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Exploring AI for Artists: Can ChatGPT Help Improve Your Art?

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Part 2

My last post was about unexpectedly discovering that AI (Artificial Intelligence) might be able to help with your oil paintings. Could it really step into the role of an art instructor? I decided to pursue this further, and subsequently uploaded some of my paintings to ChatGPT curious to see what it would come up with. I chose one piece I’ve always been happy with, along with two that never quite sat right with me. To my surprise, not only did it critique them, but it also offered to generate revised versions with its suggested changes!

The first painting is one of the Clarke Bridge in Yosemite National Park right after a snowstorm. I have always liked the piece, and did not plan on changing it. After ChatGPT’s analysis, it did give a few pointers on what might be improved. I did not like the image it generated (it must see a lot of Kinkade paintings!), but possibly the suggestion to soften the background is warranted. It also suggested adding more sunlight, but that defeats the purpose of the piece, to depict Yosemite during a misty snowy day.

BTW, I asked another AI model, Google AI, about the same painting.  Its critique was somewhat similar, however due to some bug, it produced, but could not show me the new AI modified painting.  

Here are the two versions: the original on the left, the AI interpretation on the right.

Early Snow, Yosemite, 15x30, oil on canvas
Early Snow, Yosemite, 15×30, oil on canvas

All the ChatGPT conversations are below, which are quite lengthy.

The second painting came from a trip to Germany a couple of years back—Hohenschwangau Castle. I’ve never been fully satisfied with the background mountains, even after repainting them three times. The AI suggested softening them, which isn’t a major change, but maybe it’s a step in the right direction.  I did like a few of the suggested changes in the middle ground in that the trees around the castle are a little too bright, but overall AI gave it a darker feel.  It then asked if I wanted a more dramatic version, and of course, go ahead!  It then gave me another version, which although quite dramatic doesn’t appeal to me.

Here are the paintings, the original on the left, then the AI two versions.

The third piece is of Crater Lake, painted about a decade ago. I’ve always felt the distant cliffs could use some softening, lightening, and graying to push them farther back. ChatGPT had some of the same recommendations, though I wasn’t a fan of its final rendering. It was maybe too dark for my tastes.  Still, it confirmed what I already suspected needed doing.

Original on the left, AI version on the right.

"Crater Lake Overlook", 28x22, oil on canvas
“Crater Lake Overlook”, 28×22, oil on canvas

While I don’t think AI as yet can replace a personal professional critique, it can help.  If you are all alone in the studio and stuck on a painting, perhaps it can give you a nudge in the right direction.

Stay tuned for more adventures in AI!

ChatGPT Conversations

Clarke Bridge

how would you improve this painting?

ChatGPT said:

This is already a lovely painting — the arching stone bridge, soft winter light, and the play of warm and cool tones make it very inviting. That said, here are some ways it could be enhanced while keeping its character intact:

1. Depth & Atmosphere

  • Add a bit more aerial perspective: the far bank and distant trees could be softened with cooler, lighter tones to push them further back and make the bridge pop forward.
  • Light mist or subtle snowfall in the background could enhance the wintry mood and depth.

2. Water Detail & Movement

  • Increase variation in the water’s surface — some sharper highlights in the foreground water could suggest sparkle and movement.
  • Slightly more reflection of the bridge stones in the water could unify the scene.

3. Snow Highlights & Texture

  • Enhance the sunlight’s influence on snow — warmer, creamy highlights in sunlit areas and slightly bluer shadows in shaded snow could add dimension.
  • Introduce more variety in snow texture — some soft, powdery patches, some crisp edges where snow has just fallen.

4. Foreground Interest

  • Add a few more warm-hued dried grasses or twigs in the lower left to create a color bridge between the warm stones and cool snow.
  • Consider one or two more prominent rocks in the water with sharper edges to lead the viewer’s eye toward the bridge.

5. Compositional Flow

  • The left tree slightly blocks the bridge. You could thin or shift a branch to reveal a bit more of the stone arch for balance.
  • A faint pathway or footprints in the snow near one of the bridge entrances could add a storytelling element.

If you’d like, I could mock up a quick digital overlay showing what these adjustments might look like so you can visualize the changes before painting.

