Cleaned Out!

(AKA 2017 Carmel Art Festival)

Perkins Park, 12x16, oil on panel
Perkins Park, 12×16, oil on panel

 


I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…

 


Wednesday

I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.

After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.

I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—

After heading back to the motel to get cleaned up, I finished the day with a dinner at my go-to Indain Restaurant, Ambrosia.

 


Thursday

Vertigo!, 24x12, oil on canvas
Vertigo!, 24×12, oil on canvas

The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.

My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.

Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—

 


Palo Colorado, 14x11, oil on panel
Palo Colorado, 14×11, oil on panel

Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—

I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—

 


Friday

Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.

After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.

I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—

 


Saturday

After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.

An award!
An award!

The Palo Colorado redwood tree painting sold at auction.

 


Sunday

Carmel Beach, 10x8, oil on panel
Carmel Beach, 10×8, oil on panel

 

All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—

The quickdraw auction was well attended. Here are a few pictures, including my painting–

By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!


Next up is the Los Gatos Plein Air Show June 16-17!


Valle Del Sur

Pacific Calm, 24x12, oil on canvas
Pacific Calm, 24×12, oil on canvas

I was invited by a long time painting friend, Steve Wise, to do a demo at the Valle Del Sur Art Guild in Morgan Hill, a town about 10 miles south of San Jose. I have painted this area many times including during the Creeks and Rivers of Silicon Valley.

Steve asked me to do either a seascape or lake scene, so I chose a seascape. Recently, I have been doing a series of vertical water paintings, so picked a seascape to start for the scene. As usual with these demos, there is not enough time to do a finished painting, but I tried to finish off certain portions to demonstrate various techniques in painting seascapes.

It was a small, but lively group, and seemed like questions were coming once a minute as I tried to paint. Steve is quite the art historian, and kept things lively with his historical quips.

The painting is the tenth ‘vertical water’ painting series and from the same general area as the fourth in the series found here. The narrow inlet is along the California Coast in Garrapata State Park just south of Carmel, and close to Big Sur.

I forgot about taking pictures until almost the end of the demo, so here are a few–

Getting into the painting
Getting into the painting
Getting intense
Getting intense
The painting as far as I got during the demo.
The painting as far as I got during the demo.

Thanks, Trudie, for some of the photos!

I later spent a few hours in the home studio finishing the piece.

Leaving Milford Sound

Leaving Milford  24x12 oil on gallery wrap canvas
Leaving Milford 24×12 oil on gallery wrap canvas

 
Milford Sound, a fiord in Southwest New Zealand, has been called by some the eighth wonder of the World. The spectacular area of Fiordland National Park is unparralleled in the world. The remarkable glacial carved natural environment features spectacular tumbling waterfalls, glistening stunning fiords, ice-carved valleys with rivers, ancient rainforests, shimmering lakes, soaring walls of granite, and snow-capped peaks. The Maori native culture called this area “Te Wahipounamu”, or “place of the greenstone”, and is designated a UNESCO World Heritage Site.

I visited Milford Sound on a cruise ship in February 2013. We had been sailing in and out of the fiords of Fiordland National Park all day, including Doubtful and Dusky Sound, but Milford was the icing on the cake. For those who have visited Yosemite Valley, it was akin to sailing a cruise ship right into the valley. With spectacular glacier carved sheer rock faces of almost 4000 feet on either side which lead to mountain peaks of almost 5000 feet high! It had been a fairly cloudy and gloomy day, but the cloud cover was high enough to see the mountain peaks all around. Occasionally, a spot of sun would hit, as depicted in the painting.

 


One of my favorite spots on a cruise ship is on the promenade deck right at the stern above the wake of the ship. Here you can hear the churning of the propellers in the water as it splashes and bubbles producing wonderful colors of aqua, greens, grays, and blues.

 
Here’s a few pictures of the painting in development. Click on each photo to see the complete larger version —


 
Here’s a few pictures from the day, plus a few of Princess cruise ships in Milford Sound from the internet. Click on each photo to see the complete larger version —


 

Some of the photos above I used as studies to make the painting which is a composite of several pictures. Probably one of the more unusual paintings I have done, I have often thought about doing some cruise ship wake and other studio paintings from the decks. I have plenty of material to work from and done occasional plein air pieces from the deck of the ships, as we are avid cruisers…perhaps a new series?

