metcalf road

Don Edwards SF Bay NWR Center Reception

Continuing the ”Creeks and Rivers of Silicon Valley” year long quest.

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Technically, it’s Don Edwards San Francisco Bay National Wildlife Refuge Education Center, which is quite a mouthful. There are selected paintings from “The Creeks and Rivers of Silicon Valley” currently on display at the center. Today, they sponsored a reception and ‘meet the artist’. It turned out to be quite fun! We had some nice refreshments, then I talked for awhile, visited, and answered a wide range of questions. Some took a guided nature hike through part of the Refuge. I talked about art, indian legends, magic, ghosts, history, flight, conservation, the environment, but mostly about the creeks and waterways in Silicon Valley. My goal was for everyone to look ‘under the surface’ of what is around them in Silicon Valley to appreciate what used to be called “The Valley of Heart’s Delight”. From what I could tell no one fell asleep, and everyone seemed to have a good time!

Just a few pictures of the afternoon courtesy of my friend, past work associate, and great photographer, Scott Loftesness. If you haven’t seen some of Scott’s photos, you should check them out here and here.

The exhibit will be up until the late fall and we don’t really have an end date yet. If you haven’t seen it, or been out to the center, it is certainly worth the trip!

Don Edwards National Wildlife Refuge Exhibit

During my quest of painting the creeks of Silicon Valley, I painted in many places, but almost all the creeks end up in the marshes of the San Francisco Bay in what is now called the Don Edwards National Wildlife Refuge. The Refuge encompasses most of the southern portions of the bay, and is a wonderful reclamation of land once used for industrial purposes.

I wrote a number of times about the area in FortySix: Don’s Sunrise Pix, FortySeven: Hunter’s Heaven, and Fifty: Ghost City

We put up 18 paintings specifically from the Coyote Creek Watershed in their Education Center today. The paintings will be on display now until the fall. A special event is scheduled for September 5, which is free, but you must sign up here.

More info can be found here.

Los Gatos Plein Air 2015

I have been participating in the Los Gatos Plein Air almost every year since it’s inception. Since it is close to my house, I can stay home and paint the local area without worrying about all the travel expense and time.

During plein air competitions, artists have several days to paint and present for sale finished and framed paintings. The festival coordinators stamp the back of the canvas to ensure all work is done in the days allotted. We had our panels stamped on Tuesday morning, and had until Friday afternoon to produce the paintings.

I already posted some of these on Facebook, but for those who are not on social media, here are a few pictures from the show. Click on a thumbnail to view a larger picture Note: Email subscribers may not see all pictures. Just click on the title for a link to the online version.

After getting my canvas stamped, I headed out to Guadalupe Creek to paint a California Sycamore as I had been doing a series of these—

The next morning, it was out to Metcalf Road about 10 miles from my house. I drove around a bit and settled on this scene—

After lunch, I drove over to McKean road, south of San Jose, and after a little exploring decided to do a vista of Almaden Valley. I almost had to talk myself in tackling this painting as there is quite a bit to paint in a short time for a competition.

I only got about half way through the painting, so called it a day and would return tomorrow afternoon to finish it.

I was up early for the drive over to Almaden Reservoir. I had checked it on Tuesday, and even in this drought, it was close to full.

The Los Gatos Rotary Association was putting on a lunch for the artists, so I drove into Los Gatos, and had a pleasant meal with some of the other artists. I then headed to Los Gatos Creek. I knew in the hot midday it would be shady and cool…just right for a creek painting!

It was then back to McKean and Country View Dr to finish the Almaden Valley vista painting.

I spent in touchup and framing. That evening was a ticketed reception, and I sold the California Sycamore painting.

The next day was the main sale day to the public. I sold all but one of the five painted for the show.

My panel at the show.
My panel at the show.

Below are the five paintings I did for the show–

FiftyNine: …Afternoon…

Continuing the ”Creeks and Rivers of Silicon Valley” year long quest.

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"...Afternoon...", 8x10, oil on board
“…Afternoon…”, 8×10, oil on board


I am releasing the final three paintings in this quest as a trio, and here is number two. “…Afternoon…” was painted late in the day and since we just went off daylight savings time, the sun sets early around 5 o’clock.

Most of you know I own and ride a Harley-Davidson motorcycle. Metcalf Road, as a backroads way going home, is a favorite ride. It’s a country road, and the first part, painted here, is steep and full of hairpin turns. You can see just a hint of the road on the right side. At the top of the hill, behind me, is the Metcalf Motorcycle Park for motocross dirt bikers.

Metcalf Creek empties into Coyote Creek, one I have painted multiple times in this quest. The far hills are the coastal range of California, and you can barely make out the iconic radar building at the top of Mt Unumhum.

Down below, you can see settlement ponds which is part of the Coyote Creek engineered system. You can also barely make out Hwy 101. I showed just a glimpse of Metcalf Creek at the bottom of the hill. Just to the right in the valley glare, you can barely make out the southernmost suburban area of San Jose. It seems every year, this line creeps further south as new neighborhoods are built. Just to the left in the valley, but not shown, is the Metcalf Transmission Substation which made national news awhile back with a sophisticated sniper assault.

Click on a thumbnail to open up a larger picture and slide show***



An artists note: I painted almost the entirety with a #10 filbert brush, Silver Ruby Satin brand, about 3/4 of an inch wide. Since the entire painting is in the distance and late in the day, I wanted a soft look throughout. The larger the brush you can use, the better! Also, some of the brightest parts on the hillsides are ‘take-aways’. I tone my canvas with Transparent Red Oxide, and lifting the paint reveals part of the undertoned canvas.

This is quite an expansive view, and a little hard to fit on a small 8×10 canvas. It’s on my list for a large painting later on!

Just one more painting to go, and…

I have a special surprise coming next week when the quest is over. Stay tuned!

Click this link for a map of all painting locations along with each painting.
Click on this link for a Pinterest catalog of all paintings so far.

***Email subscribers may not see all pictures. Just click on the title for a link to the online version.

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