This Year Was Different

AKA Dronin’ the Festival

my summer holidays short essay on global warming This year was different. For the thirteenth year, I participated in the Carmel Art Festival. But this year, I have a drone. So I produced a short video of the spectacular California coast around the Carmel/Big Sur area while I was painting. It is one of the spectacular coastlines in the world. First, enjoy this short video “Dronin’ the Festival”…



follow link In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted. I won’t go into a detailed diary of the week like I have in past weblogs, but just a synopsis and a few pictures below, some of which are also in the video.

source url http://conyersrockdalelibrary.org/study/indian-summer-season-essay-in-hindi.html Wednesday evening, after having my canvases stamped, I headed to Perkins Park in Pacific Grove to start a painting of the sunset. I only had enough time to block in the major areas before the sun went down.

newspaper on 29 july

source site At the crack of dawn follow link Thursday, I headed down the coast to Garrapata State Park, one of my favorite places to paint. I decided to do another Vertical Water scene, a bit like the one which won an award last year. The morning sun was lighting up Point Sur many miles down the coast and made for an interesting composition.

https://mphotonics.mit.edu/campus.php?get=write-my-ad-analysis&for=127

Then, in the afternoon, I went up nearby Palo Colorado Road and painted the redwoods. It was nice to get out of the wind along the coast and hug a tree for the afternoon (at lease figuratively!).

quality custom essays Friday morning, an old friend, Scott Loftesness visited, and I did a small piece in Perkins Park again. It was a cloudy day with a little drizzle, but the sun was hitting some spots in Monterey Bay which gave the painting more interest.

That afternoon I spent touching up, and framing the four paintings.

I sold two at the festival…not the best year, but good enough! Click on the thumbnails to see the title and size of each painting.

Exhausted

AKA Touring the Great Cities of Eastern Europe

St Nicolas Church, Prague.  8x10, acrylic on canvas
St Nicolas Church, Prague. 8×10, acrylic on canvas

Some of you who follow me on Facebook realize I just returned from a trip to Eastern Europe. For security reasons I generally don’t like to advertise on social media we are out of town, but can’t resist posting a few pictures here and there.

I won’t turn this blog into a travelogue, but we took a fixed tour round trip from New York City to a number of Eastern European cities. We visited Warsaw, Krakow, Budapest, Vienna, Prague, and Helsinki hosted by smartour.com. Although it is dubbed ‘Eastern Europe’ from a western viewpoint, they consider themselves ‘Middle Europe’, and if you look on a map, they are right.

On these tours, you are constantly on the go, walking, busing, etc. and whatever free or downtime you have is used to rest up for the next leg. In Prague, for example, we spent a solid 4 hours walking from the castle area, all the way down and across the river to the old town…over cobblestone the entire way. Every evening I plopped in bed exhausted from the days events.

As always, I carried a little acrylic paint kit. Acrylics are much easier to travel with internationally, as they dry quickly, and are easily cleaned up with water. With oils, you need turpentine which is not allowed on an airplane so you have to buy it at your destination…a tough feat. Oils also dry slower so you have to carry dry boxes, etc.

I only had enough time to do a few paintings, one in Budapest, and one in Prague.

In Budapest, I took the tram from our hotel to Margaret Island, which is in the middle of the Danube and is basically a city park. I did a view of the Margaret Bridge. The painting turned out just OK, but it was fun sitting there for a few hours and watch the Danube flow by. BTW, the Danube is anything but ‘beautiful blue’. It is a muddy brown, although in the painting I made it a little more blue than it was. A lot of pollution is still dumped into this famous waterway.

My second painting opportunity came the last day in Prague. If you have been there, it is one of the most beautiful cities in Europe as it wasn’t bombed in WWII and many buildings date back to medieval times. It’s also jammed with tourists.

We did a lunch cruise up the Vltava River, and afterwards I stayed on the boat dock while the others went shopping. I spent a little over an hour on a study looking across the river to the St Nicolas church. It was a bit of a cloudy day, but I think this one turned out quite a bit better, and is shown above.

The little studies I do on these trips are my favorite souvenirs. I joke with my fellow travelers, instead of wondering where a souvenir actually came from (e.g. China), for example, I can say it was made right in Prague by American hands.

Coming up, the Carmel Art Festival next week, so stay tuned!

Above the Mission

So, the plan was to join the Los Gatos group at the weekly paint-out, this time at San Juan Bautista Mission, CA. The mission is one of 21 religious outposts established by the Spanish, and this one was finished in 1812. I have painted there a number of times, and generally paint the mission itself.

Once again, I wanted to capture the artists painting from above with my DJI Mavic Pro drone. I checked beforehand and there were no drone restrictions in San Juan Bautista. California State parks are generally have no drone restrictions, but some restrict depending on the county, district, or park.

Upon arrival, my iPhone was on low battery. I had it on charge all night, but for some reason didn’t charge. An iPhone or other mobile device is not absolutely necessary to fly the drone, but it sure helps, and you are somewhat flying blind without it. I had no good way of charging it without running my car engine for awhile, so decided to limit my flying time. I also didn’t want to disturb the peace and quiet around the mission in the clear crisp morning, and kept to a fairly high altitude. The sound of the drone did carry much further in the cool morning air.