Comin’ At Ya!

The waves come crashing in, pounding the narrow walls, rushing in and out creating thunderous sound. With sea spray in your face, there is nothing like standing on a bluff over the thrashing waves…especially in Big Sur, California!


Coming' at Ya, 24x12, oil on gallery wrap canvas
Coming’ at Ya, 24×12, oil on gallery wrap canvas


   
Nothing like momentum! First it was Kako-no-ike in Japan, then twice in the high Sierra Nevada Mountains with the Mighty Tuolumne. and Tenaya Lake; and now the California coast. This is the fourth ‘vertical water’ painting recently done, and now becoming a series. This narrow inlet is along the California Coast in Garrapata State Park. Just south of Carmel, and close to Big Sur, it is my favorite place to paint along the coast. I usually do one or two paintings there for the Carmel Art Festival each year.

I painted this more alla prima (all at once), which didn’t take as long as the last two water paintings. Those last two, I let dry several times so I could glaze over the water. Below are a few snapshots of the progression. Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.



 
and here is the actual scene…
Garrapata Inlet
Garrapata Inlet


   
I ran out of this size vertical canvas(12×24), so just bought three more. I still have a number of ideas for more vertical water paintings…stay tuned!

Plein Air vs Studio Paintings

Most of you know I paint frequently en plein air, that is outdoors on location. All great landscape painters paint from life, at least occasionally, because you just can’t get true results by just using photos. Photographs skew the values, that is the relative darkness or lightness of a color, making shadows too dark and sunlit areas frequently too light. They can also modify the color to varying degrees. Most good artists can tell when a painting is done strictly from photographs.

I don’t often translate or re-paint a studio work directly from a plein air work, but on occasion do just that. Below are a few examples.


The first is of an inlet in Lake Tahoe, on the NE part of the lake close to Incline Village, Nevada.


The scene I was painting
The scene I was painting


Here is the plein air piece–
"Tahoe Inlet", 9x12, oil on board
“Tahoe Inlet”, 9×12, oil on board


and the work done in the studio–

"Tahoe Inlet", 24x30, oil on canvas
“Tahoe Inlet”, 24×30, oil on canvas


I later used the studio piece for the cover of my book “Plein Tahoe”, which you can purchase here.


The second example is of Santorini, Greece. As the site of one of the largest volcanic eruptions in recorded history, the Greek island of Santorini is one of the most spectacular in the world. Many scholars believe the eruption spawned the legend of Atlantis. Fira and other towns cling to the cliff overlooking the sea-drowned caldera left behind.

I visited there on a cruise in 2006, and did several studies overlooking Fira and the multicolored cliffs soaring a thousand feet above the caldera. What a spectacular view and setting!

Below are pictures of the scene, my small plein air study in acrylic, and a large studio painting in oil I did later. I made very few changes from the original study to the studio piece…it wasn’t necessary to improve on the scene!


Santorini, Greece
Santorini, Greece


“Santorini”, 8×10, acrylic on board, plein air


“Santorini”, 28×22 , oil on canvas, studio


If you are a landscape artist, be sure to actually visit and paint the landscape in real time!

First Light, Garrapata

"First Light, Garrapata", 12x24, oil on canvas
“First Light, Garrapata”, 12×24, oil on canvas

Here is the final version of the painting I started as a demo at the San Leandro Art Association last week. At the time it was less than half done, and I spent another couple hours on it in my studio.

You can read more about the demo and see how much I did in the 90 minutes or so during the meeting here —

http://www.donaldneff.com/blog/painting-seascapes-in-san-leandro/

2015 Carmel Art Festival

Once again I participated in the Carmel Art Festival and this was my tenth year to be in the show. During the competition, medical artists have two days to paint and present at least two finished and framed paintings for auction. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.

I already posted these on Facebook, but for those who are not on social media, here are a few pictures from the show. Click on a thumbnail to view a larger picture–

I ended up doing three paintings–

Thanks for stopping in! In a few weeks it will be the Los Gatos Art Festival!