‘Tis the Season

Around this time of year I paint a number of miniatures. They make great holiday gifts, or anytime gift for that matter, and they usually sell fairly quickly. I also paint them for both gallery and juried miniature shows this time of year. Many times, these are miniatures of larger paintings I have done, or studies for possible new larger paintings later on.

I am starting off with a trio of 6×6 pieces. Some experienced artists can probably guess which juried show I might enter these!

These are currently available directly from me, but some destined to gallery/juried shows. On a regular PC browser, they should show life-size…

El Dorado, 6x6, oil on panel
El Dorado, 6×6, oil on panel
Tahoe Squall, 6x6, oil on panel
Tahoe Squall, 6×6, oil on panel
Truckee Thaw, 6x6, oil on panel
Truckee Thaw, 6×6, oil on panel

Thats it for now…more on the easel. The next batch, a little more ‘moodier’ are on the way.

Hot! Hot! Hot!

AKA Painting the Los Gatos Plein Air Festival

My panel at the show
My panel at the show

I was honored to once again participate in the Los Gatos Plein Air Art Festival which is sponsored by the Los Gatos Morning Rotary. It’s a plein air event where we have about 4 days to produce paintings which are then sold off Friday night and Saturday. It is also a charitable event as proceeds help local schools and art programs. This show is a little easier as it is local, and I don’t have to travel, plus have the advantage of my home studio for touch-up and framing, etc.

 


Tuesday

Cowell, 16x8, oil on panel, plein air
Cowell, 16×8, oil on panel, plein air

After getting my canvases stamped, I headed to Henry Cowell Redwoods State Park in the Santa Cruz Mountains. I had done a redwood scene for the recent Carmel Show, and it turned out well, so I thought I would do one for this show. I love the backlit giant redwoods with light filtering and spotlighting the colorful trunks. I ended up painting in the exact same spot I had many years ago, however did an entirely different scene and canvas orientation. (click on a thumbnail to see a larger picture)—

After finishing up, I still had time to make Hakone Gardens in Saratoga before it closes at 5. I had been doing a Japan studio series, so wanted to put in a Japanese like painting in the show. I also wanted to make it a continuation of my recent vertical water series. Another painter buddy in the show, Mark Monsarrat was there. (click on a thumbnail to see a larger picture)—

Hakone Pals, 24x12,oil on canvas
Hakone Pals, 24×12,oil on canvas

 


Wednesday

The Old Swing, 8x10, oil on panel
The Old Swing, 8×10, oil on panel

Wednesday morning I touched up the prior days paintings, then headed out to Penitencia Creek to a spot I had painted for The Creeks and Rivers of Silicon Valley year long quest a few years ago. The place had totally changed in the last three years! Besides felling some trees, the creek was different, probably because of the record wet winter we just had. The scene I had painted was no longer there! The creek was still there, of course, and flowing well after our wet winter. I did find another spot just up the creek which satisfied my tastes. There was also an old swing, somewhat of a trapeze, which made for a good story. (click on a thumbnail to see a larger picture)—

 


Silicon Valley View, 12x16, oil on panel
Silicon Valley View, 12×16, oil on panel

That evening I went up the hill behind the house and did a nocturne of downtown San Jose and Silicon Valley. I had painted a sunset at this location not too long ago, and it is just high enough to see all the way across the Santa Clara Valley. (click on a thumbnail to see a larger picture)—

 


Thursday

Vasona, 11x14, oil on panel
Vasona, 11×14, oil on panel

Thursday morning I touched up the prior days paintings and then headed back to Los Gatos for a luncheon the Rotary was putting on for the artists. The Rotary always treats us artists well, with receptions, lunches, and plenty of wine! Later in the afternoon, I went to Vasona Park to do the final painting for the show. (click on a thumbnail to see a larger picture)—

 


Friday

Friday morning was touchup and framing time. The empty spot in the lower left of the Hakone painting bugged me a bit, and there were a lot of turtles in the pond, and I wanted more koi…then the thought struck to combine them and re-title the painting. I put the turtle and koi eyeing each other as pals in the pond. Their shadow on the bottom of the pond also gave the water a look of more depth.

My wife also suggested I add some ducks to the Vasona painting, so I put in a Canada Goose, and some goslings, which were all over the place while I was painting.

Ready to hang!
Ready to hang!

