August – Malaguerra

Malaguerra, 12×24, oil on canvas

Fifth in my Preserve Coyote Valley Quest.

The Malaguerra Winery was set on the eastern edge of Coyote Valley and the foothills of the Diablo Range.  Erected in 1869 for Swiss immigrant Jose Maria Malaguerra, it is the oldest extant winery structure in Santa Clara County.  Constructed of stones hauled from nearby Coyote Creek, it was completely stuccoed, but much of the stucco is now falling off revealing the original stones.

Cultivation of grapes on a commercial basis began in this area during the early 1850s, and by 1860 Malaguerra was one of twenty-six vintners in the county.  A national depression during the mid-1890s and over-production of grapes resulted in many local wineries closing. Among these was the Malaguerra Wine operation which stopped in 1898.  The winery was revived and expanded at the turn of the century, and remained in operation until 1950.

When he was 48 years old, Jose Maria Malaguerra married 20 year old Alvina and they built a house in the flat area near the winery building.  Over the next 20 years, Alvina gave birth to twelve children. After Jose died in 1902 from bronchitis, Alvina moved off the land, settling in Palo Alto with various daughters. She was 90 years old when she died.

On the National Register of Historic Places, at one time, it was reportedly being renovated into a museum, but I saw little signs of that now.

Painting number five in my Preserve Coyote Valley Quest is a studio painting of what’s left of the old Malaguerra Winery. Having quite a bit of very hot days recently, I wasn’t in the mood to paint en plein air. I painted this using photo studies from visiting the site.

The Nosy Donkey

You never know who fans of your paintings might be. Here’s the story…

Our recent tour of the Holy Land was a jam packed nine days from early morning to night, plus three days going and returning. We were usually on the road by 7 am, and sometimes earlier. Each evening routine was: take a shower, eat, then flop into bed, usually by 9 pm. I was with 66 friends and others from my area, occupying two tour buses.

This blog isn’t a travelogue, but here is a short preview/trailer for a video I will be producing in the next several months…



I kept my paints handy on the tour bus, but only once did I have a chance to paint, and that was in Petra, Jordan. One of the New Seven Wonders of the World, Petra is an ancient city carved into the sandstone cliffs of southern Jordan. Many might recognize it in such films as Indiana Jones, Arabian Nights, and The Mummy returns. Being the son of a Christian minister, I have heard about it, and wanted to visit all my life.

It was a little disappointing we only had about three hours for our visit as most travel guides recommend at least a day and preferably two days or more. Several of us split from our tour group, and went ahead on our own. You can ride horses, carriages, etc. through the Siq, a narrow passageway to the city, but I decided to walk the mile and a half to Al-Khazneh (The Treasury), the first and most iconic structure.

Here are a few pictures as I walked through the Siq. Click on the thumbnails to see larger versions…

Here is the iconic picture of the 130 feet high Treasury when it first comes into view…

The Treasury comes into view while walking through the Siq
The Treasury comes into view while walking through the Siq

I really wanted to see much more, but since the time was short, decided to just stay there and do a painting. If I finished the painting, and had time, I could explore further. I found a low wall with a view of the Treasury where I could sit somewhat out of the way of the crowds, spread out my materials and begin painting. Click on the thumbnails to see larger versions…

All during painting, some of the local children and others would come up and rub shoulders to watch me work. Some tourists even wanted to buy the piece.

Things really got interesting when a donkey decided he liked to sniff around my paint kit. I didn’t mind the company, but was afraid he would start nibbling the paints on my palette or grab my paint kit and it would end up on the other side of the mountain. I kept shooing him away, but he was pretty persistent. I guess he really liked my work! Click on the thumbnails to see larger versions…

I’m just glad the nearby camels didn’t come over and spit on me!


I didn’t really finish the painting as it was soon time to get back to catch the tour bus. I also didn’t get to see much of Petra, but can say I brought back the only souvenir I know was actually made there…my painting! Below is the painting with some touchup/finishing in the studio.

