Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!
Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.
Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.
What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?
I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…
I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.
After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.
I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—
A selfie after the sketch-in
The scene at the right light I was trying to paint
The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.
My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.
Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—
The scene to paint
At the edge of the bluff
Towards the end of my painting session
Catherine, now thats a serious painter!
Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—
Along Palo Colorado Road
Another shot along the road
The basic scene I was painting
My easel along the road
I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—
A wonderful place to paint!
With in-laws from the Philippines
by the seaside
Dinner on the wharf
Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.
After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.
I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—
Three to go
All hung up.
at the festival
Birthday dinner for Gene
After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.
The Palo Colorado redwood tree painting sold at auction.
All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—
Painting in the quickdraw competition
Painting in the quickdraw competition
The quickdraw auction was well attended. Here are a few pictures, including my painting–
Got lots of bids!
By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!
Steve asked me to do either a seascape or lake scene, so I chose a seascape. Recently, I have been doing a series of vertical water paintings, so picked a seascape to start for the scene. As usual with these demos, there is not enough time to do a finished painting, but I tried to finish off certain portions to demonstrate various techniques in painting seascapes.
It was a small, but lively group, and seemed like questions were coming once a minute as I tried to paint. Steve is quite the art historian, and kept things lively with his historical quips.
Milford Sound, a fiord in Southwest New Zealand, has been called by some the eighth wonder of the World. The spectacular area of Fiordland National Park is unparralleled in the world. The remarkable glacial carved natural environment features spectacular tumbling waterfalls, glistening stunning fiords, ice-carved valleys with rivers, ancient rainforests, shimmering lakes, soaring walls of granite, and snow-capped peaks. The Maori native culture called this area “Te Wahipounamu”, or “place of the greenstone”, and is designated a UNESCO World Heritage Site.
I visited Milford Sound on a cruise ship in February 2013. We had been sailing in and out of the fiords of Fiordland National Park all day, including Doubtful and Dusky Sound, but Milford was the icing on the cake. For those who have visited Yosemite Valley, it was akin to sailing a cruise ship right into the valley. With spectacular glacier carved sheer rock faces of almost 4000 feet on either side which lead to mountain peaks of almost 5000 feet high! It had been a fairly cloudy and gloomy day, but the cloud cover was high enough to see the mountain peaks all around. Occasionally, a spot of sun would hit, as depicted in the painting.
One of my favorite spots on a cruise ship is on the promenade deck right at the stern above the wake of the ship. Here you can hear the churning of the propellers in the water as it splashes and bubbles producing wonderful colors of aqua, greens, grays, and blues.
Here’s a few pictures of the painting in development. Click on each photo to see the complete larger version —
Refining the far cliffs and water
Here’s a few pictures from the day, plus a few of Princess cruise ships in Milford Sound from the internet. Click on each photo to see the complete larger version —
Cruising Fiordlands National Park
Fiordlands National Park
Cruising Fiordlands National Park
A waterfall in Milford Sound
Princess cruise ship in Milford Sound
Diamond Princess cruise ship in Milford Sound
Some of the photos above I used as studies to make the painting which is a composite of several pictures. Probably one of the more unusual paintings I have done, I have often thought about doing some cruise ship wake and other studio paintings from the decks. I have plenty of material to work from and done occasional plein air pieces from the deck of the ships, as we are avid cruisers…perhaps a new series?
The waves come crashing in, pounding the narrow walls, rushing in and out creating thunderous sound. With sea spray in your face, there is nothing like standing on a bluff over the thrashing waves…especially in Big Sur, California!
Nothing like momentum! First it was Kako-no-ike in Japan, then twice in the high Sierra Nevada Mountains with the Mighty Tuolumne. and Tenaya Lake; and now the California coast. This is the fourth ‘vertical water’ painting recently done, and now becoming a series. This narrow inlet is along the California Coast in Garrapata State Park. Just south of Carmel, and close to Big Sur, it is my favorite place to paint along the coast. I usually do one or two paintings there for the Carmel Art Festival each year.
I painted this more alla prima (all at once), which didn’t take as long as the last two water paintings. Those last two, I let dry several times so I could glaze over the water. Below are a few snapshots of the progression. Click on each photo to see a larger version. Email subscribers may have to click on the above title to see them.
Refining the distance
Close to completion
and here is the actual scene…
I ran out of this size vertical canvas(12×24), so just bought three more. I still have a number of ideas for more vertical water paintings…stay tuned!
Most of you know I paint frequently en plein air, that is outdoors on location. All great landscape painters paint from life, at least occasionally, because you just can’t get true results by just using photos. Photographs skew the values, that is the relative darkness or lightness of a color, making shadows too dark and sunlit areas frequently too light. They can also modify the color to varying degrees. Most good artists can tell when a painting is done strictly from photographs.
I don’t often translate or re-paint a studio work directly from a plein air work, but on occasion do just that. Below are a few examples.
The first is of an inlet in Lake Tahoe, on the NE part of the lake close to Incline Village, Nevada.
The second example is of Santorini, Greece. As the site of one of the largest volcanic eruptions in recorded history, the Greek island of Santorini is one of the most spectacular in the world. Many scholars believe the eruption spawned the legend of Atlantis. Fira and other towns cling to the cliff overlooking the sea-drowned caldera left behind.
I visited there on a cruise in 2006, and did several studies overlooking Fira and the multicolored cliffs soaring a thousand feet above the caldera. What a spectacular view and setting!
Below are pictures of the scene, my small plein air study in acrylic, and a large studio painting in oil I did later. I made very few changes from the original study to the studio piece…it wasn’t necessary to improve on the scene!
If you are a landscape artist, be sure to actually visit and paint the landscape in real time!
Once again I participated in the Carmel Art Festival and this was my tenth year to be in the show. During the competition, artists have two days to paint and present at least two finished and framed paintings for auction. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.
I already posted these on Facebook, but for those who are not on social media, here are a few pictures from the show. Click on a thumbnail to view a larger picture–
After getting my canvas stamped Wednesday, I went out to Pacific Grove to paint the sunset.
Thursday morning I headed inland and painted a Sycamore tree. I eventually got rained out.
After the rain let up, I went back to Pacific Grove to finish the prior evenings painting. Although the light was different, I had enough color notes to finish the sunset.
Friday morning I went out to Garrapata State park to do a “regular old seascape.”
A selfie along the coast
I ended up doing three paintings–
Yours truly by my two paintings on display at the Carmel Art Festival
Perkins Park, 12×24
California Sycamore, 12×16
The Classic View, 11×17
Thanks for stopping in! In a few weeks it will be the Los Gatos Art Festival!