Around this time of year I paint a number of miniatures. They make great holiday gifts, or anytime gift for that matter, and they usually sell fairly quickly. I also paint them for both gallery and juried miniature shows this time of year. Many times, these are miniatures of larger paintings I have done, or studies for possible new larger paintings later on.
I am starting off with a trio of 6×6 pieces. Some experienced artists can probably guess which juried show I might enter these!
These are currently available directly from me, but some destined to gallery/juried shows. On a regular PC browser, they should show life-size…
Thats it for now…more on the easel. The next batch, a little more ‘moodier’ are on the way.
I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.
After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—
After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—
Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—
That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—
Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—
Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.
My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.
Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—
Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—
All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!
I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…
I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.
After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.
I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—
The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.
My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.
Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—
Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—
I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—
Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.
After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.
I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—
After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.
The Palo Colorado redwood tree painting sold at auction.
All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—
The quickdraw auction was well attended. Here are a few pictures, including my painting–
By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!
Martial Cottle Park is one of the newest county parks, and one of the last remnants of the agrarian legacy in the Santa Clara Valley, once known as the “Valley of Hearts Delight”.
I went out last Monday to register and paint in the park, it was cloudy, with just an occasional thinning so the sun could break through a bit. I first decided to paint the main barn from a picnic area.
Here are a few shots of the morning (click on a thumbnail to see a larger picture)—
Later, I parked along Snell Ave, and painted the old home the Cottles used to live in. I don’t paint architecture much, so was a bit of a challenge. (click on a thumbnail to see a larger picture)—
At this time, I don’t know which, if any paintings will be in the show, but just dropped them both off. The paintings will be shown at the Santa Clara Government Center, Gallery at 70 West Hedding St. San Jose (8:00 a.m. – 5:00 p.m.) which is the same gallery that exhibited “The Creeks and Rivers of Silicon Valley” several years ago. There will also be a reception at the park May 6, 1:00 p.m. – 3:00 p.m. More information can be found here.
An online display and voting for people’s choice award will be made available, so stay tuned!
Steve asked me to do either a seascape or lake scene, so I chose a seascape. Recently, I have been doing a series of vertical water paintings, so picked a seascape to start for the scene. As usual with these demos, there is not enough time to do a finished painting, but I tried to finish off certain portions to demonstrate various techniques in painting seascapes.
It was a small, but lively group, and seemed like questions were coming once a minute as I tried to paint. Steve is quite the art historian, and kept things lively with his historical quips.
I was accepted into the Yosemite Renaissance show this year, so went to attend the opening reception with a short visit to Yosemite Valley. Of course, I’ll use any excuse to visit Yosemite, as if I need one!
The art reception went well. The show is very eclectic with everything from abstract to photography to textiles to sculpture. It was a strong show, and my painting was probably the most traditional, quiet painting there…which is fine with me!
If you plan on being in Yosemite Valley the next few months, be sure to stop by the Yosemite Museum to see the show!
The weather forecast kept changing, but as it turned out, it was clear sunny weather the entire time, but cold! Upon arrival to the valley, I started the above painting, but after recently recovering from a mild case of pneumonia, didn’t want to push it, so only got about half done and finished it when I got back to the studio. I wanted to do a plein air piece which would fit in my recent ‘vertical water’ series, so did a painting of Yosemite Falls reflecting in the Merced River. This is the ninth in the “vertical water” series, but so far the only plein air piece and a little smaller than the others which you can see here.
All of you have by now heard about the flooding in my hometown of San Jose around Coyote Creek, the largest watershed in Silicon Valley. During my year long quest to paint “The Creeks and Rivers of Silicon Valley” I did 18 paintings in the Coyote watershed, and 5 of Coyote Creek itself. That was also during one of the worst droughts California experienced in years. Now Coyote Creek is above flood stage.
