo Colorado, 14x11, oil on panel
Palo Colorado, 14×11, oil on panel

Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—

I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—

 


Friday

Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.

After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.

I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—

 


Saturday

After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.

An award!
An award!

The Palo Colorado redwood tree painting sold at auction.

 


Sunday

Carmel Beach, 10x8, oil on panel
Carmel Beach, 10×8, oil on panel

 

All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—

The quickdraw auction was well attended. Here are a few pictures, including my painting–

By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!


Next up is the Los Gatos Plein Air Show June 16-17!


At Martial’s

Morning at Martial's, 8x16, oil on board
Morning at Martial’s, 8×16, oil on board

 
The Santa Clara Parks and Recreation Department is putting on a plein air paintout and show, which I found out about mid-way through the event. There was about two weeks to paint Martial Cottle Park en plein air for the show and since there was a little time left, decided to join in…partly because I am now known in the area as a painter of Silicon Valley due to my year long quest, “The Creeks and Rivers of Silicon Valley”…plus it’s only about a 20 minute drive from the house. I later I found out a lot of my artists friends didn’t find out about it either until it was half over.

Martial Cottle Park is one of the newest county parks, and one of the last remnants of the agrarian legacy in the Santa Clara Valley, once known as the “Valley of Hearts Delight”.

I went out last Monday to register and paint in the park, it was cloudy, with just an occasional thinning so the sun could break through a bit. I first decided to paint the main barn from a picnic area.

Here are a few shots of the morning (click on a thumbnail to see a larger picture)


 
Evening at Martial's, 11x14, oil on panel
Evening at Martial’s, 11×14, oil on panel

Later, I parked along Snell Ave, and painted the old home the Cottles used to live in. I don’t paint architecture much, so was a bit of a challenge. (click on a thumbnail to see a larger picture)


 
At this time, I don’t know which, if any paintings will be in the show, but just dropped them both off. The paintings will be shown at the Santa Clara Government Center, Gallery at 70 West Hedding St. San Jose (8:00 a.m. – 5:00 p.m.) which is the same gallery that exhibited “The Creeks and Rivers of Silicon Valley” several years ago. There will also be a reception at the park May 6, 1:00 p.m. – 3:00 p.m. More information can be found here.

An online display and voting for people’s choice award will be made available, so stay tuned!

Fire, Water, and Ice

Merced Reflections, 16x8, oil on panel
Merced Reflections, 16×8, oil on panel

I was accepted into the Yosemite Renaissance show this year, so went to attend the opening reception with a short visit to Yosemite Valley. Of course, I’ll use any excuse to visit Yosemite, as if I need one!

The art reception went well. The show is very eclectic with everything from abstract to photography to textiles to sculpture. It was a strong show, and my painting was probably the most traditional, quiet painting there…which is fine with me!

If you plan on being in Yosemite Valley the next few months, be sure to stop by the Yosemite Museum to see the show!

The weather forecast kept changing, but as it turned out, it was clear sunny weather the entire time, but cold! Upon arrival to the valley, I started the above painting, but after recently recovering from a mild case of pneumonia, didn’t want to push it, so only got about half done and finished it when I got back to the studio. I wanted to do a plein air piece which would fit in my recent ‘vertical water’ series, so did a painting of Yosemite Falls reflecting in the Merced River. This is the ninth in the “vertical water” series, but so far the only plein air piece and a little smaller than the others which you can see here.

I recently wrote a weblog entry about the Firefall I saw while there, so won’t revisit that which you can read here.

The remainder of the visit I just walked and drove around soaking up the scenery.

Here is a short video of the trip. I had posted some pictures to Facebook, and got a lot of comments on how clear the water is, so much of the video is of the water in the valley.



Los Gatos Plein Air 2015

I have been participating in the Los Gatos Plein Air almost every year since it’s inception. Since it is close to my house, I can stay home and paint the local area without worrying about all the travel expense and time.

During plein air competitions, artists have several days to paint and present for sale finished and framed paintings. The festival coordinators stamp the back of the canvas to ensure all work is done in the days allotted. We had our panels stamped on Tuesday morning, and had until Friday afternoon to produce the paintings.

I already posted some of these on Facebook, but for those who are not on social media, here are a few pictures from the show. Click on a thumbnail to view a larger picture Note: Email subscribers may not see all pictures. Just click on the title for a link to the online version.

Tuesday
After getting my canvas stamped, I headed out to Guadalupe Creek to paint a California Sycamore as I had been doing a series of these—

Wednesday
The next morning, it was out to Metcalf Road about 10 miles from my house. I drove around a bit and settled on this scene—

After lunch, I drove over to McKean road, south of San Jose, and after a little exploring decided to do a vista of Almaden Valley. I almost had to talk myself in tackling this painting as there is quite a bit to paint in a short time for a competition.