Here is a short video “Above San Juan Bautista‘…

…and a few photos of the day….

Since I probably wouldn’t have a lot of time to paint, I decided to just do a simple study of the corner porch/entrance of the mission, probably little over an hour of painting time. Here is the painting…

I think I will just leave this as a color and value study.

Paintin’ n Dronin’


The Rose Barn has been on my ‘to paint’ list for quite awhile. Its an old barn on the backroads between San Jose and Morgan Hill and about a half hour drive from the house.

The Los Gatos Plein Air Group scheduled a paint out there last Monday, so it was time to do a little painting and droning! Enjoy this short video of the morning…

Note: If you cannot see the video, click here.

Between visiting with fellow artists and occasional flights of the drone, I probably only painted about 60 minutes! I doubt I will touch up the painting any further, but just leave it as a value study.

Drops of Color, Everywhere

Carson Colors, 8x16, oil on panel, plein air
Carson Colors, 8×16, oil on panel, plein air

“Autumn is a second spring when every leaf is a flower.”
– Albert Camus


Just returned from my usual annual fall trip to the Sierra’s to paint and explore the fall color. I generally go to Lake Tahoe and Hope Valley, but sometimes over Tioga Pass in Yosemite National Park and around the Lee Vining area along the eastern Sierra escarpment. This year was Tahoe.

I didn’t really have an agenda to do a lot of finished world class paintings this trip, but take it slow, enjoy the colors, do some paint studies, explore, and absorb the surroundings.


Sunday, I drove up Hwy 88 looking for color around Silver and Caples lakes, but color was past it’s prime, so decided to keep going over Carson Pass into Hope Valley. I have painted here many times for fall color. I settled on a spot by the West Fork Carson River and close to where I had painted in prior years. I ended up right under a highway bridge, and painting a scene looking under the overpass.

(Click on a thumbnail picture to see an enlarged version.)

I got about half done with the painting, but was tired after the drive, so headed into South Lake Tahoe to check into the motel.


Next morning, I waited until it warmed up a bit from below freezing to go out. I have painted in rain, sleet, snow, freezing temps, etc. so been there done that, and today it was wait for a little warmth!

It was back out to Hope Valley, which is about 20 miles south of Lake Tahoe, and started a painting just across from Sorenson’s Resort, again on the Carson River as it starts to tumble out of Hope Valley. This time I was painting on top of a bridge!

I got about half done, then decided to head back to yesterday’s spot and finish yesterday’s painting. Bonita Paulis, an art acquaintance stopped by for a chat. After living in the area 35 years, she gave me some great out-of-the way places to paint.

The most complete piece I did on the trip
The most complete piece I did on the trip

Tuesday morning I trekked down to Carson City, NV, to have breakfast with an old childhood friend I hadn’t seen in years. After a great time reminiscing, went back up the mountain to Tahoe, and in the afternoon ended up on the Upper Truckee River, which had some great spots Bonita had told me about the day before.


Time to head home Wednesday after stopping at James Harold Gallery in Tahoe City to swap some new miniature paintings with some older pieces.

On an artistic note, I many times have a difficult time painting fall color aspen trees, so this trip was helpful. They are harder to paint than it seems. After trying to faithfully reproduce the color and value of the leaves, it always looks a little too bright and gaudy to me, and I need to tone them down. I did get one painting finished, and two started to finish in the studio. The journey of art never ends!

On a technical note, I have found Grumbacher Cadmium-Barium Yellow Medium is almost the exact color of the aspen at their height of yellow color. Other brands don’t seem to match as well.

A Third Trio

Continuing my seasonal miniature paintings, here are three more, all in Yosemite National Park. I have already sold a number of miniatures this season and am departing slightly the 6×6 square format to other sizes.

Dropping a total of 2,425 feet, Yosemite Falls is the highest waterfall in Yosemite National Park, and one of the highest on the globe.

Misty Yosemite Falls, 5x7 miniature, oil on panel
Misty Yosemite Falls, 5×7 miniature, oil on panel

Here’s another 6×6 in Yosemite National Park. This is one of the falls or cataracts as the Merced River tumbles out of Yosemite Valley.

Turgid Merced, 6x6 miniature, oil on linen panel
Turgid Merced, 6×6 miniature, oil on linen panel

Built in 1922, Yosemite Creek Bridge is the oldest stone bridge in Yosemite Valley, spanning Yosemite Creek below Yosemite Falls (shown above).

Yosemite Creek Bridge, 4x6 miniature, oil on canvas board
Yosemite Creek Bridge, 4×6 miniature, oil on canvas board


There are more on the easel, so stay tuned!

A Trio of Misty Mini’s

Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!

Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.

Misty Elkhorne, 6x6, oil on panel
Misty Elkhorne, 6×6, oil on panel

Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.

Misty Garrapata, 6x6, oil on panel
Misty Garrapata, 6×6, oil on panel

What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?