You said:

OK

Hohenschwangau Castle

How would you improve this painting? after discussing that, make a jpg of the improvements

ChatGPT said:

This painting is already beautiful—great sense of depth, light, and atmosphere. The snow-capped peaks, shimmering water, and the castle all stand out wonderfully. But if the goal is refinement, here are a few improvements that could elevate it further:

Suggestions for Improvement

  1. Atmospheric Perspective
    • The mountains are already receding nicely into the distance, but you could push it further by softening the edges and slightly cooling/desaturating the farthest peaks. This will increase depth and realism.
  2. Water Highlights
    • The lake has a nice shimmer, but it might benefit from subtle gradations of blue and a few horizontal strokes of lighter tones to give a sense of rippling reflections.
  3. Castle Detail
    • The castle could pop more with slightly sharper highlights on the sunlit walls and warmer reflected light in the shaded areas. This will make it the true focal point.
  4. Foreground Interest
    • The foreground is richly painted, but adding a bit more texture (rocks, flowers, or small branches) would give it extra life and balance the detail of the middle ground.
  5. Sky Variation
    • The sky could include subtle color transitions—perhaps a touch more warmth near the horizon or soft cloud forms—to enhance atmosphere and mood.
  6. Color Harmony
    • Introducing a few echoing colors (e.g., some of the castle’s warm yellows reflected lightly in the foliage or the rooftops reflecting in the lake) can unify the whole composition.

? Would you like me to make a subtle refinement version (keeping it realistic and atmospheric), or would you prefer a more dramatic enhancement (like intensified colors, stronger contrast, more romantic lighting)?

Once you choose, I’ll generate a new JPG with the improvements.

Crater Lake

how would you improve this painting? also give me a sample jpg of what an improved painting would look like.

ChatGPT said:

This is a beautiful landscape painting—the depth and atmosphere are very well handled. If we’re thinking about improvements, here are a few artistic suggestions that might elevate it further:

Possible Improvements

  1. Atmospheric Perspective
    • The distant mountains could be softened with slightly cooler, lighter hues to push them back further and increase depth.
  2. Water Surface Interest
    • Adding a few gentle ripples, reflections of trees, or light sparkle on the lake would enhance realism and contrast the smooth water with the textured land.
  3. Foreground Emphasis
    • Introducing more detail, brighter highlights, or subtle color accents (e.g., warm tones in rocks, flowers, or lichen) in the foreground would give the eye a focal anchor.
  4. Color Harmony
    • Some of the greens in the trees could be varied—mixing cooler pine greens with warmer sunlit foliage—to avoid uniformity.
  5. Lighting Drama
    • Enhancing the shadows and highlights, especially where the sun hits rocks and trees, would add drama and depth. A more defined light direction can also guide the viewer’s eye through the scene.

? If you’d like, I can create a modified sample JPG showing how these adjustments might look (softer mountains, more water reflections, enhanced foreground detail, and richer lighting).

Do you want me to go ahead and generate a visual version of these improvements?

Exploring AI for Artists: Can ChatGPT Help Improve Your Art? Read More »

From Poppies to: Are Art Instructors Obsolete?

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Part 1

Some of you know I’ve been diving into the world of AI (Artificial Intelligence) lately, not just for questions and fun additions to some of my videos, but also for breathing life into old vintage photographs by turning them into moving videos. The AI industry is rapidly creating a fundamental shift in the world, changing how we communicate, work, and make decisions. The paradigm shift promises to be as great or greater than the introduction of the internet.

The art world is understandably buzzing with concern about AI stepping on creative toes. Most of the AI discussion has been about generating digital art, but I recently stumbled upon a new take on AI.

The other day after getting into a conversation with my wife about California Poppies and their colors, I asked ChatGPT. ChatGPT was the first, and still one of the best AI applications on the web. It’s what sparked this new revolution. Anyway, I’ve only ever recalled seeing one color: that brilliant golden yellow carpeting hillsides across the state. But according to ChatGPT, poppies come in a whole palette of colors—and then it threw me a curveball. It asked if I wanted to know how to mix oil paints to paint one!!

Wait… WHAT?

Apparently, it remembered from past chats that I’m an artist. Could it really see color the way a painter does? Turns out, maybe yes! It rattled off exact pigments and proportions. After 50 years of mixing paints, I have to admit it looked spot-on. I haven’t tried the recipe yet, but it was eerily close. It even gave tips on painting them in oils, acrylic, and watercolor! It suggested tips on gradiating them to look better in sunlight. And, then the kicker, a pallet suggestion for a field of poppies, including the greens, etc.

