follow url As the summer morning fog clears along the California coast, many times the crashing waves, spray, wind, and lingering fog create an ethereal atmosphere of a misty soft landscape, or should I say seascape. I live within an hours drive of the coast, and visit often to paint, camp, and ride my Harley.
http://www.uprp.edu/ponce/?text=my-perfect-life-essay Reviewing the drone footage around Davenport, however, I couldn’t resist painting a scene far above the coast. The video frame I painted from is at about 0:47 on the above video. I wanted to create an atmosphere of morning mist still lingering around the coast and the sun starting to highlight parts of the coastal bluffs. I did sharpen and saturate the colors a bit from the video, and highlighted parts of the cliff more. Here is the frame I extracted and enhanced in Photoshop as my study:
theis holster baby powder As you can see, I painted it pretty much ‘as-is’. In the distance is the coastal hamlet of Davenport, about ten miles north of Santa Cruz. The drone was 176 feet above the bluff, so probably 250 feet above the ocean.
different ways to write an essay introduction It was a nice sunny day, and I set up my easel across Highway 1 from the coastal hamlet of Davenport. There were a few fellow artists scattered around the area. Later, I drove a few miles up the coast to Davenport Landing, and found most of the artists were painting there.
case studies advantages I wasn’t intent on painting a masterpiece, but more a quick value study in the morning light. I probably spent more time flying the drone than painting, just enjoying the day. Below is the painting on my easel, maybe an hours work…a poor picture as I was photographing into direct sunlight.
thesis binding clapham In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted. I won’t go into a detailed diary of the week like I have in past weblogs, but just a synopsis and a few pictures below, some of which are also in the video.
get link Then, in the afternoon, I went up nearby Palo Colorado Road and painted the redwoods. It was nice to get out of the wind along the coast and hug a tree for the afternoon (at lease figuratively!).
narrative essay prompts collegeonline writing service Friday morning, an old friend, Scott Loftesness visited, and I did a small piece in Perkins Park again. It was a cloudy day with a little drizzle, but the sun was hitting some spots in Monterey Bay which gave the painting more interest.
pay for college essay It was a class of about 10 students, all pursuing different disciplines. After a short talk about “The Creeks and Rivers of Silicon Valley”, we launched into a demonstration painting. I chose a seascape in Garrapata State Park for my study. I really enjoyed the intimate setting where students scooted up right around my easel to watch me paint.
The California Art Club sponsored a paintout at Pescadero Beach last Saturday, March 10, 2018. The weather for Saturday looked iffy all week, but in the end, although it turned out to be a grey, somewhat gloomy day, all we got were just a few sprinkles.
I spent more time socializing with artist friends, and videoing more than painting. I did start a another vertical water scene, but didn’t get very far along. I’ll call it a value study in greys.
Here’s a few pictures…
The scene to paint.
Yours truly enjoying the gloomy day.
The painting about as far as I got for the day.
Now, enjoy this short video of the day, and some scenes along the beautiful California coast.
One of the prominent man made features on the San Mateo Coast of California, along the Pacific Ocean, is the Pigeon Point Lighthouse. Built in 1871, it is the tallest lighthouse on the western coast of the United States. It is still used for Coast Guard navigation, and a small overnight hostel is now housed in the old light keeper’s housing.
There is an ever growing patchwork array of rules and regulations for drone owners, particularly where you can fly. I agree with most of it…you can’t fly in national parks and wildlife refuges, close to airports, over stadiums, etc., but leave it to California to spoil the fun with more and more regulations. There are online websites and apps which are good resources on where its legal to fly, plus the DJI drone app also keeps track of where you are and tells you if you are in a no-fly-zone. Much of the California coastal waters from Morro Bay to San Francisco are off limits because it is a marine sanctuary, but if you don’t fly over the ocean, are generally OK.
The Pigeon Point Lighthouse area on the San Mateo Coast had some places I could fly, close to the road, and the cliffs were not too high in case I needed to get to the beach. I am a little paranoid about crashing such an expensive instrument, or coming down in a place inaccessible, so have been flying in open areas where there are no fences, etc.
