Between visiting with fellow artists and occasional flights of the drone, I probably only painted about 60 minutes! I doubt I will touch up the painting any further, but just leave it as a value study.
I recently purchased a drone, and fittingly my first flight was by the same hill Montgomery sailed down more than a century ago. I had been contemplating buying a drone for quite a few years, so finally got a DJI Mavic Pro, a portable compact quadcopter, and rated one of the best in the industry. It is small enough to fit in the saddlebags of my Harley, but has all the features of top end professional drones.
Here is a short video composite of my first flights at Montgomery Hill. Yeah, I know it’s not like the stunning drone videos you probably have seen, but it’s a start!
So why am I writing about drones in what is primarily an art weblog? Well, besides just being lots of fun, I have some ideas on incorporating drones into my art. So stay tuned, and Drone On!
Enjoy this short video of a 90 minute demo I did for the Society of Western Artists reduced down to about two minutes. After watching this, it seemed I was turned around talking to the audience as much as I was painting!
You can also read about this demo and a revolutionary new painting technique on my weblog here.
The quest started as a simple idea. I didn’t even know if I would, or even could finish it. After all, it was a commitment for a year.
I didn’t know if any of it would turn out any good, or just a bunch of bad paintings for the scrap heap. I didn’t know if anything would be interesting or worth looking at.
I didn’t know I would eventually paint ghost towns in Silicon Valley, or haunted springs, or wild beaver sign in a metropolitan city, or the worlds largest homeless camp, or the world’s first ‘plein air selfie’.
I didn’t know eventually strangers would walk up to me, give me a hug, and say I brought back their fond childhood memories.
I also didn’t know it would snowball in scope and public interest way beyond my first simple idea.
Four years ago today, I started the year-long quest to paint a different “Creek and River of Silicon Valley” each week en plein air, or on location.
At the time, even finishing the year successfully was not known, but I ended up with 60 paintings of 43 different creeks all over the South San Francisco Bay area. Little did I know it would grow with articles written by international art publications, multiple showings in various venues, and a book. Discover about the quest, including a short documentary video, interactive map, and other information here–
The collection of 60 paintings is still intact and will be for the foreseeable future. I am still seeking venues both local and nationally for showings, so if any of you have ideas for venues, please let me know!
It was a great two hours of demoing, technique, and jokes with a lively crowd constantly peppering me with questions. Here’s a few pictures during the demo– Click on the thumbnails for a larger picture
I am usually not crazy about my demo paintings, but this one was turning out well, even though it was only half done, so I was anxious to complete it back in the studio. Here is a picture of the piece as I was nearing the end of the demo–
After loading up, and heading out for the hour drive home, as soon as I entered the freeway, realized I had left the wet demo painting on top of the car! I pulled over, and it was gone! So, I turned around, went back, and found the painting face down in the middle of El Camino Real, the busy main boulevard. It was in the middle of the lane and didn’t look run over, but one corner was damaged. Here is a recreation of the scene with the painting in the road.
…and the painting now looked like this:
The asphalt had gouged out spots all over the surface and my misty Yosemite painting had turned into a snowstorm! I just accidentally discovered a new way to paint snowstorms! What a great new technique! Just do your painting, then go out and rub it on the road! Asphalt probably works best, but maybe I can try cement streets also!
To top it off, a copy of a Neff original, even though half done, is now in the asphalt of San Bruno, albeit a reverse image. Maybe I should charge them?!?
All tongue in cheek of course, and I actually don’t recommend you transport paintings this way!
So now, the decision is: 1) pick out a few pieces of asphalt, trim the bad corner off, leave it as is and finish it; 2) paint back over it; or 3) start a new painting. The corner was damaged enough I started a new painting since at most a couple hours painting time was lost during the demo. Here is the new painting at about the same development as the demo was before the snowstorm–
I spent the next few days finishing the painting —
So now, what do I do with the original snow storm painting? Any suggestions?
BTW, we are planning on producing a short video of the demo as SWA videoed much of it, so stay tuned!
“Autumn is a second spring when every leaf is a flower.”
– Albert Camus
Just returned from my usual annual fall trip to the Sierra’s to paint and explore the fall color. I generally go to Lake Tahoe and Hope Valley, but sometimes over Tioga Pass in Yosemite National Park and around the Lee Vining area along the eastern Sierra escarpment. This year was Tahoe.