Misty Yosemite, 6x6, oil on panel
Misty Yosemite, 6×6, oil on panel

Hang on, more mini’s coming up!

‘Tis the Season

Around this time of year I paint a number of miniatures. They make great holiday gifts, or anytime gift for that matter, and they usually sell fairly quickly. I also paint them for both gallery and juried miniature shows this time of year. Many times, these are miniatures of larger paintings I have done, or studies for possible new larger paintings later on.

I am starting off with a trio of 6×6 pieces. Some experienced artists can probably guess which juried show I might enter these!

These are currently available directly from me, but some destined to gallery/juried shows. On a regular PC browser, they should show life-size…

El Dorado, 6x6, oil on panel
El Dorado, 6×6, oil on panel
Tahoe Squall, 6x6, oil on panel
Tahoe Squall, 6×6, oil on panel
Truckee Thaw, 6x6, oil on panel
Truckee Thaw, 6×6, oil on panel

Thats it for now…more on the easel. The next batch, a little more ‘moodier’ are on the way.

Hot! Hot! Hot!

AKA Painting the Los Gatos Plein Air Festival

My panel at the show
My panel at the show

I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.

 


Tuesday

Cowell, 16x8, oil on panel, plein air
Cowell, 16×8, oil on panel, plein air

After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—

After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—

Hakone Pals, 24x12,oil on canvas
Hakone Pals, 24×12,oil on canvas

 


Wednesday

The Old Swing, 8x10, oil on panel
The Old Swing, 8×10, oil on panel

Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—

 


Silicon Valley View, 12x16, oil on panel
Silicon Valley View, 12×16, oil on panel

That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—

 


Thursday

Vasona, 11x14, oil on panel
Vasona, 11×14, oil on panel

Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—

 


Friday

Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.

My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.

Ready to hang!
Ready to hang!

Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—

 


Saturday

Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—

 


All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!

Some photos courtesy Ron Lykins.

Decked!

AKA Painting Alaska from the deck of a cruise ship

Many of you know I recently took a cruise to Alaska. Since this was our fourth cruise to this destination, I wanted to concentrate on painting rather than touring and sightseeing. We embarked out of San Francisco, and was our first cruise where we didn’t have to fly to the embarkation point, so I considered taking my oil paints rather than the usual acrylics I travel with. In the end I took my acrylics as I didn’t want to smell up the cabin with drying oil paints. I did take a Strada mini easel, which is the first time I have taken an easel on a cruise.

I won’t turn this blog entry into a travelogue, but just concentrate on the painting.

 


Ketchikan

Creek Street,9x12,acrylic on canvas
Creek Street,9×12,acrylic on canvas

Our first stop was Ketchikan, called ‘the first city of Alaska’ because it is always the first stop north. I made a beeline to Creek Street. Creek Street is infamous as being Ketchikan’s red light district during pioneer days and is actually a boardwalk mounted in stilts on a high slope on the east side of Ketchikan Creek.

I painted for a couple hours and then it started to drizzle, so had to pack up. I wasn’t sure it was finished, especially the water. While I was painting, the water level in the creek had dropped several feet! I assume it was the tide but possibly some controlling dam upstream. Here’s a few pictures from the morning. Click on a thumbnail to see a larger picture–

 


Juneau

Douglas, 9x12, acrylic on canvas
Douglas, 9×12, acrylic on canvas

It was a bit of a drizzly day, so in the morning just painted from the Promenade Deck on the ship. Looking across Gasteneau Channel is the town of Douglas, and behind that Mt. Bradley. While I was painting, a crew member told me several humpback whales had been playing around the ship all morning. Sure enough, they were still there, and I would occasionally see them surface, spout, and play around. Click on a thumbnail to see a larger picture–

It cleared somewhat in the afternoon, and the sun occasionally broke out which was first time on this cruise which was already almost half over, so I went into town for a bit, and took a ride up the Mt Roberts Tramway, which gives spectacular views of the ships, Juneau, and the areas beyond.

 


Skagway

Taiya Inlet, 9x12, acrylic on canvas
Taiya Inlet, 9×12, acrylic on canvas

It was another drizzly day with clouds hanging around the mountain tops and valleys so I spent the morning painting from the ship deck looking across the channel to a mountain west of Skagway. The sun was spraying light here and there through the clouds, which make for dramatic scenes, and good paintings. The top of the mountain was obscured by clouds, so didn’t really see it until the end of the painting. By the time I finished, it had mostly cleared off. Click on a thumbnail to see a larger picture–


Skagway, 9x12,acrylic on canvas
Skagway, 9×12,acrylic on canvas

I headed into town, hoping to do another painting before the ship sailed. I walked to the end of the main drag, Broadway Street, found a bench to spread my materials out, and did a painting of a mountain and the street. I mostly finished the mountain, but the buildings were not complete when it started to rain. It was almost time to head back to the ship anyway, so packed up intending to finish the painting later. Click on a thumbnail to see a larger picture–

 


Even though it was overcast most of the cruise, it was still a great time being on board the ship, visiting a few familiar places, and painting!


go to site Next up is the Los Gatos Plein Air Show June 16-17!