Today, during a break between storms, the creek has subsided a bit, so I did a mini-tour of some of the locations I painted from San Jose down to Anderson Dam in Morgan Hill. Below are pictures before, now, plus the painting I did at the time. I also included a couple videos and a link to the original weblog at the time of the original painting.
This scene, is just a few hundred yards from the other painting, but even later in the year, and right by the Hwy 120 bridge in Tuolumne Meadows. One of the largest high-elevation meadows in the Sierra Nevada, dome studded Tuolumne Meadows is a sub-alpine section of the Tuolumne River in the high country of Yosemite National Park. It is a mecca for outdoorsmen, fishermen, campers, hikers, rock climbers, and people who just want to enjoy the outdoors. It is also a center for those who want to horseback or backpack the high Sierra Nevada Mountain range, often called “The Range of Light”
Here are a few pictures of the painting developing. Click on a thumbnail to see the full picture…
Milford Sound, a fiord in Southwest New Zealand, has been called by some the eighth wonder of the World. The spectacular area of Fiordland National Park is unparralleled in the world. The remarkable glacial carved natural environment features spectacular tumbling waterfalls, glistening stunning fiords, ice-carved valleys with rivers, ancient rainforests, shimmering lakes, soaring walls of granite, and snow-capped peaks. The Maori native culture called this area “Te Wahipounamu”, or “place of the greenstone”, and is designated a UNESCO World Heritage Site.
I visited Milford Sound on a cruise ship in February 2013. We had been sailing in and out of the fiords of Fiordland National Park all day, including Doubtful and Dusky Sound, but Milford was the icing on the cake. For those who have visited Yosemite Valley, it was akin to sailing a cruise ship right into the valley. With spectacular glacier carved sheer rock faces of almost 4000 feet on either side which lead to mountain peaks of almost 5000 feet high! It had been a fairly cloudy and gloomy day, but the cloud cover was high enough to see the mountain peaks all around. Occasionally, a spot of sun would hit, as depicted in the painting.
One of my favorite spots on a cruise ship is on the promenade deck right at the stern above the wake of the ship. Here you can hear the churning of the propellers in the water as it splashes and bubbles producing wonderful colors of aqua, greens, grays, and blues.
Here’s a few pictures of the painting in development. Click on each photo to see the complete larger version —
Here’s a few pictures from the day, plus a few of Princess cruise ships in Milford Sound from the internet. Click on each photo to see the complete larger version —
Some of the photos above I used as studies to make the painting which is a composite of several pictures. Probably one of the more unusual paintings I have done, I have often thought about doing some cruise ship wake and other studio paintings from the decks. I have plenty of material to work from and done occasional plein air pieces from the deck of the ships, as we are avid cruisers…perhaps a new series?
The roar of the churning surf,
the crash of the waves against the hardened rocks,
the gurgling of the wave as it dies on the shore,
the crackling bubbles as the wave ebbs,
the gusts of salty wind,
the keow of a soaring gull,
the misty spray in your face is…
Standing by the Pacific Ocean, or for that matter any ocean, just before, right during, or just after a storm is akin to looking God in the eye.
This scene, my sixth in the “vertical water” series, could be almost anywhere in the world, but is along Sunset Drive on the Monterey Peninsula, California, during winter when the storms churn up the Pacific waters. Historically, the area was one of the first settled on the west coast, and Monterey was the first capital of California. The area, including nearby Carmel-by-the-Sea (Where I usually participate in the annual plein air festival), is a mecca and center for artists and writers, going back a century or two.
Here’s a few pictures of the painting in development. Click on each photo to see a larger version —
When I was getting close to finished, I realized the painting looked too ‘busy’, so took out some of the splashes and flattened the water a bit. I also darkened and grayed the water as it was too light.
I keep coming up with lots of new ideas for vertical water paintings, so stay tuned! You can subscribe to this weblog by entering your email on the sidebar.
Oh, one last thing. I was on a Harley ride when I took the photos I used as studies for this painting. Here is my bike, along with my riding buddy Pete’s bike by the surf.