Friday evening was a VIP Gala in Los Gatos, so I headed over about mid afternoon to try to beat the Friday rush hour(s). We had to put up our one ‘best’ painting for the event, so I chose the Hakone piece. The gala was at the Los Gatos Hotel. It was outside, and hot, but still had a great time relaxing and chatting with the other artists and collectors. They had a delicious buffet and Hors d’oeuvre, plus plenty of wine! (click on a thumbnail to see a larger picture)—

 


Saturday

Today was the main event where all paintings are put up for sale to the public in downtown Los Gatos at the Town Plaza Park. Crowds seemed a little lighter than past years, probably due to the heat wave. Besides discouraging people to come outside to the park, many in our valley head to the coast clogging up traffic going through Los Gatos. I did sell two paintings, however, so I was pleased about that! (click on a thumbnail to see a larger picture)—

 


All-in-all, the Rotary once again put on a wonderful show, and a great big thanks to them for their work!

Some photos courtesy Ron Lykins.

Decked!

AKA Painting Alaska from the deck of a cruise ship

Many of you know I recently took a cruise to Alaska. Since this was our fourth cruise to this destination, I wanted to concentrate on painting rather than touring and sightseeing. We embarked out of San Francisco, and was our first cruise where we didn’t have to fly to the embarkation point, so I considered taking my oil paints rather than the usual acrylics I travel with. In the end I took my acrylics as I didn’t want to smell up the cabin with drying oil paints. I did take a Strada mini easel, which is the first time I have taken an easel on a cruise.

I won’t turn this blog entry into a travelogue, but just concentrate on the painting.

 


Ketchikan

Creek Street,9x12,acrylic on canvas
Creek Street,9×12,acrylic on canvas

Our first stop was Ketchikan, called ‘the first city of Alaska’ because it is always the first stop north. I made a beeline to Creek Street. Creek Street is infamous as being Ketchikan’s red light district during pioneer days and is actually a boardwalk mounted in stilts on a high slope on the east side of Ketchikan Creek.

I painted for a couple hours and then it started to drizzle, so had to pack up. I wasn’t sure it was finished, especially the water. While I was painting, the water level in the creek had dropped several feet! I assume it was the tide but possibly some controlling dam upstream. Here’s a few pictures from the morning. Click on a thumbnail to see a larger picture–

 


Juneau

Douglas, 9x12, acrylic on canvas
Douglas, 9×12, acrylic on canvas

It was a bit of a drizzly day, so in the morning just painted from the Promenade Deck on the ship. Looking across Gasteneau Channel is the town of Douglas, and behind that Mt. Bradley. While I was painting, a crew member told me several humpback whales had been playing around the ship all morning. Sure enough, they were still there, and I would occasionally see them surface, spout, and play around. Click on a thumbnail to see a larger picture–

It cleared somewhat in the afternoon, and the sun occasionally broke out which was first time on this cruise which was already almost half over, so I went into town for a bit, and took a ride up the Mt Roberts Tramway, which gives spectacular views of the ships, Juneau, and the areas beyond.

 


Skagway

Taiya Inlet, 9x12, acrylic on canvas
Taiya Inlet, 9×12, acrylic on canvas

It was another drizzly day with clouds hanging around the mountain tops and valleys so I spent the morning painting from the ship deck looking across the channel to a mountain west of Skagway. The sun was spraying light here and there through the clouds, which make for dramatic scenes, and good paintings. The top of the mountain was obscured by clouds, so didn’t really see it until the end of the painting. By the time I finished, it had mostly cleared off. Click on a thumbnail to see a larger picture–


Skagway, 9x12,acrylic on canvas
Skagway, 9×12,acrylic on canvas

I headed into town, hoping to do another painting before the ship sailed. I walked to the end of the main drag, Broadway Street, found a bench to spread my materials out, and did a painting of a mountain and the street. I mostly finished the mountain, but the buildings were not complete when it started to rain. It was almost time to head back to the ship anyway, so packed up intending to finish the painting later. Click on a thumbnail to see a larger picture–

 


Even though it was overcast most of the cruise, it was still a great time being on board the ship, visiting a few familiar places, and painting!


Next up is the Los Gatos Plein Air Show June 16-17!


Cleaned Out!

(AKA 2017 Carmel Art Festival)

Perkins Park, 12x16, oil on panel
Perkins Park, 12×16, oil on panel

 


I have been participating in the Carmel Art Festival annually since 2006. There have been great years where I won awards, had paintings bid up twice my normal prices, and sold everything. I have also had bad years where nothing or very few sold. This year was one of the good years! The weather was great…sunny, however very cool. Enjoy this brief day by day post painting and showing at the festival…

 


Wednesday

I headed to Monterey/Carmel around noon for about the 90 minute drive. After checking into my motel, I stopped by the festival around 6pm to have my canvases stamped. In plein air competitions such as this, you have several days to paint at least two paintings, which are then auctioned off. The festival coordinators stamp the back of the canvas to ensure all work is done in the two days allotted.

