This is just a little 5×5 painting, and didn’t take long to do, but brought back a flood of memories. It could be on almost any coastline on any continent in the world, but it is actually in Baja California, Mexico.
In 1978, I had recently moved back to Pasadena, California after spending my teens and twenties growing up in East Texas. A friend, Bob Ellsworth, invited me to go down to Mexico with some other friends (forgot who) to go snorkeling. We rented a motorhome, wetsuits, snorkeling gear etc. and headed south of the border to Puerto Kennedy on a peninsula about 20 miles south of Ensenada, Mexico. Here’s a map of where it is in relation to Ensenada”
It was the middle of nowhere with dirt roads, no facilities, no other people, etc. We camped right above Puerto Kennedy, and at night we could only see one light many miles down the coast. It was an ‘iffy’ area, and I wouldn’t go there today. Even back then Bob was ‘packing’.
The others took to the water and soon were hauling up fish on their spearguns. Well, I wasn’t much of a snorkeler as it was my first true snorkeling adventure in the ocean, but the water, fish, coral, and surroundings were absolutely beautiful. After getting woozy bobbing up and down in the incoming swells, shivering in the cold water (even with a wetsuit on), loosing a swimfin, which Bob had to go dive for, I decided to spend the rest the of weekend sketching the area.
When we got back to Pasadena, I soon painted several paintings from the trip, including a large painting, similar to this mini, and it won second place in a local art competition.
It was certainly a fun adventure!
By the way, in case you missed them on social media, here are a few more miniatures of Lake Tahoe just completed.
That’s it for now! Thanks for stopping by!
Continuing my seasonal miniature paintings, here are three more, all in Yosemite National Park. I have already sold a number of miniatures this season and am departing slightly the 6×6 square format to other sizes.
Dropping a total of 2,425 feet, Yosemite Falls is the highest waterfall in Yosemite National Park, and one of the highest on the globe.
Here’s another 6×6 in Yosemite National Park. This is one of the falls or cataracts as the Merced River tumbles out of Yosemite Valley.
Built in 1922, Yosemite Creek Bridge is the oldest stone bridge in Yosemite Valley, spanning Yosemite Creek below Yosemite Falls (shown above).
Here’s three more 6×6 mini’s. I started with the Elkhorne piece, then decided to do a few more misty moods. Maybe I should have named them Mystic Moods, after the orchestra popular in the 60’s and 70’s. You have to be pretty old to remember them!
Elkhorn Slough is a tidal slough and estuary on Monterey Bay. It is the largest tract of tidal salt marsh in California outside of the San Francisco Bay.
Garrapate State Park is just south of Carmel, CA, and my favorite place to paint on the Pacific Coastline. I actually took a scene in full daylight and changed it to a foggy day…they call it artistic license.
What can I say about Yosemite? I did this painting almost exactly from a photo I took in 2010. This might make a good subject for a larger painting…what do you think?
Around this time of year I paint a number of miniatures. They make great holiday gifts, or anytime gift for that matter, and they usually sell fairly quickly. I also paint them for both gallery and juried miniature shows this time of year. Many times, these are miniatures of larger paintings I have done, or studies for possible new larger paintings later on.
I am starting off with a trio of 6×6 pieces. Some experienced artists can probably guess which juried show I might enter these!
These are currently available directly from me, but some destined to gallery/juried shows. On a regular PC browser, they should show life-size…
Thats it for now…more on the easel. The next batch, a little more ‘moodier’ are on the way.
I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.
After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—
After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—
Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—
That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—
Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—
Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.
My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.
Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—
Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—
All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!
AKA Painting Alaska from the deck of a cruise ship
Many of you know I recently took a cruise to Alaska. Since this was our fourth cruise to this destination, I wanted to concentrate on painting rather than touring and sightseeing. We embarked out of San Francisco, and was our first cruise where we didn’t have to fly to the embarkation point, so I considered taking my oil paints rather than the usual acrylics I travel with. In the end I took my acrylics as I didn’t want to smell up the cabin with drying oil paints. I did take a Strada mini easel, which is the first time I have taken an easel on a cruise.
I won’t turn this blog entry into a travelogue, but just concentrate on the painting.
Our first stop was Ketchikan, called ‘the first city of Alaska’ because it is always the first stop north. I made a beeline to Creek Street. Creek Street is infamous as being Ketchikan’s red light district during pioneer days and is actually a boardwalk mounted in stilts on a high slope on the east side of Ketchikan Creek.
I painted for a couple hours and then it started to drizzle, so had to pack up. I wasn’t sure it was finished, especially the water. While I was painting, the water level in the creek had dropped several feet! I assume it was the tide but possibly some controlling dam upstream. Here’s a few pictures from the morning. Click on a thumbnail to see a larger picture–
It was a bit of a drizzly day, so in the morning just painted from the Promenade Deck on the ship. Looking across Gasteneau Channel is the town of Douglas, and behind that Mt. Bradley. While I was painting, a crew member told me several humpback whales had been playing around the ship all morning. Sure enough, they were still there, and I would occasionally see them surface, spout, and play around. Click on a thumbnail to see a larger picture–
It cleared somewhat in the afternoon, and the sun occasionally broke out which was first time on this cruise which was already almost half over, so I went into town for a bit, and took a ride up the Mt Roberts Tramway, which gives spectacular views of the ships, Juneau, and the areas beyond.
