From April 2020, for a year, I posted on Facebook a painting each day as a brief diversion from the lockdowns and other bad news this year. Neglecting my weblog, I’ll post in the coming days some of my better posts. Some of these paintings are still available.
Intersectionality is one of the new buzzwords of the SJW political crowd. This piece is an intersection of two series/themes I have been painting off and on the last few years, the ‘Misty’, and ‘Vertical Water’ paintings.
From the “Studio Kal?jimas” is another scene of the Merced River in Yosemite Valley, California with Sentinel Rock in the background. The painting I posted yesterday was done on location, and this one in the studio. You can see more vertical water paintings here: https://www.pinterest.com/next…/the-vertical-water-series/
From April 2020, for a year, I posted on Facebook a painting each day as a brief diversion from the lockdowns and other bad news this year. Neglecting my weblog, I’ll post in the coming days some of my better posts.
Several years ago I started a series called “Vertical Water”. I add to the series occasionally with both studio and plein air works. This one was painted en plein air on Swinging Bridge in Yosemite Valley, Feb 2017. It was quite cold, so I touched it up and finished it in the studio. That year was a great trip as I visited my painting on display in the Yosemite Museum, saw the firefall, and executed some good paintings. From the “Studio Börtön”, you can see more vertical water paintings here: https://www.pinterest.com/next…/the-vertical-water-series/ You can read about the trip and enjoy a short video here: http://www.donaldneff.com/blog/fire-water-and-ice/
Since April 2020 I have posted on Facebook a painting each day as a brief diversion from the lockdowns and other bad news this year. Neglecting my weblog, I’ll post in the coming days some of my better posts.
Ok. Seems like quite a few want to keep my daily virus diversion going, so I’ll keep posting paintings, perhaps not every day, though.
Today’s painting from the “Studio Vault” is a larger painting in Yosemite Valley. Spring is one of the better times to go to the valley. As the snow pack melts, the waterfalls are at their peak. More falls are apparent as the summer dry creeks can turn into torrents as the sun melts the winter snow. As the Merced River rolls slowly by, Yosemite Falls is in the background during spring thaw
The Bracebridge Dinner is an extravaganza and theatrical performance in Yosemite Valley’s Ahwahnee Hotel dining room during the month of December. A tradition since 1927, for a few weeks, the grand dining room is transformed into a Renaissance scene of Bracebridge Hall patterned after Washington Irvings writings. The four hour event includes a stunning array of singers and actors who tell the story of Lord Bracebridge and people of his household. A number of the cast are from the San Francisco Opera company. All this happens during a 7 course feast. The Wall Street Journal noted in 2006: “Bracebridge is, without much doubt, the country’s, if not the world’s premier Christmas dinner.”
So what does this dinner have to do with this painting?
From the “estidyo tou pre Bay la ” is the first large painting done in my new studio.In December 2017, as my birthday present for that year, Josie and I treated ourselves to the Bracebridge Dinner.It had been on my bucket list for decades, however it was so popular, attendees were chosen by lottery.Recently, however they changed to normal first come first serve reservations. It was bitter cold our entire stay in the valley and was feeling a bit under the weather, so didn’t paint, but on a morning walk in the valley came upon this scene, and have been wanting to paint it ever since.
The scene is close to Swinging Bridge on the path to Yosemite Lodge where we were staying.Once again, am not sure I am completely done with this painting, but will set it aside for a few weeks to see if I want to change anything.
It was a great two hours of demoing, technique, and jokes with a lively crowd constantly peppering me with questions. Here’s a few pictures during the demo– Click on the thumbnails for a larger picture
I am usually not crazy about my demo paintings, but this one was turning out well, even though it was only half done, so I was anxious to complete it back in the studio. Here is a picture of the piece as I was nearing the end of the demo–
After loading up, and heading out for the hour drive home, as soon as I entered the freeway, realized I had left the wet demo painting on top of the car! I pulled over, and it was gone! So, I turned around, went back, and found the painting face down in the middle of El Camino Real, the busy main boulevard. It was in the middle of the lane and didn’t look run over, but one corner was damaged. Here is a recreation of the scene with the painting in the road.
…and the painting now looked like this:
The asphalt had gouged out spots all over the surface and my misty Yosemite painting had turned into a snowstorm! I just accidentally discovered a new way to paint snowstorms! What a great new technique! Just do your painting, then go out and rub it on the road! Asphalt probably works best, but maybe I can try cement streets also!
To top it off, a copy of a Neff original, even though half done, is now in the asphalt of San Bruno, albeit a reverse image. Maybe I should charge them?!?
All tongue in cheek of course, and I actually don’t recommend you transport paintings this way!
So now, the decision is: 1) pick out a few pieces of asphalt, trim the bad corner off, leave it as is and finish it; 2) paint back over it; or 3) start a new painting. The corner was damaged enough I started a new painting since at most a couple hours painting time was lost during the demo. Here is the new painting at about the same development as the demo was before the snowstorm–
I spent the next few days finishing the painting —
So now, what do I do with the original snow storm painting? Any suggestions?
BTW, we are planning on producing a short video of the demo as SWA videoed much of it, so stay tuned!
Continuing my seasonal miniature paintings, here are three more, all in Yosemite National Park. I have already sold a number of miniatures this season and am departing slightly the 6×6 square format to other sizes.
Dropping a total of 2,425 feet, Yosemite Falls is the highest waterfall in Yosemite National Park, and one of the highest on the globe.
Here’s another 6×6 in Yosemite National Park. This is one of the falls or cataracts as the Merced River tumbles out of Yosemite Valley.
Built in 1922, Yosemite Creek Bridge is the oldest stone bridge in Yosemite Valley, spanning Yosemite Creek below Yosemite Falls (shown above).
I was accepted into the Yosemite Renaissance show this year, so went to attend the opening reception with a short visit to Yosemite Valley. Of course, I’ll use any excuse to visit Yosemite, as if I need one!
The art reception went well. The show is very eclectic with everything from abstract to photography to textiles to sculpture. It was a strong show, and my painting was probably the most traditional, quiet painting there…which is fine with me!
If you plan on being in Yosemite Valley the next few months, be sure to stop by the Yosemite Museum to see the show!
The weather forecast kept changing, but as it turned out, it was clear sunny weather the entire time, but cold! Upon arrival to the valley, I started the above painting, but after recently recovering from a mild case of pneumonia, didn’t want to push it, so only got about half done and finished it when I got back to the studio. I wanted to do a plein air piece which would fit in my recent ‘vertical water’ series, so did a painting of Yosemite Falls reflecting in the Merced River. This is the ninth in the “vertical water” series, but so far the only plein air piece and a little smaller than the others which you can see here.
Some may recognize this painting…but it’s new! I painted a small version, 6×12, several months ago for my miniature show, and posted it on Facebook. It’s also part of the logo picture above. I liked the mood and composition, so decided to do a larger, 15×30 version. Other than adding more detail, and a little more color to the bridge, the paintings are essentially the same.
About the scene–
There are eight beautiful and historic stone bridges in Yosemite Valley, most of them spanning the Merced River. This is the Clark Bridge, just after a snow storm. The Clark Bridge was built in 1928 with a span of 75.5 ft (23 m) over the Merced River and right by the Upper and Lower Pines campgrounds, where I have camped dozens of times over the decades.
Here is the small version, 6×12, oil on canvas. This version is currently available at James Harold Galleries in Tahoe City, CA.