Cleaned Out!

(AKA 2017 Carmel Art Festival)

Perkins Park, 12x16, oil on panel
Perkins Park, 12×16, oil on panel

 


I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…

 


Wednesday

I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.

After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.

I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—

After heading back to the motel to get cleaned up, I finished the day with a dinner at my go-to Indain Restaurant, Ambrosia.

 


Thursday

Vertigo!, 24x12, oil on canvas
Vertigo!, 24×12, oil on canvas

The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.

My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.

Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—

 


Palo Colorado, 14x11, oil on panel
Palo Colorado, 14×11, oil on panel

Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—

I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—

 


Friday

Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.

After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.

I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—

 


Saturday

After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.

An award!
An award!

The Palo Colorado redwood tree painting sold at auction.

 


Sunday

Carmel Beach, 10x8, oil on panel
Carmel Beach, 10×8, oil on panel

 

All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—

The quickdraw auction was well attended. Here are a few pictures, including my painting–

By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!


Next up is the Los Gatos Plein Air Show June 16-17!


At Martial’s

Morning at Martial's, 8x16, oil on board
Morning at Martial’s, 8×16, oil on board

 
The Santa Clara Parks and Recreation Department is putting on a plein air paintout and show, which I found out about mid-way through the event. There was about two weeks to paint Martial Cottle Park en plein air for the show and since there was a little time left, decided to join in…partly because I am now known in the area as a painter of Silicon Valley due to my year long quest, “The Creeks and Rivers of Silicon Valley”…plus it’s only about a 20 minute drive from the house. I later I found out a lot of my artists friends didn’t find out about it either until it was half over.

Martial Cottle Park is one of the newest county parks, and one of the last remnants of the agrarian legacy in the Santa Clara Valley, once known as the “Valley of Hearts Delight”.

I went out last Monday to register and paint in the park, it was cloudy, with just an occasional thinning so the sun could break through a bit. I first decided to paint the main barn from a picnic area.

Here are a few shots of the morning (click on a thumbnail to see a larger picture)


 
Evening at Martial's, 11x14, oil on panel
Evening at Martial’s, 11×14, oil on panel

Later, I parked along Snell Ave, and painted the old home the Cottles used to live in. I don’t paint architecture much, so was a bit of a challenge. (click on a thumbnail to see a larger picture)


 
At this time, I don’t know which, if any paintings will be in the show, but just dropped them both off. The paintings will be shown at the Santa Clara Government Center, Gallery at 70 West Hedding St. San Jose (8:00 a.m. – 5:00 p.m.) which is the same gallery that exhibited “The Creeks and Rivers of Silicon Valley” several years ago. There will also be a reception at the park May 6, 1:00 p.m. – 3:00 p.m. More information can be found here.

An online display and voting for people’s choice award will be made available, so stay tuned!

Painting in Japan

Korakuen Morning, 8x10, acrylic on canvas
Korakuen Morning, 8×10, acrylic on canvas

 
Most of you know my son lives and works in Maniwa-shi, Japan, a town in the mountains of Southwest Japan about an hour from Okayama. I recently visited him again, for the third time. He had moved to a new location since my last visit, so I was anxious to explore around his apartment in rural Japan for painting practice! It also happened to be cherry blossom time, so was anxious to see that!

On international trips, I usually take a small acrylic paint set. Acrylics are water soluble, and dry in minutes, so they are easier to travel with than oils. Since you cannot take turpentine on a plane, if you want to paint oils, you have to find a place to buy it after you arrive at your destination. Here’s my setup on the road—

My acrylic traveling kit
My acrylic traveling kit

 
I won’t turn this post into a travelogue and go into all the details of the trip, some of which I posted here on Facebook, but concentrate on the painting in this blog entry. In retrospect, I wasn’t satisfied with most the paintings on the trip except the last day, but here goes anyway…

My son’s new place is a little further out of the central town area, mainly surrounded by rice fields. There is a Shinto Shrine close by, so I did two paintings there on different days.

Shinto Shrine 1,8x10,acrylic on canvas
Shinto Shrine 1,8×10,acrylic on canvas
Shinto Shrine 2,8x10,acrylic on canvas
Shinto Shrine 2,8×10,acrylic on canvas

These are not the main shrine, but other structures in the courtyard. Although it was a relatively small shrine, I could have done quite a few paintings in the little nooks and crannies of this small area.