The Treasury, 10x8, acrylic on canvas, plein air
The Treasury, 10×8, acrylic on canvas, plein air

Eight Days on a Bike

Zion Lodge View, 8x10, acrylic, plein air
Zion Lodge View, 8×10, acrylic, plein air

Here I was riding my Harley around the Southwest again. I recently did an eight day trip on my 2003 Road King, traveling around parts of the Southwest. We visited Yosemite NP, Cedar Breaks, Antelope Canyon, Horseshoe Bend, Grand Canyon NP, Zion NP, and points in between. I also took my drone, and captured some aerial footage.

I won’t go into a travelogue here, but if interested, here is a short video of the trip–

Although painting was not a priority on this trip, I brought my acrylic travel kit just in case. We spent several nights near Zion National Park, and I had the opportunity do a couple painting studies.

It was quite hot, getting up around 100. We caught the shuttle bus at the Zion visitors center, and rode to the end of the line in the spectacular canyon at a place called Temple of Sinawava for my first painting. After scouting around, I found a scene and a rock I could sit on, then sat down to paint.

Yikes! I left my canvas pad and palette back at my motorcycle! So, it was all the way back on the shuttle to the visitors center and retrieve my materials, wasting about an hour.

I then decided to just stay around the Zion Lodge and do a painting, as I was going to meet my biker buddy there for lunch. To capture the scene I wanted, I had to stand in the hot sun to do the painting, and it was a chore to keep the acrylics wet on my palette as my misting spray bottle wasn’t working. It took a little more than an hour and managed to do a pretty good study, which is shown above.

After lunch, I rode the shuttle back to a stop called Big Bend and started another study. The shuttle stop had enough benches and shade to spread out and paint out of the sun. It was getting mid-afternoon, the hottest part of the day and even though I was in the shade, the acrylics were ‘skinning over’ as soon as I squeezed some out of the tube, which made it even more challenging.

Big Bend View, 10x8, acrylic, plein air
Big Bend View, 10×8, acrylic, plein air

This one wasn’t as complete as the first, but I stopped because of the heat and challenging conditions. It turned out an OK study. Regardless, any day spent in Zion is a wonderful day, especially when you can sit and paint!

This Year Was Different

AKA Dronin’ the Festival

This year was different. For the thirteenth year, I participated in the Carmel Art Festival. But this year, I have a drone. So I produced a short video of the spectacular California coast around the Carmel/Big Sur area while I was painting. It is one of the spectacular coastlines in the world. First, enjoy this short video “Dronin’ the Festival”…



In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted. I won’t go into a detailed diary of the week like I have in past weblogs, but just a synopsis and a few pictures below, some of which are also in the video.

Wednesday evening, after having my canvases stamped, I headed to Perkins Park in Pacific Grove to start a painting of the sunset. I only had enough time to block in the major areas before the sun went down.

At the crack of dawn Thursday, I headed down the coast to Garrapata State Park, one of my favorite places to paint. I decided to do another Vertical Water scene, a bit like the one which won an award last year. The morning sun was lighting up Point Sur many miles down the coast and made for an interesting composition.

Then, in the afternoon, I went up nearby Palo Colorado Road and painted the redwoods. It was nice to get out of the wind along the coast and hug a tree for the afternoon (at lease figuratively!).

Friday morning, an old friend, Scott Loftesness visited, and I did a small piece in Perkins Park again. It was a cloudy day with a little drizzle, but the sun was hitting some spots in Monterey Bay which gave the painting more interest.

That afternoon I spent touching up, and framing the four paintings.

I sold two at the festival…not the best year, but good enough! Click on the thumbnails to see the title and size of each painting.

Exhausted

AKA Touring the Great Cities of Eastern Europe

St Nicolas Church, Prague.  8x10, acrylic on canvas
St Nicolas Church, Prague. 8×10, acrylic on canvas

Some of you who follow me on Facebook realize I just returned from a trip to Eastern Europe. For security reasons I generally don’t like to advertise on social media we are out of town, but can’t resist posting a few pictures here and there.

