Looking for a totally unique custom gift for the holiday season which will last a lifetime? These little paintings make great holiday gifts. Many times they are small versions of larger pieces I have done, and some maybe an experiment for a large piece. The Sunday after Thanksgiving will be celebrated as the first #ArtistsSunday. This is the biggest discount I ever sell my paintings, up to 70% off. Price is for unframed original, unless otherwise noted. Shipping is free in the continental US. If you are interested, just email me at firstname.lastname@example.org. Click on the picture or the link below to see all the paintings, including pricing. #shopart
The quest started as a simple idea. I didn’t even know if I would, or even could finish it. After all, it was a commitment for a year.
I didn’t know if it would turn out worthwhile, or just a stack of sticky panels for the scrap heap. I didn’t know if anything would be interesting or worth looking at.
I didn’t know I would eventually paint ghost towns in Silicon Valley, or haunted springs, or wild beaver sign in a metropolitan city, or the worlds largest homeless camp, or the world’s first ‘plein air selfie’.
I didn’t know eventually strangers would walk up to me, give me a hug, and say I brought back their fond childhood memories of days gone by in the “Valley of Hearts Delight’.
Little did I know it would grow with a feature on NBCTV, and other TV spots, articles by major publications, multiple showings in various venues, and a book.
Seven years ago today, I started a year-long quest to paint a different “Creek and River of Silicon Valley” each week en plein air, or on location.
At the time, even finishing the year successfully was not known, but I ended up with 60 paintings of 43 different creeks all over the South San Francisco Bay area.
Discover about the quest, including a short documentary video, interactive map, and other information here–
The collection of 60 paintings is still intact and will be for the foreseeable future. I am still seeking venues both local, national, and international for showings, so ideas are welcome!
Once again, I was honored to have a painting in the Yosemite Renaissance Exhibition. This juried art show opens at the Yosemite Museum, and then travels around California for a year. The show also starts around the time of year for the annual Firefall event in Yosemite Valley, and I don’t need much of an excuse to visit!
The opening reception was Friday, February 22 this year, so I arrived a day early, Thursday afternoon. Lodging prices in Yosemite were quite high for winter season (possibly because the Firefall is getting ever more popular), so for the first time, I elected to stay outside the park in El Portal, which is right at the entrance.
After checking into my motel, I headed into the park. A series of recent snowstorms had hit the area, and it was like driving around in a winter fairyland. I wouldn’t have much time to paint, so just drove around for a few pictures, then headed to the Firefall. I won’t go into that experience here, as I posted a weblog entry you can read here. If you haven’t seen my short Firefall video, you should watch it:
I won’t go into detail on my visit, but it was very cold, barely getting above freezing most days, so my painting activities were a bit limited. Plus, with all the recent heavy snow, many pullouts and parking lots were unavailable, and those available quickly taken up by the unusually large winter crowds.
Here are a few pictures from the trip. Click on the thumbnails to get a larger picture and description.
|Yosemite Renaissance 34 will be on display at the Yosemite Museum from February 23rd through May 5th, 2019. The Museum Gallery is open daily 10 am to Noon, and 1 pm to 4 pm. The 2019 Traveling Exhibit will be displayed at the following venues. We will confirm specific dates and times as they become available.
Kings Art Center, Hanford, CA. (June through July)
Carnegie Art Center, Turlock, CA. (August through October)
Gallery 5 at Gallery Row, Oakhurst, CA (October through November)
What a spectacular display of mother nature! Here’s the story…
While there, I was fortunate for the second time to witness the ever more popular (and crowded) firefall. You can read about the old manmade firefall in years past and about today’s yearly natural phenomenon on my blog entry here. This year was even more spectacular than I experienced several years ago, and many have said one of the best in years. Due to the heavy snow in Yosemite Valley, we had to work for it a bit more by having to walk over a mile for the best vantage point…but well worth it!
The recent snows added another dimension, and when the wind blew the icy crystals off the shoulder of El Capitan, the entire cliff lit up as if fire in the bowels of the earth emerged.