 
We decided to visit Osaka, the second largest city in Japan, and about a 4 hour bus ride away. Our hotel happened to be right by Dotonburi, the most famous district and party spot in Osaka. We kept quite busy around Osaka and a side trip to Kyoto, so I didn’t have time to paint except for one day. On that day while the others shopped, it was pouring rain, so found a place under a bridge on the river to paint. I also don’t usually do urban scenes, and it was a bit smelly as you know what people do under bridges in party areas…even in clean Japan!

The piece was going nowhere, but as it got darker, the lights started coming on, and I put them in as my focal point which helped brighten things up.

Dontonburi, 8x10, acrylic on canvas
Dontonburi, 8×10, acrylic on canvas
Dotonburi
Dotonburi

 
Upon returning to Maniwa, the blossoms were still not out, and due to the rain and cold, they kept pushing back the projected blossom open date. I did find one close to my sons place, so painted that…

Maniwa, 8x10, acrylic on canvas
Maniwa, 8×10, acrylic on canvas

 
So far I was not really satisfied with any paintings done the the trip and we only had a few days left. We spent the last part of our trip in Okayama. One trip was to Kurashiki Bikan, an old historic district near Okayama. It was a scenic spot, and I started a painting while the others shopped and looked around. There were just a few blossoms, so did a painting of a bridge in the district. We got there late, and I didn’t have much time, so the painting only got about half done.


 
One of the Three Great Gardens of Japan is called Korakuen (Koraku-en). Located in Okayama, Japan, it was built in 1700 by Ikeda Tsunamasa. We saved visiting Korakuen Garden until the last day so-as to catch the blossoms. Although they were not in full bloom, there was enough to paint, so did a painting in the morning, and one in the afternoon.

The morning painting is shown at the top of this blog entry. Here are a few pictures of the area–


 
The blossoms were not fully open yet so I painted the trees a little fuller with blossoms imagining what they will look like.

The afternoon painting was a little more interesting scene and turned out pretty well, but could use some touchup later.

Korakuen Afternoon, 8x10, acrylic on canvas
Korakuen Afternoon, 8×10, acrylic on canvas

Too soon we had to depart for home. I left all the paintings with my son in Japan so he could show them to friends and students.

Fire, Water, and Ice

Merced Reflections, 16x8, oil on panel
Merced Reflections, 16×8, oil on panel

I was accepted into the Yosemite Renaissance show this year, so went to attend the opening reception with a short visit to Yosemite Valley. Of course, I’ll use any excuse to visit Yosemite, as if I need one!

The art reception went well. The show is very eclectic with everything from abstract to photography to textiles to sculpture. It was a strong show, and my painting was probably the most traditional, quiet painting there…which is fine with me!

If you plan on being in Yosemite Valley the next few months, be sure to stop by the Yosemite Museum to see the show!

The weather forecast kept changing, but as it turned out, it was clear sunny weather the entire time, but cold! Upon arrival to the valley, I started the above painting, but after recently recovering from a mild case of pneumonia, didn’t want to push it, so only got about half done and finished it when I got back to the studio. I wanted to do a plein air piece which would fit in my recent ‘vertical water’ series, so did a painting of Yosemite Falls reflecting in the Merced River. This is the ninth in the “vertical water” series, but so far the only plein air piece and a little smaller than the others which you can see here.

I recently wrote a weblog entry about the Firefall I saw while there, so won’t revisit that which you can read here.

The remainder of the visit I just walked and drove around soaking up the scenery.

Here is a short video of the trip. I had posted some pictures to Facebook, and got a lot of comments on how clear the water is, so much of the video is of the water in the valley.



Flooded!

All of you have by now heard about the flooding in my hometown of San Jose around Coyote Creek, the largest watershed in Silicon Valley. During my year long quest to paint “The Creeks and Rivers of Silicon Valley” I did 18 paintings in the Coyote watershed, and 5 of Coyote Creek itself. That was also during one of the worst droughts California experienced in years. Now Coyote Creek is above flood stage.

Today, during a break between storms, the creek has subsided a bit, so I did a mini-tour of some of the locations I painted from San Jose down to Anderson Dam in Morgan Hill. Below are pictures before, now, plus the painting I did at the time. I also included a couple videos and a link to the original weblog at the time of the original painting.


