Perhaps I should have confessed it up front to Elizabeth, but I had had never been in an art classroom in an institution of higher learning. I have been in art classrooms at art schools, but never a college or university. Being primarily self taught the last 45 years of painting, my art comes from what I love. The only ‘formal’ instruction I have had is various workshops from artists I admire the last 15 years.
It was a class of about 10 students, all pursuing different disciplines. After a short talk about “The Creeks and Rivers of Silicon Valley”, we launched into a demonstration painting. I chose a seascape in Garrapata State Park for my study. I really enjoyed the intimate setting where students scooted up right around my easel to watch me paint.
Here are some photos during my demo, some courtesy of Elizabeth. (Click on the thumbnails to see larger versions)–
Here is the painting about where I left it in class…
The painting about where I left it in class.
I touched up the painting a bit after returning to my studio which can be seen at the top of this weblog entry.
I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.
Tuesday
Cowell, 16×8, oil on panel, plein air
After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—
The view I was trying to capture, however somewhat modified
Selfie in Cowell
After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—
Hakone Pals, 24×12,oil on canvas
Koi pond at Hakone Garden
Painting in the shade!
Wednesday
The Old Swing, 8×10, oil on panel
Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—
Penitencia Creek
Selfie along Penitencia Creek
Silicon Valley View, 12×16, oil on panel
That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—
The scene as the sun was setting.
Selfie as it gets darker
Thursday
Vasona, 11×14, oil on panel
Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—
The scene to paint
Setup on a gravel bar
Selfie along Los Gatos Creek in Vasona park
Friday
Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.
My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.
Ready to hang!
Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—
Hanging out at the VIP Reception
Hanging out at the VIP Reception
Carol and Marti enjoying the heat
Saturday
Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—
My panel at the show
Festival in the park
Live Band
All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!
All of you have by now heard about the flooding in my hometown of San Jose around Coyote Creek, the largest watershed in Silicon Valley. During my year long quest to paint “The Creeks and Rivers of Silicon Valley” I did 18 paintings in the Coyote watershed, and 5 of Coyote Creek itself. That was also during one of the worst droughts California experienced in years. Now Coyote Creek is above flood stage.
Today, during a break between storms, the creek has subsided a bit, so I did a mini-tour of some of the locations I painted from San Jose down to Anderson Dam in Morgan Hill. Below are pictures before, now, plus the painting I did at the time. I also included a couple videos and a link to the original weblog at the time of the original painting.
Then: My easel painting Coyote Creek by Hellyer Park
Now:
This is a picture from the bridge, the creek is up to the top of the banks…way over my head from where I originally painted… Coyote Creek at flood stage
Now:
A short video from the bridge…
The original painting: Christmas Day, 8×10, oil on panel
Most of you know California is getting drenched, and much of the rest of the US is getting heavy snow. I ventured out today to check a spot I painted three years ago Christmas morning, along Coyote Creek, to see what it looked like. You can read more about when I painted it December 25, 2013, on my weblog here. The creek was low, but flowing nicely, and looked like this–
My easel painting Coyote Creek by Hellyer ParkPainting Coyote Creek under the Hellyer Road Bridge
Here is the plein air painting I did that day–
Christmas Day, 8×10, oil on panel
A year later it was bone dry (This photo was taken just a few miles upstream November 1, 2014)
Coyote Creek
Today it looked like this…
Coyote Creek 1/9/16
You can still see some of the fall color I painted in the upper left, and the trees on the right are in about 3-4 feet of water.
More rain is on the way, so hopefully I can check out some of the other creeks which were dry just a year ago!
“Up and away to Lake Tenaya, another big day, enough for a lifetime. The rocks, the air, everything speaking with audible voice or silent; joyful, wonderful, everlasting, banishing weariness and sense of time. No longing for anything now or hereafter as we go home into the mountain’s heart.”
—John Muir – “My First Summer in the Sierra”
One of the easily accessible alpine lakes in the high Sierra, Tenaya Lake is also one of the most spectacular. Named after Yosemite Ahwahneechee Chief Tenaya, it is nestled in a granite basin surrounded by soaring granite domes, peaks, and lodgepole forests. Along Hwy 120 (Tioga Pass Road), it is also a sports destination with hiking, swimming, and boating.