We had a sunny day between two storms here in Northern California, so I headed out to the coast and the lighthouse. What a beautiful day! I was expecting it to be a little cold, but soaking in the sunshine just warms you up. Winds were light which helps in piloting the drone.
I set everything up, my easel and paints first, then the Mavic Pro. I also mounted a GoPro video camera on a tripod to record everything from the ground.
Upon launching the drone, I flew it around a bit to find the perspective I wanted for the painting. This drone has a live video feed to smart mobile devices such as iPhone, iPad, etc. I then sketched in the scene by looking at what the drone was seeing through my iPad. I actually did not have the drone in the air a lot while painting. Besides conserving battery life, it was easy to see the values and colors quite well from the ground. I just needed the drone to get the perspective, and to see what I looked like from about 20 feet up in the air. From there on, I basically painted as normal en plein air, but taking the drone up a few times to recheck my drawing, etc.
Some plein air purists may scoff since I used an iPad for part of the process, and a bit gimmicky. The only thing I actually used it for was to get the scene from an aerial perspective and to see what my backside looked like. And so what if it is a little gimmicky! If you can have more fun while having fun, I say go for it!
I was there a little over three hours, about half that actually painting. Every once in awhile, I couldn’t resist taking the drone up and around the area to record some amazing video.
Late afternoon, I headed down the coast and made a few quick stops and quick flights to record the amazing California coast near sunset. You can view these in the video above.
All-in-all, I was musing on the way home, this was one of the best painting day-trips I have experienced in a long time!
I touched the painting up just a bit in the studio, and here is the final result…
This is just a little 5×5 painting, and didn’t take long to do, but brought back a flood of memories. It could be on almost any coastline on any continent in the world, but it is actually in Baja California, Mexico.
In 1978, I had recently moved back to Pasadena, California after spending my teens and twenties growing up in East Texas. A friend, Bob Ellsworth, invited me to go down to Mexico with some other friends (forgot who) to go snorkeling. We rented a motorhome, wetsuits, snorkeling gear etc. and headed south of the border to Puerto Kennedy on a peninsula about 20 miles south of Ensenada, Mexico. Here’s a map of where it is in relation to Ensenada”
It was the middle of nowhere with dirt roads, no facilities, no other people, etc. We camped right above Puerto Kennedy, and at night we could only see one light many miles down the coast. It was an ‘iffy’ area, and I wouldn’t go there today. Even back then Bob was ‘packing’.
The others took to the water and soon were hauling up fish on their spearguns. Well, I wasn’t much of a snorkeler as it was my first true snorkeling adventure in the ocean, but the water, fish, coral, and surroundings were absolutely beautiful. After getting woozy bobbing up and down in the incoming swells, shivering in the cold water (even with a wetsuit on), loosing a swimfin, which Bob had to go dive for, I decided to spend the rest the of weekend sketching the area.
When we got back to Pasadena, I soon painted several paintings from the trip, including a large painting, similar to this mini, and it won second place in a local art competition.
It was certainly a fun adventure!
By the way, in case you missed them on social media, here are a few more miniatures of Lake Tahoe just completed.
That’s it for now! Thanks for stopping by!
Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!
Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.
Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.
What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?
I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…
I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.
After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.
I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—
A selfie after the sketch-in
The scene at the right light I was trying to paint
The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.
My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.
Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—
The scene to paint
At the edge of the bluff
Towards the end of my painting session
Catherine, now thats a serious painter!
Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—
Along Palo Colorado Road
Another shot along the road
The basic scene I was painting
My easel along the road
I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—
A wonderful place to paint!
With in-laws from the Philippines
by the seaside
Dinner on the wharf
Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.
After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.
I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—
Three to go
All hung up.
at the festival
Birthday dinner for Gene
After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the academic writing the critical evaluation essay Vertigo! painting.
The Palo Colorado redwood tree painting sold at auction.
All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—
Painting in the quickdraw competition
Painting in the quickdraw competition
The quickdraw auction was well attended. Here are a few pictures, including my painting–
Got lots of bids!
By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!