I won’t turn this blog into a travelogue, but we took a fixed tour round trip from New York City to a number of Eastern European cities. We visited Warsaw, Krakow, Budapest, Vienna, Prague, and Helsinki hosted by smartour.com. Although it is dubbed ‘Eastern Europe’ from a western viewpoint, they consider themselves ‘Middle Europe’, and if you look on a map, they are right.

On these tours, you are constantly on the go, walking, busing, etc. and whatever free or downtime you have is used to rest up for the next leg. In Prague, for example, we spent a solid 4 hours walking from the castle area, all the way down and across the river to the old town…over cobblestone the entire way. Every evening I plopped in bed exhausted from the days events.

As always, I carried a little acrylic paint kit. Acrylics are much easier to travel with internationally, as they dry quickly, and are easily cleaned up with water. With oils, you need turpentine which is not allowed on an airplane so you have to buy it at your destination…a tough feat. Oils also dry slower so you have to carry dry boxes, etc.

I only had enough time to do a few paintings, one in Budapest, and one in Prague.

In Budapest, I took the tram from our hotel to Margaret Island, which is in the middle of the Danube and is basically a city park. I did a view of the Margaret Bridge. The painting turned out just OK, but it was fun sitting there for a few hours and watch the Danube flow by. BTW, the Danube is anything but ‘beautiful blue’. It is a muddy brown, although in the painting I made it a little more blue than it was. A lot of pollution is still dumped into this famous waterway.

My second painting opportunity came the last day in Prague. If you have been there, it is one of the most beautiful cities in Europe as it wasn’t bombed in WWII and many buildings date back to medieval times. It’s also jammed with tourists.

We did a lunch cruise up the Vltava River, and afterwards I stayed on the boat dock while the others went shopping. I spent a little over an hour on a study looking across the river to the St Nicolas church. It was a bit of a cloudy day, but I think this one turned out quite a bit better, and is shown above.

The little studies I do on these trips are my favorite souvenirs. I joke with my fellow travelers, instead of wondering where a souvenir actually came from (e.g. China), for example, I can say it was made right in Prague by American hands.

Coming up, the Carmel Art Festival next week, so stay tuned!

Above the Mission

So, the plan was to join the Los Gatos group at the weekly paint-out, this time at San Juan Bautista Mission, CA. The mission is one of 21 religious outposts established by the Spanish, and this one was finished in 1812. I have painted there a number of times, and generally paint the mission itself.

Once again, I wanted to capture the artists painting from above with my DJI Mavic Pro drone. I checked beforehand and there were no drone restrictions in San Juan Bautista. California State parks are generally have no drone restrictions, but some restrict depending on the county, district, or park.

Upon arrival, my iPhone was on low battery. I had it on charge all night, but for some reason didn’t charge. An iPhone or other mobile device is not absolutely necessary to fly the drone, but it sure helps, and you are somewhat flying blind without it. I had no good way of charging it without running my car engine for awhile, so decided to limit my flying time. I also didn’t want to disturb the peace and quiet around the mission in the clear crisp morning, and kept to a fairly high altitude. The sound of the drone did carry much further in the cool morning air.

Here is a short video “Above San Juan Bautista‘…

…and a few photos of the day….

Since I probably wouldn’t have a lot of time to paint, I decided to just do a simple study of the corner porch/entrance of the mission, probably little over an hour of painting time. Here is the painting…

I think I will just leave this as a color and value study.

Paintin’ n Dronin’


The Rose Barn has been on my ‘to paint’ list for quite awhile. Its an old barn on the backroads between San Jose and Morgan Hill and about a half hour drive from the house.

The Los Gatos Plein Air Group scheduled a paint out there last Monday, so it was time to do a little painting and droning! Enjoy this short video of the morning…

Note: If you cannot see the video, click here.

Between visiting with fellow artists and occasional flights of the drone, I probably only painted about 60 minutes! I doubt I will touch up the painting any further, but just leave it as a value study.

