From April 2020, for a year, I posted on Facebook a painting each day as a brief diversion from the lockdowns and other bad news this year. Neglecting my weblog, I’ll post in the coming days some of my better posts. Some of these paintings are still available.
Winter storms bring a lot of water action to the California Coastline. The huge swells created many miles out to sea come crashing against the shoreline rocks creating a constant roar, crashing waves, frothy surf, and great painting subjects.
From the “nouvelle prison de studio” is one of the ‘Vertical Water” series I add to from time to time. This scene is from Pacific Grove looking due west out to sea as a storm on the horizon is breaking.
As the summer morning fog clears along the California coast, many times the crashing waves, spray, wind, and lingering fog create an ethereal atmosphere of a misty soft landscape, or should I say seascape. I live within an hours drive of the coast, and visit often to paint, camp, and ride my Harley.
Many of you know I purchased a drone earlier this year. I bought it mainly for fun and to give a different perspective to my painting, motorcycle, and other adventures. Although my main intent was not to do paintings from a drone’s perspective, I did do a plein air drone selfie you can read about here.
Reviewing the drone footage around Davenport, however, I couldn’t resist painting a scene far above the coast. The video frame I painted from is at about 0:47 on the above video. I wanted to create an atmosphere of morning mist still lingering around the coast and the sun starting to highlight parts of the coastal bluffs. I did sharpen and saturate the colors a bit from the video, and highlighted parts of the cliff more. Here is the frame I extracted and enhanced in Photoshop as my study:
As you can see, I painted it pretty much ‘as-is’. In the distance is the coastal hamlet of Davenport, about ten miles north of Santa Cruz. The drone was 176 feet above the bluff, so probably 250 feet above the ocean.
Perhaps I’ll look at my drone videos again, and maybe produce a drone painting series?!? Stay tuned!
This year was different. For the thirteenth year, I participated in the Carmel Art Festival. But this year, I have a drone. So I produced a short video of the spectacular California coast around the Carmel/Big Sur area while I was painting. It is one of the spectacular coastlines in the world. First, enjoy this short video “Dronin’ the Festival”…
In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted. I won’t go into a detailed diary of the week like I have in past weblogs, but just a synopsis and a few pictures below, some of which are also in the video.
Wednesday evening, after having my canvases stamped, I headed to Perkins Park in Pacific Grove to start a painting of the sunset. I only had enough time to block in the major areas before the sun went down.
At the crack of dawn Thursday, I headed down the coast to Garrapata State Park, one of my favorite places to paint. I decided to do another Vertical Water scene, a bit like the one which won an award last year. The morning sun was lighting up Point Sur many miles down the coast and made for an interesting composition.
Then, in the afternoon, I went up nearby Palo Colorado Road and painted the redwoods. It was nice to get out of the wind along the coast and hug a tree for the afternoon (at lease figuratively!).
Friday morning, an old friend, Scott Loftesness visited, and I did a small piece in Perkins Park again. It was a cloudy day with a little drizzle, but the sun was hitting some spots in Monterey Bay which gave the painting more interest.
That afternoon I spent touching up, and framing the four paintings.
I sold two at the festival…not the best year, but good enough! Click on the thumbnails to see the title and size of each painting.
Stop the presses! Call Guiness Book of World Records! The world’s first plein air drone selfie painting has just been created! Enjoy this short video including some spectacular scenes from the California coast, and then read about the adventure below—
There is an ever growing patchwork array of rules and regulations for drone owners, particularly where you can fly. I agree with most of it…you can’t fly in national parks and wildlife refuges, close to airports, over stadiums, etc., but leave it to California to spoil the fun with more and more regulations. There are online websites and apps which are good resources on where its legal to fly, plus the DJI drone app also keeps track of where you are and tells you if you are in a no-fly-zone. Much of the California coastal waters from Morro Bay to San Francisco are off limits because it is a marine sanctuary, but if you don’t fly over the ocean, are generally OK.