Christmas Day – Coyote Creek in Hellyer Park
The original blog post — http://www.donaldneff.com/blog/eleven-christmas-day/

 
Then:

My easel painting Coyote Creek by Hellyer Park

 
Now:
This is a picture from the bridge, the creek is up to the top of the banks…way over my head from where I originally painted…

Coyote Creek at flood stage
Coyote Creek at flood stage

 
Now:
A short video from the bridge…

 
The original painting:

Christmas Day, 8×10, oil on panel


Thompson Creek
The weblog entry is here — http://www.donaldneff.com/blog/two-three-woz-way/

 
Then:

Along the banks of Thompson Creek

 
Now:
Thompson Creek was much fuller, but not overflowing.

Thompson Creek
Thompson Creek

 
The original painting:

Thompson Creek 8×10 oil on board


Evergreen – Fowler Creek confluence
The original blog post about man’s first controlled flight — http://www.donaldneff.com/blog/sixteen-the-evergreen/

 
Then:
You can’t see much of the creek as it was just a trickle–

My easel towards the end of the painting.
My easel towards the end of the painting.

 
Now:
Not flooding, but lots of flow–

 
The original painting:

The Evergreen, 8x10,oil on panel
The Evergreen, 8×10,oil on panel


El Toro – Coyote Creek Below Anderson Dam
I wasn’t able to get to the original painting location as it was roped off and guarded by park officials. I was able to get fairly close, though.
The original blog post — http://www.donaldneff.com/blog/thirtysix-el-toro/

 
Then:

 
Now:
Water from the spillway is flowing into the Coyote Creek channel

Water from the spillway flowing into the Coyote Creek channel
Water from the spillway flowing into the Coyote Creek channel

 
Now:
A short video just downstream from the original painting location…

 
The original painting:

El Toro, 8x10, oil on board
El Toro, 8×10, oil on board

 
 
For those concerned, I live in the Coyote Creek watershed, but up in the hills enough to avoid flooding!

A Lower Tuolumne

The Tuolumne, 24x12, oil on canvas
The Tuolumne, 24×12, oil on canvas

 
I am revisiting the Tuolumne River in the eighth of my ‘Vertical Water’ series. I previously painted it in the second work of this series you can read about here.

This scene, is just a few hundred yards from the other painting, but even later in the year, and right by the Hwy 120 bridge in Tuolumne Meadows. One of the largest high-elevation meadows in the Sierra Nevada, dome studded Tuolumne Meadows is a sub-alpine section of the Tuolumne River in the high country of Yosemite National Park. It is a mecca for outdoorsmen, fishermen, campers, hikers, rock climbers, and people who just want to enjoy the outdoors. It is also a center for those who want to horseback or backpack the high Sierra Nevada Mountain range, often called “The Range of Light”

 


Here are a few pictures of the painting developing. Click on a thumbnail to see the full picture…


 
 
Well, how about some selfies in the studio!

Leaving Milford Sound

Leaving Milford  24x12 oil on gallery wrap canvas
Leaving Milford 24×12 oil on gallery wrap canvas

 
Milford Sound, a fiord in Southwest New Zealand, has been called by some the eighth wonder of the World. The spectacular area of Fiordland National Park is unparralleled in the world. The remarkable glacial carved natural environment features spectacular tumbling waterfalls, glistening stunning fiords, ice-carved valleys with rivers, ancient rainforests, shimmering lakes, soaring walls of granite, and snow-capped peaks. The Maori native culture called this area “Te Wahipounamu”, or “place of the greenstone”, and is designated a UNESCO World Heritage Site.

I visited Milford Sound on a cruise ship in February 2013. We had been sailing in and out of the fiords of Fiordland National Park all day, including Doubtful and Dusky Sound, but Milford was the icing on the cake. For those who have visited Yosemite Valley, it was akin to sailing a cruise ship right into the valley. With spectacular glacier carved sheer rock faces of almost 4000 feet on either side which lead to mountain peaks of almost 5000 feet high! It had been a fairly cloudy and gloomy day, but the cloud cover was high enough to see the mountain peaks all around. Occasionally, a spot of sun would hit, as depicted in the painting.

 


One of my favorite spots on a cruise ship is on the promenade deck right at the stern above the wake of the ship. Here you can hear the churning of the propellers in the water as it splashes and bubbles producing wonderful colors of aqua, greens, grays, and blues.