WOW.

(For the curious, I’ve posted the full conversations below, which are quite lengthy)

Then I thought, let’s push this further. I grabbed a random, simple photo from my archives, a shot of clouds over the North Sea from a cruise ship, and asked it to identify the oil paint colors I would need to mix for the darker parts of the clouds. Not only did it break down the colors, it told me how to paint them! It even created a neat little color swatch chart for mixing. Although the advice given was good, I generally use other colors to mix grays, and there are dozens of ways to arrive at gray.

Of course, no algorithm can replace the instincts, creativity, and soul of an artist. Not yet, anyway. But it’s fascinating—and maybe just a little unnerving… how close it can get?

Ideas keep popping in my head, so am delving into this further. Can it help improve my paintings? Can AI take the place of an Art Instructor? I asked it that also, but next, look for Part 2 in the next few days — AI Painting Critiques.

Here are the two actual ChatGPT conversations–

First Chat – the color of Poppies

What colors are California poppies?

ChatGPT said:

California poppies (Eschscholzia californica) are most famously a bright, golden-orange color, but they actually come in a range of shades including:

  • Deep orange (the classic “golden poppy” look)
  • Yellow
  • Cream or ivory
  • Reddish-orange
  • Soft pink (less common, often cultivated varieties)

Wild ones in California tend to stick to the warm yellows and oranges, while gardens and seed mixes can show off the full spectrum.

If you’re painting them, the classic hue is usually a warm, vibrant orange with a hint of yellow at the petal edges. Would you like me to give you a ready-to-use painter’s color mix for them?

You said:

Yes

ChatGPT said:

Here’s a ready-to-use California poppy color recipe for painting, based on classic plein air palettes:

? Classic Golden Poppy Mix (Oil or Acrylic)

  • Cadmium Yellow Deep – 2 parts
  • Cadmium Orange – 1 part
  • Tiny touch of Cadmium Red Light – for warmth and depth
  • Titanium White – just a hint, if you need a sunlit highlight
  • For shadowed petals: mix the base color with a touch of Ultramarine Blue and Alizarin Crimson to create a soft, warm violet shadow.

? Watercolor Version

  • Base wash: New Gamboge + Transparent Pyrrole Orange
  • Add a dash of Quinacridone Red for richer inner petals
  • For highlights, lift color with a damp brush rather than adding white
  • For shadows, mix Ultramarine Blue with a touch of the base mix to keep harmony.

Tip from plein air practice: the petals are slightly more yellow toward the tips and more orange toward the center, so a subtle gradient will make them look luminous.

I can also give you a sunlit field poppy palette with surrounding greens that will make the orange pop more vividly. Would you like me to prepare that?

You said:

Yes

ChatGPT said:

Here’s a Sunlit Field California Poppy Palette you can use for plein air painting so the flowers pop against their greens:

? Poppy Petals

  • Cadmium Yellow Deep – 2 parts
  • Cadmium Orange – 1 part
  • Tiny touch of Cadmium Red Light in the flower centers
  • Highlights: base color + a hint of Titanium White (oil/acrylic) or lifted color (watercolor)
  • Shadows: base color + a mix of Ultramarine Blue and Alizarin Crimson for a soft violet

? Spring Greens (background & foliage)

Sunlit leaves:

  • Cadmium Yellow Light + Sap Green (lean toward yellow for that bright, sunny poppy contrast)

Mid-tone foliage:

  • Sap Green + Cobalt Blue
  • Optional touch of Burnt Sienna to tone down brightness

Shadowed greens:

  • Sap Green + Ultramarine Blue
  • Touch of Alizarin Crimson to neutralize

?? Sunlit Field Atmosphere

  • Sky reflection in shadows: Ultramarine Blue + Titanium White (thin glaze or wash)
  • Warm earth under poppies: Yellow Ochre + Burnt Sienna (warmer near stems)

Painter’s trick: If you want the poppies to “glow,” avoid putting strong darks immediately behind the petals—use mid-light greens or warm golds so the orange vibrates.

If you like, I can make you a small printable color swatch chart so you have all these mixes at your easel. Would you like me to make that?