Enjoy my short video as the sun slowly sets–
I videoed this with a new camcorder and in hindsight, I wish I would have brought a tripod and in set it to 4K…but maybe next time!!
Stayed tuned…more about the trip to come!
I was recently honored once again to be judged into the 34th Yosemite Renaissance show. More about that later. Coincidently the next day, Plein Air Magazine just included a bit about the same painting in their latest weekly email you can read about here —
About the show, I have entered from time to time, including winning an award at their inaugural event 34 years ago. The best part is having a painting hanging in the Yosemite Museum for a number of months! It’s also a good excuse to visit the valley…as if I ever need one!
The show is very eclectic with photography, sculpture, and paintings from traditional to modern interpretations. Yosemite Renaissance 34 will open February 22, 2019 and will run to May 5, 2019. The exhibit will then travel to several other California art centers.
Stay tuned as I hope to be at the opening reception.
For more info go to — http://www.yosemiterenaissance.org
AKA Dronin’ the Festival
This year was different. For the thirteenth year, I participated in the Carmel Art Festival. But this year, I have a drone. So I produced a short video of the spectacular California coast around the Carmel/Big Sur area while I was painting. It is one of the spectacular coastlines in the world. First, enjoy this short video “Dronin’ the Festival”…
In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted. I won’t go into a detailed diary of the week like I have in past weblogs, but just a synopsis and a few pictures below, some of which are also in the video.
Wednesday evening, after having my canvases stamped, I headed to Perkins Park in Pacific Grove to start a painting of the sunset. I only had enough time to block in the major areas before the sun went down.
At the crack of dawn Thursday, I headed down the coast to Garrapata State Park, one of my favorite places to paint. I decided to do another Vertical Water scene, a bit like the one which won an award last year. The morning sun was lighting up Point Sur many miles down the coast and made for an interesting composition.
Then, in the afternoon, I went up nearby Palo Colorado Road and painted the redwoods. It was nice to get out of the wind along the coast and hug a tree for the afternoon (at lease figuratively!).
Friday morning, an old friend, Scott Loftesness visited, and I did a small piece in Perkins Park again. It was a cloudy day with a little drizzle, but the sun was hitting some spots in Monterey Bay which gave the painting more interest.
That afternoon I spent touching up, and framing the four paintings.
I sold two at the festival…not the best year, but good enough! Click on the thumbnails to see the title and size of each painting.
AKA Painting the Los Gatos Plein Air Festival
I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.
After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—
After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—
Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—
That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—
Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—
Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.
My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.
Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—
Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—
All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!
Some photos courtesy Ron Lykins.
(AKA 2017 Carmel Art Festival)
I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…
I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.
After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.
I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—
After heading back to the motel to get cleaned up, I finished the day with a dinner at my go-to Indain Restaurant, Ambrosia.
The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.
My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.
Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—
Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—
I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—
Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.
After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.
I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—
After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.
The Palo Colorado redwood tree painting sold at auction.
All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—
The quickdraw auction was well attended. Here are a few pictures, including my painting–
By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!
Next up is the Los Gatos Plein Air Show June 16-17!
I was accepted into the Yosemite Renaissance show this year, so went to attend the opening reception with a short visit to Yosemite Valley. Of course, I’ll use any excuse to visit Yosemite, as if I need one!
The art reception went well. The show is very eclectic with everything from abstract to photography to textiles to sculpture. It was a strong show, and my painting was probably the most traditional, quiet painting there…which is fine with me!
If you plan on being in Yosemite Valley the next few months, be sure to stop by the Yosemite Museum to see the show!
The weather forecast kept changing, but as it turned out, it was clear sunny weather the entire time, but cold! Upon arrival to the valley, I started the above painting, but after recently recovering from a mild case of pneumonia, didn’t want to push it, so only got about half done and finished it when I got back to the studio. I wanted to do a plein air piece which would fit in my recent ‘vertical water’ series, so did a painting of Yosemite Falls reflecting in the Merced River. This is the ninth in the “vertical water” series, but so far the only plein air piece and a little smaller than the others which you can see here.