What a magnificent scene! I regularly return to it both physically, and in my art doing plein air and studio paintings of the area. My last painting of the Tuolumne River is not far away. Of course one of the main attractions is the unique Polly Dome which dips into the eastern part of the lake, and a controversy of the 1958 Tioga Road realigning. It is considered one of the most scenic routes in all California and one of the most outstanding park roads in the entire National Park System.
This scene is where Tenaya Lake starts to empty on it’s western side into Tenaya Creek, and eventually flows into Yosemite Valley where it joins with the Merced River.
This is the third recently done, of what I am dubbing my “vertical water scenes”. I resurrected an old technique used often when painting acrylics, of painting the water from ground up, and then glazing over the top until you get to the surface. Of course it takes longer with oils as they have to dry between coats. Acrylics dry within minutes but oils can take up to a week to dry to the touch. I used Liquin in this instance as a glazing medium and to speed up the drying time, and also to put a glossy glaze on the water. A space heater in my studio also helped!
Here’s a few pictures as the painting progressed in the gallery below. Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.
The sketch-in
The background
The foreground
Almost done
Here’s a couple of photos of me on a recent trip trip there doing a plein air piece…Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.
Painting Tenaya
Painting Tenaya
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Technically, it’s Don Edwards San Francisco Bay National Wildlife Refuge Education Center, which is quite a mouthful. There are selected paintings from “The Creeks and Rivers of Silicon Valley” currently on display at the center. Today, they sponsored a reception and ‘meet the artist’. It turned out to be quite fun! We had some nice refreshments, then I talked for awhile, visited, and answered a wide range of questions. Some took a guided nature hike through part of the Refuge. I talked about art, indian legends, magic, ghosts, history, flight, conservation, the environment, but mostly about the creeks and waterways in Silicon Valley. My goal was for everyone to look ‘under the surface’ of what is around them in Silicon Valley to appreciate what used to be called “The Valley of Heart’s Delight”. From what I could tell no one fell asleep, and everyone seemed to have a good time!
Just a few pictures of the afternoon courtesy of my friend, past work associate, and great photographer, Scott Loftesness. If you haven’t seen some of Scott’s photos, you should check them out here and here.
The exhibit will be up until the late fall and we don’t really have an end date yet. If you haven’t seen it, or been out to the center, it is certainly worth the trip!
During my quest of painting the creeks of Silicon Valley, stuff I painted in many places, medicine but almost all the creeks end up in the marshes of the San Francisco Bay in what is now called the Don Edwards National Wildlife Refuge. The Refuge encompasses most of the southern portions of the bay, generic and is a wonderful reclamation of land once used for industrial purposes.
We put up 18 paintings specifically from the Coyote Creek Watershed in their Education Center today. The paintings will be on display now until the fall. A special event is scheduled for September 5, which is free, but you must sign up here.
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online 8×10, oil on board” width=”500″ height=”403″ class=”size-full wp-image-3504″ /> “…and Evening”, 8×10, oil on board
We come to the final painting in the year long quest. Since the very beginning, I have had various ideas on what to paint as the last one, but just a couple weeks ago came up with the “trio”, Morning…Afternoon…and Evening. We had an almost full moon rising around dusk today, so what better way to end this quest with a view of Silicon Valley with a full moon rising over the eastern foothills. I am not as familiar with the western foothills of Santa Clara County where I wanted to paint this, so took me quite a bit of time on Google Earth, and just driving around, to find this scene. I also wanted it to be by a creek I had not painted yet.
I settled on a view from Peacock Court in the foothills above Cupertino. In the distant valley you can see downtown San Jose. The creek is Swiss Creek and is a tributary of Stevens Creek, which I have painted several times in this quest. We were above Permanente Quarry and I could hear the equipment in the distance below. As soon as I turned onto Peacock Court, guess what I saw….a peacock!
The rising moon was spectacular. In the pictures, it almost looks like a rising sun. I stayed until it was too dark to paint, and touched the painting up in the studio.
Click on a thumbnail to open up a larger picture and slide show***
I found a peacock on Peacock Court.
The rising moon over Silicon Valley.
Parked along Peacock Ct. and some nice mansions.
My easel with the almost full moon.
This ends the year long quest, but there is much more coming up! Just the painting part is over!
I have a special surprise coming in a few days, and there is much more after that, so stay tuned!