Second Chat – How can you paint this?

what oil paint colors would you use to paint the dark areas of the clouds?

ChatGPT said:

For the dark areas of the clouds in your photo, you’d want colors that give you a cool, muted, slightly bluish-gray feel rather than a heavy or muddy tone. Here’s a mix that would work well in oil:

Base colors

  • Ultramarine Blue – for the cool blue undertone.
  • Ivory Black – to deepen without making the color too intense or warm.

Modifiers

  • Titanium White – to control value and keep it airy.
  • Burnt Umber – just a touch to neutralize the blue and give a slightly warmer gray in certain spots.
  • Alizarin Crimson (very small amount) – to subtly shift some areas toward a purplish-gray where shadows are richer.

Suggested mixes

  • Cool shadow gray: Ultramarine Blue + Titanium White + Ivory Black.
  • Neutral mid-gray: Ultramarine Blue + Burnt Umber + White (adjust to value needed).
  • Richer purplish shadow: Ultramarine Blue + Alizarin Crimson + White (just enough to lighten).

You’ll want to keep your brushwork soft and edges slightly lost in places, since in the photo the shadows blend gently into the lighter parts of the cloud.

If you’d like, I can give you a layer-by-layer oil painting sequence specifically for these clouds so you can capture both the soft atmosphere and the strong form.

You said:

ok

ChatGPT said:

Here’s a step-by-step layer-by-layer oil painting sequence for the clouds in your photo, focusing on those darker shadow areas.

1. Underpainting / Sky Block-In

  • Mix Cobalt Blue + White (cool and clean) for the upper sky.
  • Add a touch of Cerulean Blue for the lower horizon sky.
  • Keep the sky light in value so your clouds will pop.

2. Shadow Shapes First

  • Mix Ultramarine Blue + Burnt Umber + Titanium White to get a neutral, cool mid-gray.
  • Use a slightly thinned paint (with solvent or medium) to mark in the main shadow masses of the clouds.
  • Don’t over-model yet — think “big shapes, soft edges.”

3. Deepest Darks

  • Mix Ultramarine Blue + Ivory Black with a pinch of Alizarin Crimson to make a deep, slightly purplish gray.
  • Drop this into the darkest inner folds of the clouds — especially the bases and the shadowed side facing away from the sun.

4. Mid-Tone Shadows

  • Create a softer mix: Ultramarine Blue + Burnt Umber + More White.
  • Feather these into the deep shadow areas, blending gently toward the lit parts.

5. Transition Zones

  • Mix Ultramarine Blue + White (cool) and glaze it lightly over the edges where the shadow meets light.
  • This keeps the airy, misty feel without looking cut-out.

6. Highlights & Edges

  • For bright tops: Titanium White + a touch of Cadmium Yellow Pale.
  • For slightly warm edges catching light: White + Cadmium Yellow Pale + a whisper of Alizarin Crimson.
  • Use a clean, soft brush to blend edges into the sky.

7. Final Pass (Atmosphere)

  • With a very soft dry brush, lightly scumble Titanium White + Cobalt Blue over some shadow areas to soften and “push” them back into the distance.
  • Add subtle horizontal strokes near the horizon to match the hazy perspective in your reference.

If you want, I can make you a paint-mixing swatch chart for just the dark cloud colors so you can match them precisely while you work. That way you’ll have all the values ready before you even touch the canvas.

You said:

ok

ChatGPT said:

Here’s your dark cloud color swatch chart for painting reference:

Stay tuned for Part 2!!

From Poppies to: Are Art Instructors Obsolete? Read More »

Art Map of the Waterways

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Creeks Map

One of the neatest things online documenting the Creeks and Rivers of Silicon Valley quest is the online interactive map. Here, each painting location is shown, and when you click on each pin, the painting from that location pops up. It’s like taking an art tour of the waterways in Santa Clara Valley. You can see the map by clicking the link below–

http://mapsengine.google.com/map/viewer?mid=z_jyqfO8Eo2I.kQOAJUo5NEMQ

You might notice there is an empty space right in the middle in the cities of Sunnyvale, Cupertino, and Santa Clara. Historically, very few creeks made it across this stretch of the valley soaking into the porous alluvial soil of the flatlands. What few creeks did make it across, I have already painted in more scenic areas closer to the foothills. In the flatlands, what still flows is mostly in underground culverts or cement channels. I am still scouring the area for places to paint, so will see what comes up in the next couple months.