I didn’t really have an agenda to do a lot of finished world class paintings this trip, but take it slow, enjoy the colors, do some paint studies, explore, and absorb the surroundings.
Sunday, I drove up Hwy 88 looking for color around Silver and Caples lakes, but color was past it’s prime, so decided to keep going over Carson Pass into Hope Valley. I have painted here many times for fall color. I settled on a spot by the West Fork Carson River and close to where I had painted in prior years. I ended up right under a highway bridge, and painting a scene looking under the overpass.
(Click on a thumbnail picture to see an enlarged version.)
View under the bridge
View under the bridge
View under the bridge
I got about half done with the painting, but was tired after the drive, so headed into South Lake Tahoe to check into the motel.
Next morning, I waited until it warmed up a bit from below freezing to go out. I have painted in rain, sleet, snow, freezing temps, etc. so been there done that, and today it was wait for a little warmth!
It was back out to Hope Valley, which is about 20 miles south of Lake Tahoe, and started a painting just across from Sorenson’s Resort, again on the Carson River as it starts to tumble out of Hope Valley. This time I was painting on top of a bridge!
Across the street is Sorensons Resort
Painting on the bridge
Painting on the bridge
Half finished color study
Looking back at Hope Valley
I got about half done, then decided to head back to yesterday’s spot and finish yesterday’s painting. Bonita Paulis, an art acquaintance stopped by for a chat. After living in the area 35 years, she gave me some great out-of-the way places to paint.
Tuesday morning I trekked down to Carson City, NV, to have breakfast with an old childhood friend I hadn’t seen in years. After a great time reminiscing, went back up the mountain to Tahoe, and in the afternoon ended up on the Upper Truckee River, which had some great spots Bonita had told me about the day before.
Upper Truckee Creek area
Upper Truckee Creek area
Upper Truckee Creek area
Another half done painting
Time to head home Wednesday after stopping at James Harold Gallery in Tahoe City to swap some new miniature paintings with some older pieces.
On an artistic note, I many times have a difficult time painting fall color aspen trees, so this trip was helpful. They are harder to paint than it seems. After trying to faithfully reproduce the color and value of the leaves, it always looks a little too bright and gaudy to me, and I need to tone them down. I did get one painting finished, and two started to finish in the studio. The journey of art never ends!
On a technical note, I have found Grumbacher Cadmium-Barium Yellow Medium is almost the exact color of the aspen at their height of yellow color. Other brands don’t seem to match as well.
Continuing my seasonal miniature paintings, here are three more, all in Yosemite National Park. I have already sold a number of miniatures this season and am departing slightly the 6×6 square format to other sizes.
Dropping a total of 2,425 feet, Yosemite Falls is the highest waterfall in Yosemite National Park, and one of the highest on the globe.
Here’s another 6×6 in Yosemite National Park. This is one of the falls or cataracts as the Merced River tumbles out of Yosemite Valley.
Built in 1922, Yosemite Creek Bridge is the oldest stone bridge in Yosemite Valley, spanning Yosemite Creek below Yosemite Falls (shown above).
Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!
Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.
Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.
What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?
Around this time of year I paint a number of miniatures. They make great holiday gifts, or anytime gift for that matter, and they usually sell fairly quickly. I also paint them for both gallery and juried miniature shows this time of year. Many times, these are miniatures of larger paintings I have done, or studies for possible new larger paintings later on.
I am starting off with a trio of 6×6 pieces. Some experienced artists can probably guess which juried show I might enter these!
These are currently available directly from me, but some destined to gallery/juried shows. On a regular PC browser, they should show life-size…
Thats it for now…more on the easel. The next batch, a little more ‘moodier’ are on the way.
I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.
After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—
The view I was trying to capture, however somewhat modified
Selfie in Cowell
After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—
Koi pond at Hakone Garden
Painting in the shade!
Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—
Selfie along Penitencia Creek
That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—
The scene as the sun was setting.
Selfie as it gets darker
Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—
The scene to paint
Setup on a gravel bar
Selfie along Los Gatos Creek in Vasona park
Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.
My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.
Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—
Hanging out at the VIP Reception
Hanging out at the VIP Reception
Carol and Marti enjoying the heat
Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—
My panel at the show
Festival in the park
All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!