I only got about half way through the painting, so called it a day and would return tomorrow afternoon to finish it.

Thursday,
I was up early for the drive over to Almaden Reservoir. I had checked it on Tuesday, and even in this drought, it was close to full.

The Los Gatos Rotary Association was putting on a lunch for the artists, so I drove into Los Gatos, and had a pleasant meal with some of the other artists. I then headed to Los Gatos Creek. I knew in the hot midday it would be shady and cool…just right for a creek painting!

It was then back to McKean and Country View Dr to finish the Almaden Valley vista painting.

Friday,
I spent in touchup and framing. That evening was a ticketed reception, and I sold the California Sycamore painting.

Saturday
The next day was the main sale day to the public. I sold all but one of the five painted for the show.

My panel at the show.
My panel at the show.

Below are the five paintings I did for the show–

2015 Carmel Art Festival

Once again I participated in the Carmel Art Festival and this was my tenth year to be in the show. During the competition, medical artists have two days to paint and present at least two finished and framed paintings for auction. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.

I already posted these on Facebook, but for those who are not on social media, here are a few pictures from the show. Click on a thumbnail to view a larger picture–

I ended up doing three paintings–

Thanks for stopping in! In a few weeks it will be the Los Gatos Art Festival!

FortySeven: Hunter’s Heaven


Continuing the ‘Creeks and Rivers of Silicon Valley’ year long quest.

Subscribe to this blog by entering your email in the right sidebar>>>>>


 

Hunter's Heaven, 8x10, oil on board
Hunter’s Heaven, 8×10, oil on board

 

Yes, there’s even duck hunting in Silicon Valley! Historically, the Ohlone Indians thrived on the wildlife and plants in the South San Francisco Bay. Later on, as immigrants populated the valley, hunters would spend days camping in these small cabins, shooting ducks and other fowl that would make up the bulk of meat products for Gold Rush Era San Francisco. They supplied 1000 ducks a week to San Francisco restaurants in the 1890’s. Waterfowl hunting is still permitted here on approximately 10,000 acres of tidal areas and salt ponds of the Don Edwards San Francisco Bay National Wildlife Refuge and is administered by the U.S. Fish and Wildlife Service.

Duck blinds can be spotted around the south bay, and from what I can determine are for public use, first come, first served. There are also many duck clubs. To some, a duck club may seem nothing more than a mosquito-infested swamp inhabited by stealthy men in camouflage holding shotguns. But in the San Francisco Bay area, including Silicon Valley, duck hunting has been a bailiwick of established money for more than a century.  Many of San Francisco’s prominent families have a duck club (or two) among their assets.

 

I posted quite a few pictures from the morning’s painting excursion in the last post, FortySix: Don’s Sunrise Pix, but here are a few more–

Click on a thumbnail to open up a larger picture and slide show***

 

Continuing my morning painting excursion at the Don Edwards San Francisco Bay National Wildlife Refuge, painting 47 is of an old duck hunting cabin preserved close to the headquarters area. The cabin was built by Joe Pine of Niles who lived there until the late 1960′s. I painted and wrote about Niles and Charlie Chaplin in Nine, Ten: Charlie Chaplin.

Newark Slough can be seen in the background, and is fed by the Sanjon de los Alisos Creek and a number of unnamed engineered channels and culverts.

 


Click this link for a map of all painting locations along with each painting.
Click on this link for a Pinterest catalog of all paintings so far.


***Email subscribers may not see all pictures. Just click on the title for a link to the online version.

Los Gatos Art Festival 2013

Last week I participated in the Los Gatos Art Festival as an ‘invited artist’. I always enjoy this show as it is close, don’t have to travel, and familiar with the area. But mainly, the sponsors always treat us artists well!

I won’t go into many details of each day, but just a few notes and pictures on the activities…

Tuesday
We stamped our canvases in the morning, and I took off for Stevens Creek Park, and did a painting of the stream, mainly for a ‘warmup’. There was a mandatory artists reception/meeting that evening, so I didn’t want to stray far. I forgot to take a picture of the painting in progress, but a few scenes below for the day. (Click on any photo to see a larger version).

Wednesday
This was my big ‘travel day’. I literally painted from the mountains behind my house, to the ocean. In the morning I went up Quimby Road behind the house and did a morning view of the Santa Clara Valley and downtown San Jose. Early afternoon I was in Henry Cowell Redwoods State Park painting the redwoods and late afternoon at Sharktooth Beach near Davenport painting the ocean.