After having my canvases stamped, I headed to Perkins Park in Pacific Grove. My plan was this: Since I was having relatives from the Philippines coming tomorrow afternoon to visit, I figured I would start a painting here late in the day, and then finish it tomorrow afternoon where they could easily find me.

I have painted here a number of times in various times of day and vantage points. Its a great spot as the iceplants are in bloom this time of year with their bright pink flowers. The common denominator is all those paintings sold, so why not stick with a good thing! I worked a little over an hour before the sun was too low to continue. (click on a thumbnail to see a larger picture)—

After heading back to the motel to get cleaned up, I finished the day with a dinner at my go-to Indain Restaurant, Ambrosia.

 


Thursday

Vertigo!, 24x12, oil on canvas
Vertigo!, 24×12, oil on canvas

The next morning at the crack of dawn, I headed down the coast. The forecast was to be completely clear.

My morning plan was this: There is a specific cove I wanted to paint in the style of my recent “Vertical Water” series. The cove is on the trail out to Soberanes Point in Garrapata State Park. When I got there, the entire area was closed and a number of crews were working on rebuilding the trails. I asked if I could go out to paint for a few hours and they said no.

Time for Plan B. I went around another trail and found a spot on a bluff overlooking an inlet. You can see Soberanes Point in the background. I worked on the painting for a couple hours, fighting the blustering wind, hoping nothing would blow over the cliff! When I was trying to put in some details, the canvas was buffetting so much, I decided the piece needed to be finished in a more sheltered area. (click on a thumbnail to see a larger picture)—

 


Palo Colorado, 14x11, oil on panel
Palo Colorado, 14×11, oil on panel

Driving a little further south, I took a turn up Palo Colorado Road to get out of the wind. I have been on this road before, but hadn’t contemplated painting there this trip. The little creek was really flowing, and all of a sudden a redwood scene popped up which I just had to paint! It only took a little less than two hours to get most of the piece done, as I have done a number of redwood trees in this style. (click on a thumbnail to see a larger picture)—

I headed back north to Monterey, and after a bit of rest and lunch, on to Perkins Park to finish last evenings painting. Late afternoon, my wife Josie and my relatives arrived. After cleaning up, we all went to Fisherman’s Wharf for dinner. (click on a thumbnail to see a larger picture)—

 


Friday

Prior to starting any other paintings, I wanted to touch up and frame the three ‘keepers’ I had, so hung around my motel in the morning doing just that.

After lunch, I headed down the coast again to possibly do another painting. The pressure was off, however, as I had ‘three in the can’, so I just soaked up the atmosphere, scouted out places for possible future paintings, etc.

I turned in two paintings around 6:30 for the show, and hung around for a VIP reception. Part way through the reception, I turned around, and there was my brother in-law and his wife. I didn’t know they were in town, and neither did they know I was until they saw ads for the festival. We ended up going to dinner. (click on a thumbnail to see a larger picture)—

 


Saturday

After sleeping in Saturday and having a leisurely brunch with my in-laws, headed over to the festival. I was honored with the “Plein Air Magazine Award of Excellence” for the Vertigo! painting.

An award!
An award!

The Palo Colorado redwood tree painting sold at auction.

 


Sunday

Carmel Beach, 10x8, oil on panel
Carmel Beach, 10×8, oil on panel

 

All artists who win an award are requested to participate in the Sunday morning quickdraw. You have 2 hrs to produce a painting, framed and ready to sell. This means you have about 90 minutes to actually do the painting. After I got my canvas stamped, I drove to Carmel Scenic Drive, a mile or so away, found a good spot, and did a painting of Carmel Beach. (click on a thumbnail to see a larger picture)—

The quickdraw auction was well attended. Here are a few pictures, including my painting–

By noon all my paintings had been sold. Normally we have to wait until the show is over at 3pm to pick up unsold paintings, but since all of mine were sold, a little after noon, I packed up and headed home. It was a great week with good weather, sold all my paintings, got an award, re-acquainted with fellow artists, and a little more tan!


Next up is the Los Gatos Plein Air Show June 16-17!


At Martial’s

Morning at Martial's, 8x16, oil on board
Morning at Martial’s, 8×16, oil on board

 
The Santa Clara Parks and Recreation Department is putting on a plein air paintout and show, which I found out about mid-way through the event. There was about two weeks to paint Martial Cottle Park en plein air for the show and since there was a little time left, decided to join in…partly because I am now known in the area as a painter of Silicon Valley due to my year long quest, “The Creeks and Rivers of Silicon Valley”…plus it’s only about a 20 minute drive from the house. I later I found out a lot of my artists friends didn’t find out about it either until it was half over.