The remainder of the visit I just walked and drove around soaking up the scenery.
Here is a short video of the trip. I had posted some pictures to Facebook, and got a lot of comments on how clear the water is, so much of the video is of the water in the valley.
From the introduction to my book “Plein Tahoe“…
A masterpiece of nature and the crown jewel of the Sierra Nevada mountain range, Lake Tahoe is one of the most spectacular in the world. From the Native American word meaning “big water”, Tahoe is the second deepest lake in North America, known for the clarity of its water. The pristine deep blue water against the panorama of the surrounding mountains is unequaled in the world.
I have been showing at the James-Harold Galleries in Tahoe City for around 15 years, and make regular trips to the area to paint and drop off new paintings. I have even driven my Harley-Davidson Road King there, painted for a number of days, and dropped the newly created works off at the gallery.
Hal Slear, the gallery owner, and I have been talking about a little show of miniatures for a number of months, but schedules hadn’t worked out, but finally I just had to do a fall color trip in the area, so here we go!
Took off in the morning to drive to the Lake and of course, the worst traffic was just getting out of Silicon Valley! After arriving at the Lake and driving around a bit to check out the fall color, I headed to DL Bliss State Park and one of my favorite places to paint on the lake, along the Rubicon Trail. My plan was to do a time-lapse video of the painting process. I have done these before, most notably “The Painting of TwentyFive: Where Redwoods Thrive” which you can see here. I used the same home made GoPro camera setup, so look for a video soon of the event.
Below are a few pictures of the afternoon. (Click on any thumbnail to see a larger picture.)
Much of painting plein air is deciding what to put in, but more importantly, what to leave out! At the time, I was undecided on including the larger tree on the right so didn’t put it in. Later on, I touched the painting up on Saturday while in the gallery, so put the tree in. Here is the final piece, which I finished a couple days later in the gallery —
Note this isn’t the greatest depiction of the painting as it was taken with my cellphone camera, but hopefully you get the impression.
After checking into my motel in South Lake Tahoe, I was so exhausted, it was a very early bedtime for me!
Friday we were expecting rain almost all day, and it did, so outdoor painting was not in the plan. I drove around the lake, enjoying the stormy weather and stopped by the gallery to drop off the batch of new miniature paintings for the show. I took a few pictures, and here is a panorama from the Sand Harbor Boat Launch…
We advertised my presence from 12-5pm to paint in the gallery. There was a break in the storm on my hour drive there, so just had to stop and take pictures of the next storm front coming in—
I liked a little 5×7 nocturne I did of Lake Tahoe for the show, so decided to do another larger one for my demo in the gallery. I almost finished it between talking to customers and other passers by, and well, just taking my time!
Long time friends, Clark & Elaine Hockwald are full time RV-ers and they had been staying at Lake Tahoe for the last 6 months so we arranged to meet at the gallery, and then have an early dinner. I have known Clarke since I was about 11, and Elaine from college days. They have a wonderful weblog about their travels which you can find here.
It was their choice for the dinner location, so they picked an excellent nearby place, Christy Hill, which was right on the lake. It was a fabulous dinner and we sat for several hours just watching the stormy lake, dining, but mainly telling stories from old times, and a few recent happenings! The Moroccan Lamb I had was just delicious…and I will be looking for a similar recipe!
It was a long drive home at night through the pouring rain, but we all made it safely!
I was scheduled to be in the gallery from 12-3pm, so drove back through the rain around the lake. I finished yesterdays nocturne painting and had enough time to do another small one, so started a 5×7. Another stormy Tahoe scene was in my mind, so I used a picture I had taken just the day before as a study. With a palette of already mixed colors, everything ‘clicked’, and I knocked it out in no-time.
Around 3:30, I headed home in pouring rain, taking over an hour longer than normal.
So, if you are in Tahoe the next month or two, stop by and see some new Donald Neff miniatures! All the paintings depicted in this weblog entry are now on sale in the James Harold Gallery. I have priced these to sell over the holiday season, and a number are already gone, so it might be time to add one or two to your collection!