 
Here’s a few pictures of the painting in development. Click on each photo to see the complete larger version —


 
Here’s a few pictures from the day, plus a few of Princess cruise ships in Milford Sound from the internet. Click on each photo to see the complete larger version —


 

Some of the photos above I used as studies to make the painting which is a composite of several pictures. Probably one of the more unusual paintings I have done, I have often thought about doing some cruise ship wake and other studio paintings from the decks. I have plenty of material to work from and done occasional plein air pieces from the deck of the ships, as we are avid cruisers…perhaps a new series?

Drenched

Most of you know California is getting drenched, and much of the rest of the US is getting heavy snow. I ventured out today to check a spot I painted three years ago Christmas morning, along Coyote Creek, to see what it looked like. You can read more about when I painted it December 25, 2013, on my weblog here. The creek was low, but flowing nicely, and looked like this–

My easel painting Coyote Creek by Hellyer Park
Painting Coyote Creek under the Hellyer Road Bridge

Here is the plein air painting I did that day–

Christmas Day, 8×10, oil on panel

A year later it was bone dry (This photo was taken just a few miles upstream November 1, 2014)

Coyote Creek
Coyote Creek

Today it looked like this…

Coyote Creek 1/9/16
Coyote Creek 1/9/16

    
You can still see some of the fall color I painted in the upper left, and the trees on the right are in about 3-4 feet of water.

More rain is on the way, so hopefully I can check out some of the other creeks which were dry just a year ago!


Soaring in the Sierras

Tenaya Outlet, 24x12, oil on gallery wrap canvas
Tenaya Outlet, 24×12, oil on gallery wrap canvas

“Up and away to Lake Tenaya, another big day, enough for a lifetime.  The rocks, the air, everything speaking with audible voice or silent; joyful, wonderful, everlasting, banishing weariness and sense of time.  No longing for anything now or hereafter as we go home into the mountain’s heart.”

John Muir – “My First Summer in the Sierra”

One of the easily accessible alpine lakes in the high Sierra, Tenaya Lake is also one of the most spectacular. Named after Yosemite Ahwahneechee Chief Tenaya, it is nestled in a granite basin surrounded by soaring granite domes, peaks, and lodgepole forests. Along Hwy 120 (Tioga Pass Road), it is also a sports destination with hiking, swimming, and boating.

What a magnificent scene! I regularly return to it both physically, and in my art doing plein air and studio paintings of the area. My last painting of the Tuolumne River is not far away. Of course one of the main attractions is the unique Polly Dome which dips into the eastern part of the lake, and a controversy of the 1958 Tioga Road realigning. It is considered one of the most scenic routes in all California and one of the most outstanding park roads in the entire National Park System.

This scene is where Tenaya Lake starts to empty on it’s western side into Tenaya Creek, and eventually flows into Yosemite Valley where it joins with the Merced River.

This is the third recently done, of what I am dubbing my “vertical water scenes”. I resurrected an old technique used often when painting acrylics, of painting the water from ground up, and then glazing over the top until you get to the surface. Of course it takes longer with oils as they have to dry between coats. Acrylics dry within minutes but oils can take up to a week to dry to the touch. I used Liquin in this instance as a glazing medium and to speed up the drying time, and also to put a glossy glaze on the water. A space heater in my studio also helped!

Here’s a few pictures as the painting progressed in the gallery below. Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.



Here’s a couple of photos of me on a recent trip trip there doing a plein air piece…Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.


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The Mighty Tuolumne River

"Low Water on the Tuolumne", 20x16, oil on board
“Low Water on the Tuolumne”, 20×16, oil on board

The Tuolumne River is one of the mightiest rivers in the Sierra Nevada mountains. Flowing for 149 miles, it drains a rugged watershed in the high Sierras, and flows calmly through Tuolumne Meadows before cascading into the Grand Canyon of the Tuolumne. The river, captured by Hetch Hetchy Reservoir, provides water and power to the City of San Francisco and the SF Bay area prior to merging with the San Joaquin River in California’s Central Valley.

This painting is from a study in late September when the river is low, close to the Tuolumne Meadows Campground. The river flows over solid granite, through deep pools, and waterfalls as it meanders through Tuolumne Meadows. As usual, I will have to put this away for awhile, and in a few weeks look at it again to see if it is really finished!