Drops of Color, Everywhere

Carson Colors, 8x16, oil on panel, plein air
Carson Colors, 8×16, oil on panel, plein air


“Autumn is a second spring when every leaf is a flower.”
– Albert Camus


Just returned from my usual annual fall trip to the Sierra’s to paint and explore the fall color. I generally go to Lake Tahoe and Hope Valley, but sometimes over Tioga Pass in Yosemite National Park and around the Lee Vining area along the eastern Sierra escarpment. This year was Tahoe.

I didn’t really have an agenda to do a lot of finished world class paintings this trip, but take it slow, enjoy the colors, do some paint studies, explore, and absorb the surroundings.


Sunday, I drove up Hwy 88 looking for color around Silver and Caples lakes, but color was past it’s prime, so decided to keep going over Carson Pass into Hope Valley. I have painted here many times for fall color. I settled on a spot by the West Fork Carson River and close to where I had painted in prior years. I ended up right under a highway bridge, and painting a scene looking under the overpass.

(Click on a thumbnail picture to see an enlarged version.)

I got about half done with the painting, but was tired after the drive, so headed into South Lake Tahoe to check into the motel.


Next morning, I waited until it warmed up a bit from below freezing to go out. I have painted in rain, sleet, snow, freezing temps, etc. so been there done that, and today it was wait for a little warmth!

It was back out to Hope Valley, which is about 20 miles south of Lake Tahoe, and started a painting just across from Sorenson’s Resort, again on the Carson River as it starts to tumble out of Hope Valley. This time I was painting on top of a bridge!

I got about half done, then decided to head back to yesterday’s spot and finish yesterday’s painting. Bonita Paulis, an art acquaintance stopped by for a chat. After living in the area 35 years, she gave me some great out-of-the way places to paint.

The most complete piece I did on the trip
The most complete piece I did on the trip


Tuesday morning I trekked down to Carson City, NV, to have breakfast with an old childhood friend I hadn’t seen in years. After a great time reminiscing, went back up the mountain to Tahoe, and in the afternoon ended up on the Upper Truckee River, which had some great spots Bonita had told me about the day before.


Time to head home Wednesday after stopping at James Harold Gallery in Tahoe City to swap some new miniature paintings with some older pieces.

On an artistic note, I many times have a difficult time painting fall color aspen trees, so this trip was helpful. They are harder to paint than it seems. After trying to faithfully reproduce the color and value of the leaves, it always looks a little too bright and gaudy to me, and I need to tone them down. I did get one painting finished, and two started to finish in the studio. The journey of art never ends!

On a technical note, I have found Grumbacher Cadmium-Barium Yellow Medium is almost the exact color of the aspen at their height of yellow color. Other brands don’t seem to match as well.

A Third Trio

Continuing my seasonal miniature paintings, here are three more, all in Yosemite National Park. I have already sold a number of miniatures this season and am departing slightly the 6×6 square format to other sizes.

Dropping a total of 2,425 feet, Yosemite Falls is the highest waterfall in Yosemite National Park, and one of the highest on the globe.

Misty Yosemite Falls, 5x7 miniature, oil on panel
Misty Yosemite Falls, 5×7 miniature, oil on panel


Here’s another 6×6 in Yosemite National Park. This is one of the falls or cataracts as the Merced River tumbles out of Yosemite Valley.

Turgid Merced, 6x6 miniature, oil on linen panel
Turgid Merced, 6×6 miniature, oil on linen panel


Built in 1922, Yosemite Creek Bridge is the oldest stone bridge in Yosemite Valley, spanning Yosemite Creek below Yosemite Falls (shown above).

Yosemite Creek Bridge, 4x6 miniature, oil on canvas board
Yosemite Creek Bridge, 4×6 miniature, oil on canvas board


There are more on the easel, so stay tuned!

A Trio of Misty Mini’s

Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!

Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.

Misty Elkhorne, 6x6, oil on panel
Misty Elkhorne, 6×6, oil on panel

Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.

Misty Garrapata, 6x6, oil on panel
Misty Garrapata, 6×6, oil on panel

What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?

Misty Yosemite, 6x6, oil on panel
Misty Yosemite, 6×6, oil on panel


Hang on, more mini’s coming up!