Thursday
An artists luncheon was scheduled in Los Gatos, so I stayed around the San Jose area, McKean Road to be exact, and did a painting of a red barn right by the road. Little did I know, but the day before, a group of artists in the show painted the same red barn. I think there were about 8 paintings of that barn on exhibit!

The luncheon was at a Los Gatos residence, catered by Togo’s Sandwiches. After eating, I headed for the bathroom, and found a painting I sold last year at this event hanging on the living room wall!

My afternoon painting was a quiet spot on Coyote Creek right by Metcalf and Monterey Roads.

Friday
I went out early on San Felipe Road close to my house and did a painting of a Eucalyptus. The afternoon was spent in touch-up and framing.

That evening was a gala at a mansion in Los Gatos. It was a wonderful setting, and quite a crowd. The pictures below are before the crowds showed up.

Saturday
I delivered and hung all my paintings for the show…

Below are the paintings in the show (I didn’t show the first painting from Steven Creek, as I feel it still needs more work)…

It was a good show with many strong works, however sales were quite disappointing, at least for me. It’s always fun, though, to paint, meet old friends and other artists!

2013 Carmel Art Festival

I was honored for the eighth time to participate in the Carmel Art Festival. The show works like this: the artists have two days to paint at least two paintings to offer up for auction. You must have the back of your canvas (or whatever you are painting on) certified before the contest. They usually stamp it with a date, and put a little sticker on it. This is to ensure no one walks in with a painting they didn’t really paint on location during the time allotted.

Although Carmel is only about 90 minutes from my home, I always stay somewhere in the Carmel area to avoid spending 3 hours on the road each day, rather devoting all my focus to the work at hand. Early mornings and late afternoons are the best time to paint, which makes all the more reason to stay in town.

Wednesday
I drove down to Carmel around noon Wednesday, meandering a little bit in the area to look for new places to paint. After checking into my motel, I headed over to the reception area to get my canvases stamped, then out to a place on Scenic Drive overlooking the Pacific Ocean and Carmel River State Beach to start painting. A lot of the artists head to this area first as it is fairly close and there are only a few hours after the canvas stamping to paint until dark. For this reason, I had avoided it in past years, but decided to try it this year.

I spent several hours painting, waiting until almost sundown to finish the sky. In this instance, you can paint much of the scene in shadow as it will not change much. However, when the sunset lights up the sky, I quickly tried to catch the colors. I stayed until it was almost too dark to see. Below is the scene, and my painting on the easel. You can click on any picture to see a larger version.

The painting wasn’t quite finished, but some of the details could be done the next evening.

Thursday
In the morning, I drove up to Elkhorn Slough to do another painting. I had been painting this area the last couple shows, and enjoy the vistas. Parking along Elkhorn Road, with a great view of the slough, I opened the rear of SUV up and turned on the car radio to keep me company, as I frequently do. After painting several hours, the radio suddenly went off. Upon checking the ignition, the battery was almost dead and then I realized I had also left my headlights on! I raised the hood, as the universal sign of distress, but no one seemed to want to stop, so it was time to call AAA, the American Automobile Association. An AAA truck was not too far away, so he stopped by and gave me a jump start. It was time for a lunch break, so I drove into Moss Landing and had Sand Dabs at Phils Fish Market. (Actually half the reason I like to paint the slough is it is close to this great restaurant! The restaurant was just listed as the #1 world’s best beach restaurant by the BBC.)

I wanted to work on the painting another hour or two, so drove back to the spot and finished the painting.

About mid afternoon, it was time to head back to Scenic Drive and finish the prior evenings piece. By now I had two good pieces for the show, so the pressure was lessened from now on.

Friday
Point Lobos State Preserve was my destination Friday, which is a favorite of about everyone in the show. I first stopped and painted Whaler’s Cove.

Whalers Cove, Point Lobos
Whalers Cove, Point Lobos

The afternoon I painted a quiet little spot in the preserve called Hidden Beach.

After framing the two pieces for the auction, I drove back into Carmel and dropped them off. Below are the four pieces I did, the first two were entered in the auction. The second two, I want to touch up a little bit before they were displayed anywhere. Click on any picture to see the entire painting.

Saturday
After a leisurely morning, I headed over to the show. The show was quite strong. We had artists from all over the United States, plus Australia and the Netherlands. You can see all the paintings on their website here. Below are a few pictures of me and the show.

Sunday
Sunday was somewhat of a repeat of Saturday. After a leisurely morning, I checked out of the motel, grabbed a deli sandwich and headed down the coast. I found a spot along Garrapata State Park for lunch and enjoyed the view…

Upon returning to the show, I met the lady who purchased my first painting, “The Last Five Minutes of Glory“. She was born and raised in Carmel (lucky lady!), had seen that scene countless times, and it reminded her of the Carmel of her youth. She purchased the piece as a wedding present for her daughter. It’s always nice to meet a collector who falls in love with your work! It’s a big moral booster!