The Pigeon Point Lighthouse area on the San Mateo Coast had some places I could fly, close to the road, and the cliffs were not too high in case I needed to get to the beach. I am a little paranoid about crashing such an expensive instrument, or coming down in a place inaccessible, so have been flying in open areas where there are no fences, etc.
We had a sunny day between two storms here in Northern California, so I headed out to the coast and the lighthouse. What a beautiful day! I was expecting it to be a little cold, but soaking in the sunshine just warms you up. Winds were light which helps in piloting the drone.
I set everything up, my easel and paints first, then the Mavic Pro. I also mounted a GoPro video camera on a tripod to record everything from the ground.
Upon launching the drone, I flew it around a bit to find the perspective I wanted for the painting. This drone has a live video feed to smart mobile devices such as iPhone, iPad, etc. I then sketched in the scene by looking at what the drone was seeing through my iPad. I actually did not have the drone in the air a lot while painting. Besides conserving battery life, it was easy to see the values and colors quite well from the ground. I just needed the drone to get the perspective, and to see what I looked like from about 20 feet up in the air. From there on, I basically painted as normal en plein air, but taking the drone up a few times to recheck my drawing, etc.
Some plein air purists may scoff since I used an iPad for part of the process, and a bit gimmicky. The only thing I actually used it for was to get the scene from an aerial perspective and to see what my backside looked like. And so what if it is a little gimmicky! If you can have more fun while having fun, I say go for it!
I was there a little over three hours, about half that actually painting. Every once in awhile, I couldn’t resist taking the drone up and around the area to record some amazing video.
Late afternoon, I headed down the coast and made a few quick stops and quick flights to record the amazing California coast near sunset. You can view these in the video above.
All-in-all, I was musing on the way home, this was one of the best painting day-trips I have experienced in a long time!
I touched the painting up just a bit in the studio, and here is the final result…
The Cambrian Artists League invited me for an ‘encore’ demonstration last Saturday. I had previously done a demo for them several years ago, and they wanted more. I did a snow scene for the last demo, and they wanted a seascape this time.
I chose as my subject a scene from Perkins Park in Pacific Grove, CA. In the spring, the ice plant blooms there and the entire park is covered in a blanket of reds, pinks, and purples. I had painted there last year for the Carmel Art Festival, and in fact lately have been doing a painting in the park for the festival every year as they always sell. I have wanted to do a larger studio piece of the same scene.
Here are a few pictures near the end of the demo. (Click on the thumbnails to view larger pictures)
Here is the painting after about two hours of demoing…most of the major elements were at least blocked in…
Thanks, Cambrian Artists League! It was a fun morning with a lively bunch of artists!
I later finished the piece in the studio, pictured above. As usual, a painting is never completely finished until it goes out the door, but will set it aside for now.
Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!
Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.
Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.
What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?
The waves come crashing in, pounding the narrow walls, rushing in and out creating thunderous sound. With sea spray in your face, there is nothing like standing on a bluff over the thrashing waves…especially in Big Sur, California!
Nothing like momentum! First it was Kako-no-ike in Japan, then twice in the high Sierra Nevada Mountains with the Mighty Tuolumne. and Tenaya Lake; and now the California coast. This is the fourth ‘vertical water’ painting recently done, and now becoming a series. This narrow inlet is along the California Coast in Garrapata State Park. Just south of Carmel, and close to Big Sur, it is my favorite place to paint along the coast. I usually do one or two paintings there for the Carmel Art Festival each year.
I painted this more alla prima (all at once), which didn’t take as long as the last two water paintings. Those last two, I let dry several times so I could glaze over the water. Below are a few snapshots of the progression. Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.
Refining the distance
Close to completion
and here is the actual scene…
I ran out of this size vertical canvas(12×24), so just bought three more. I still have a number of ideas for more vertical water paintings…stay tuned!