BTW, I also have all the creeks paintings on Pinterest you can see here.

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We’re Mobile Now!

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Just added a mobile feature for this weblog so it can easily be viewed on most smartphones. If you use wordpress, I would highly recommend using the WPTouch plugin. It’s free and actually only took a few minutes to load and install. Not sure why I didn’t do it before!

You can find info about WPTouch here– http://wordpress.org/extend/plugins/wptouch/

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Prado Museum on Google Earth

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I am a real fan of Google Earth.  If you haven’t tried it, please do!  From virtually scouting out plein air painting sites, to finding houses I lived in as a child, to virtually exploring a Greek isle before a Mediterranean cruise, it has many uses.

Now, Google has added artistic masterpieces to Google Earth and Google Maps.  You can read a Time article about it here, and access the masterpieces here on Google Earth or Maps.

The 14 current images that have been scanned at the Museo del Prado include..

  • Artemis by Rembrandt
  • Self Portrait by Albrecht Durer
  • The 3rd of May 1808 in Madrid by Francisco Goya
  • The Nobleman with his Hand on his Chest by El Greco
  • The Cardinal by Raphael
  • Descent from the Cross by Roger van der Weyden
  • Emperor Carlos V on Horseback by Titian
  • The Garden of Earthly Delights by Hieronymus Bosch
  • Jacob’s Dream by José de Ribera
  • Inmaculada Concepción by Giambattista Tiepolo
  • The Annunciation by Fra Angelico
  • Crucifixion by Juan de Flandes
  • The Family of Felipe IV, or Las Meninas by Diego Velázquez
  • The Three Graces by Peter Paul Rubens

So, if you haven’t downloaded Google Earth yet you’re missing out! Hopefully Google will continue to expand this feature.

Google says “The paintings have been photographed in very high resolution and contain as many as 14,000 million pixels (14 gigapixels). With this high level resolution you are able to see fine details such as the tiny bee on a flower in The Three Graces (Las Tres Gracias), delicate tears on the faces of the figures in The Descent from the Cross (El Descendimiento ) and complex figures in The Garden of Earthly Delights (El Jardin de las Delicias)” on their Google Earth and Maps blog here.

Prado Museum on Google Earth Read More »

Creative Spotlite Features Demo

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Creative Spotlite, a great online source for free art lessons, discount art supplies and other resources just featured my new Commission/Demo to their art instruction blog.  If you haven’t checked out their website and blog, it is a great resource for any artist.  You can also subscribe to their art instruction blog just like any weblog, and/or receive emails with updates to their Artist Spotlite and Painting Lessions.  Be sure to check them out!

You can check out my demo on their site here, or on my own website here.

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Creative Spotlight

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Just received word I am the featured artist on Creative Spotlight this week. They also have several of my demos’ on their website. If you have never explored this website, it is full of great information, demonstrations and lessons every artist can learn from.

The painting shown is currently at my solo show at James Harold Gallery in Tahoe City, CA.

winterbreak.jpg

Winter Break * 30×40 * Oil on Canvas

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5th Anniversary

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Today is the fifth anniversary of my Weblog!! I started the weblog on a trip to Ouray Colorado, Tuesday January 14, 2003 when I had a one man show at the Ago Gallery there. It was the middle of winter, freezing cold…in fact so cold they were having the annual “Ouray Ice Festival” at the time. Below is a photo composite of the Dallas Divide near Ouray.

dallas divide

For the first four years, I just ‘rolled my own’ blog, not using standard weblog software. The reason at the time was I wanted it completely integrated in my web site. I switched to WordPress software in January of 2007, to get extra features such as RSS feeds, blog searching, etc. which would have been pretty hard to ‘program’ in my own website. This may lead some people to believe my blog is only a year old, but it really is five.

You can read my first weblog entry here. and the last on the old software here.

You can always get to the old log entries by following the Old Archives links in the right hand column of this page.

5th Anniversary Read More »

Facebook Plein Air Painters Group

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Fellow plein air painter and friend, Ed Terpening, has started a Facebook group for plein air painters. If interested in joining, see his blog entry here on how to join. You can also go directly to the group here.

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