It was another drizzly day with clouds hanging around the mountain tops and valleys so I spent the morning painting from the ship deck looking across the channel to a mountain west of Skagway. The sun was spraying light here and there through the clouds, which make for dramatic scenes, and good paintings. The top of the mountain was obscured by clouds, so didn’t really see it until the end of the painting. By the time I finished, it had mostly cleared off. Click on a thumbnail to see a larger picture–
I headed into town, hoping to do another painting before the ship sailed. I walked to the end of the main drag, Broadway Street, found a bench to spread my materials out, and did a painting of a mountain and the street. I mostly finished the mountain, but the buildings were not complete when it started to rain. It was almost time to head back to the ship anyway, so packed up intending to finish the painting later. Click on a thumbnail to see a larger picture–
Even though it was overcast most of the cruise, it was still a great time being on board the ship, visiting a few familiar places, and painting!
Next up is the Los Gatos Plein Air Show June 16-17!
I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…
I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.
After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.
I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—
The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.
My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.
Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—
Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—
I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—
Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.
After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.
I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—
After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.
The Palo Colorado redwood tree painting sold at auction.
All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—
The quickdraw auction was well attended. Here are a few pictures, including my painting–
By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!
Martial Cottle Park is one of the newest county parks, and one of the last remnants of the agrarian legacy in the Santa Clara Valley, once known as the “Valley of Hearts Delight”.
I went out last Monday to register and paint in the park, it was cloudy, with just an occasional thinning so the sun could break through a bit. I first decided to paint the main barn from a picnic area.
Here are a few shots of the morning (click on a thumbnail to see a larger picture)—
Later, I parked along Snell Ave, and painted the old home the Cottles used to live in. I don’t paint architecture much, so was a bit of a challenge. (click on a thumbnail to see a larger picture)—
At this time, I don’t know which, if any paintings will be in the show, but just dropped them both off. The paintings will be shown at the Santa Clara Government Center, Gallery at 70 West Hedding St. San Jose (8:00 a.m. – 5:00 p.m.) which is the same gallery that exhibited “The Creeks and Rivers of Silicon Valley” several years ago. There will also be a reception at the park May 6, 1:00 p.m. – 3:00 p.m. More information can be found here.
An online display and voting for people’s choice award will be made available, so stay tuned!
Steve asked me to do either a seascape or lake scene, so I chose a seascape. Recently, I have been doing a series of vertical water paintings, so picked a seascape to start for the scene. As usual with these demos, there is not enough time to do a finished painting, but I tried to finish off certain portions to demonstrate various techniques in painting seascapes.
It was a small, but lively group, and seemed like questions were coming once a minute as I tried to paint. Steve is quite the art historian, and kept things lively with his historical quips.
Most of you know my son lives and works in Maniwa-shi, Japan, a town in the mountains of Southwest Japan about an hour from Okayama. I recently visited him again, for the third time. He had moved to a new location since my last visit, so I was anxious to explore around his apartment in rural Japan for painting practice! It also happened to be cherry blossom time, so was anxious to see that!
On international trips, I usually take a small acrylic paint set. Acrylics are water soluble, and dry in minutes, so they are easier to travel with than oils. Since you cannot take turpentine on a plane, if you want to paint oils, you have to find a place to buy it after you arrive at your destination. Here’s my setup on the road—
I won’t turn this post into a travelogue and go into all the details of the trip, some of which I posted here on Facebook, but concentrate on the painting in this blog entry. In retrospect, I wasn’t satisfied with most the paintings on the trip except the last day, but here goes anyway…
My son’s new place is a little further out of the central town area, mainly surrounded by rice fields. There is a Shinto Shrine close by, so I did two paintings there on different days.
These are not the main shrine, but other structures in the courtyard. Although it was a relatively small shrine, I could have done quite a few paintings in the little nooks and crannies of this small area.
We decided to visit Osaka, the second largest city in Japan, and about a 4 hour bus ride away. Our hotel happened to be right by Dotonburi, the most famous district and party spot in Osaka. We kept quite busy around Osaka and a side trip to Kyoto, so I didn’t have time to paint except for one day. On that day while the others shopped, it was pouring rain, so found a place under a bridge on the river to paint. I also don’t usually do urban scenes, and it was a bit smelly as you know what people do under bridges in party areas…even in clean Japan!
The piece was going nowhere, but as it got darker, the lights started coming on, and I put them in as my focal point which helped brighten things up.
Upon returning to Maniwa, the blossoms were still not out, and due to the rain and cold, they kept pushing back the projected blossom open date. I did find one close to my sons place, so painted that…
So far I was not really satisfied with any paintings done the the trip and we only had a few days left. We spent the last part of our trip in Okayama. One trip was to Kurashiki Bikan, an old historic district near Okayama. It was a scenic spot, and I started a painting while the others shopped and looked around. There were just a few blossoms, so did a painting of a bridge in the district. We got there late, and I didn’t have much time, so the painting only got about half done.
One of the Three Great Gardens of Japan is called Korakuen (Koraku-en). Located in Okayama, Japan, it was built in 1700 by Ikeda Tsunamasa. We saved visiting Korakuen Garden until the last day so-as to catch the blossoms. Although they were not in full bloom, there was enough to paint, so did a painting in the morning, and one in the afternoon.
The morning painting is shown at the top of this blog entry. Here are a few pictures of the area–
The blossoms were not fully open yet so I painted the trees a little fuller with blossoms imagining what they will look like.
The afternoon painting was a little more interesting scene and turned out pretty well, but could use some touchup later.
Too soon we had to depart for home. I left all the paintings with my son in Japan so he could show them to friends and students.