Later that afternoon it was time to head home and start thinking about next month’s plein air festival in Los Gatos!

Los Gatos Art Festival

Once again, I participated in the Los Gatos Art Festival this year. It was five days of non-stop activity! Below is a summary of each day.

TUESDAY
Tuesday morning was time to stamp the back of the canvas to ensure all paintings were done during the festival. I arrived at about noon, got my canvas stamped, and then headed to Stevens Canyon Road to paint along Stevens Creek. It was also very shady, which was nice as the week was forecast to be very hot. I ended up doing one painting, using a little artistic license for the lighting as the canyon area was quite dark.

I then went several miles away to another part of the creek and started another painting of a pool with a family looking for tadpoles and fish..

I only got it about half done before having to leave for an artists reception and meeting back in Los Gatos. Below are a couple shots of the artists meeting–

There were plenty of hors d’oeuvres, wine and beer. The Rotary Club of Los Gatos, who put on the event, really treat the artists very well!!

WEDNESDAY
The forecast was to be clear all day, so I departed at 5:30am to try and catch the morning light in the New Almaden and Hicks Road area in the southern part of Los Gatos and San Jose. It was foggy! I proceeded up around Almaden Reservoir, and found a great spot at the end of the lake with a lot of vegetation and color. It was also looking towards the sun peeking through the fog. Around 9 the sky had mostly cleared.

You can see my easel set up right behind my car. Its kinda nice painting right by the car as I can listen to the radio, and not have to hike and carry my painting setup very far!

After painting for about three hours, I drove on up Hicks Rd to the Mt Umunhum Road, and up it. Lo and behold were several artists painting the view! Carole Gray-Weihman was teaching a student apprentice the ins-and-outs of plain air painting!

Below is a view of downtown San Jose from Mt. Umunhum road.

Late morning I proceeded into New Almaden, and found the Carson House, built in 1854. I liked the way the light was illuminating the large cactus and the plants along the fence. I pencil sketched in the painting, then went off to have lunch with my motorcycle riding buddy, Pete Kemling.

After lunch, it was back to Carson House to continue work on that painting.

The light was a little different, but I painted the way I saw it before noon.

Later in the afternoon, it was time to head back up Hicks Road to find a late afternoon scene. It wasn’t very far, when I decided to paint the same cove in Almaden Reservoir from a different direction–

I was able to paint right out the back of my SUV, which also kept me and the painting in the shade and out of the late afternoon sun–

The lighting just kept on getting more dramatic–

I got the piece only about half done before it was getting too dark, so headed home.

THURSDAY
Woke up early, but wasn’t planning to go out until the fog had cleared, and what do you know, a clear morning! It was around morning rush hour and I wanted to go back to the New Almaden area, so took the back roads, Hwy 101 down to Bailey, and up over a small ridge to McKean Road. It was foggy again in the area! As soon as I cleared the ridge, though, the fog was lifting and Mt Unumhum was lit up by the rising sun. A great view I had to paint. As soon as I pulled off the road, a local park ranger came by and said I could not park along the road and had to wait until 8a when the Calero Reservoir parking was open. So, I killed some time getting coffee, and came back to Calero and spent most of the morning doing the painting.

By the time I was done, the fog had completely disappeared…

Lunch was put on by the Rotary again, at a home in Los Gatos. Again, great food and drinks!

I went back in the afternoon, finished both the Carson House painting, and then the Almaden Reservoir painting…kind of a repeat of the afternoon before.

FRIDAY
I had 5 good paintings for the show, and was pretty tired, so spent Friday around the studio doing touch ups, framing, and other preps for the show.

That evening was a ticketed gala at the California Cafe. The entire restaurant was reserved for the event, and it was packed! Once again, great food. Just a couple pictures of the event–

SATURDAY
Today was the main show, which took place outside in the central Los Gatos Park. Below are a few pictures of the event, followed by my paintings in the show. It was a very hot day, reaching over 100, but that didn’t seem to stop the crowds from coming! Two of mine sold, Unumhum View, and Almaden Afternoon.

Me by my panel. By the time I got this picture taken, one painting was already gone, being sold at the “Buy it Now” price–

We had live music all day–

Below are the paintings I exhibited in the order I started them. You can click on each to get a slightly larger view of the piece.

Stevens Creek 16×12 Oil–

Almaden Morning 12×24 Oil–

Carson House 11×14 Oil–

Almaden Afternoon 16×20 Oil–

Umunhum View 12×24 Oil —

For artists wanting to enter plein air shows, I would highly recommend entering this one. The Rotary treats their artists the best of about any plein air competition I have participated in!