Misty Merced

From April 2020, for a year, I posted on Facebook a painting each day as a brief diversion from the lockdowns and other bad news this year. Neglecting my weblog, I’ll post in the coming days some of my better posts. Some of these paintings are still available.

“Misty Merced”, 24×12, oil on canvas

Intersectionality is one of the new buzzwords of the SJW political crowd. This piece is an intersection of two series/themes I have been painting off and on the last few years, the ‘Misty’, and ‘Vertical Water’ paintings.

From the “Studio Kal?jimas” is another scene of the Merced River in Yosemite Valley, California with Sentinel Rock in the background. The painting I posted yesterday was done on location, and this one in the studio. You can see more vertical water paintings here:
https://www.pinterest.com/next…/the-vertical-water-series/ 

Glacial Bookends

Glacier Point View, 22×28, oil on canvas

One of the spectacular views in the world is Glacier Point in Yosemite National Park.  The point offers a superb view of several of Yosemite National Park’s well-known landmarks, including Yosemite Valley, Yosemite Falls, Half Dome, Liberty Cap, Vernal Falls, Nevada Falls, Clouds Rest, and Yosemite’s high country.  It is a must do if visiting Yosemite National Park.  I just completed a new commission of the Glacier Point view, but maybe a little backstory first…

We started 2020 with a move to a new home in Marina, CA, not far from Monterey and Carmel.  Due to last minute flooring problems with the new house, we had to change our plans and put all our stuff in storage and stay in temporary housing for almost a month.  Well, we finally made it to the new place, and then the virus stuff hit!

The last painting I did at the old home was a commission piece and the subject of my last blog.  Recently I posted a photo of that painting on Facebook, and another long time collector wanted one similar.  So, the first painting I did in the new place is another commission piece of the same scene.  Kind of like bookends to our move. I won’t make a duplicate of a prior painting but in order to be true, you can’t change the features of Half Dome, the falls, and other landmarks, but you can change the viewpoint, make it different in mood, skies, time of day, lighting, etc.

I don’t really have a studio set up yet as we are planning on building an outbuilding for the studio, so I set up in the garage.  The contents of my old studio is still in boxes, some of which you can see in the first picture below.

Below are some pictures of development of the painting.  This might look a little familiar as it seems a rerun of my last blog post!

I used my plein air easel in the garage to do the painting. Since the light is poor, I only could paint during the day under natural sunlight.

The block-in. I wanted to limit the foreground to give the viewer an idea of the over 3,000 foot drop off to the valley below.

I do another block-in starting to indicate the local color. Most of the sky is completed in one sitting so-as to keep itsoft, fluffy, and loose.

Continuing by painting the far mountains and Upper Yosemite Valley, including Liberty Cap. Also developing patterns of sunlight and shadow.

Starting to work on and define Half Dome

Further defining Half Dome and the bench it sits on.

Here is further definition of the shadows and lit areas. I am also working out how much of a foreground to put it.

Putting in the foreground. I am wanting to show the drop-off from 3200 feet to the valley floor.

More foreground definition.

The bottom left looks a little empty, and I need something to bring the eye back into the painting, so I keep adding trees to the drop-off.

The final painting is at the top of this weblog entry. I always seem to want to keep on working on a piece but then it starts to look overworked, but I think I stopped at the right level here.