Martial Cottle Park is one of the newest county parks, and one of the last remnants of the agrarian legacy in the Santa Clara Valley, once known as the “Valley of Hearts Delight”.

I went out last Monday to register and paint in the park, it was cloudy, with just an occasional thinning so the sun could break through a bit. I first decided to paint the main barn from a picnic area.

Here are a few shots of the morning (click on a thumbnail to see a larger picture)


 
Evening at Martial's, 11x14, oil on panel
Evening at Martial’s, 11×14, oil on panel

Later, I parked along Snell Ave, and painted the old home the Cottles used to live in. I don’t paint architecture much, so was a bit of a challenge. (click on a thumbnail to see a larger picture)


 
At this time, I don’t know which, if any paintings will be in the show, but just dropped them both off. The paintings will be shown at the Santa Clara Government Center, Gallery at 70 West Hedding St. San Jose (8:00 a.m. – 5:00 p.m.) which is the same gallery that exhibited “The Creeks and Rivers of Silicon Valley” several years ago. There will also be a reception at the park May 6, 1:00 p.m. – 3:00 p.m. More information can be found here.

An online display and voting for people’s choice award will be made available, so stay tuned!

Valle Del Sur

Pacific Calm, 24x12, oil on canvas
Pacific Calm, 24×12, oil on canvas

I was invited by a long time painting friend, Steve Wise, to do a demo at the Valle Del Sur Art Guild in Morgan Hill, a town about 10 miles south of San Jose. I have painted this area many times including during the Creeks and Rivers of Silicon Valley.

Steve asked me to do either a seascape or lake scene, so I chose a seascape. Recently, I have been doing a series of vertical water paintings, so picked a seascape to start for the scene. As usual with these demos, there is not enough time to do a finished painting, but I tried to finish off certain portions to demonstrate various techniques in painting seascapes.

It was a small, but lively group, and seemed like questions were coming once a minute as I tried to paint. Steve is quite the art historian, and kept things lively with his historical quips.

The painting is the tenth ‘vertical water’ painting series and from the same general area as the fourth in the series found here. The narrow inlet is along the California Coast in Garrapata State Park just south of Carmel, and close to Big Sur.

I forgot about taking pictures until almost the end of the demo, so here are a few–

Getting into the painting
Getting into the painting
Getting intense
Getting intense
The painting as far as I got during the demo.
The painting as far as I got during the demo.

Thanks, Trudie, for some of the photos!

I later spent a few hours in the home studio finishing the piece.

Painting in Japan

Korakuen Morning, 8x10, acrylic on canvas
Korakuen Morning, 8×10, acrylic on canvas

 
Most of you know my son lives and works in Maniwa-shi, Japan, a town in the mountains of Southwest Japan about an hour from Okayama. I recently visited him again, for the third time. He had moved to a new location since my last visit, so I was anxious to explore around his apartment in rural Japan for painting practice! It also happened to be cherry blossom time, so was anxious to see that!

On international trips, I usually take a small acrylic paint set. Acrylics are water soluble, and dry in minutes, so they are easier to travel with than oils. Since you cannot take turpentine on a plane, if you want to paint oils, you have to find a place to buy it after you arrive at your destination. Here’s my setup on the road—

My acrylic traveling kit
My acrylic traveling kit

 
I won’t turn this post into a travelogue and go into all the details of the trip, some of which I posted here on Facebook, but concentrate on the painting in this blog entry. In retrospect, I wasn’t satisfied with most the paintings on the trip except the last day, but here goes anyway…

My son’s new place is a little further out of the central town area, mainly surrounded by rice fields. There is a Shinto Shrine close by, so I did two paintings there on different days.

Shinto Shrine 1,8x10,acrylic on canvas
Shinto Shrine 1,8×10,acrylic on canvas
Shinto Shrine 2,8x10,acrylic on canvas
Shinto Shrine 2,8×10,acrylic on canvas

These are not the main shrine, but other structures in the courtyard. Although it was a relatively small shrine, I could have done quite a few paintings in the little nooks and crannies of this small area.


 
We decided to visit Osaka, the second largest city in Japan, and about a 4 hour bus ride away. Our hotel happened to be right by Dotonburi, the most famous district and party spot in Osaka. We kept quite busy around Osaka and a side trip to Kyoto, so I didn’t have time to paint except for one day. On that day while the others shopped, it was pouring rain, so found a place under a bridge on the river to paint. I also don’t usually do urban scenes, and it was a bit smelly as you know what people do under bridges in party areas…even in clean Japan!

The piece was going nowhere, but as it got darker, the lights started coming on, and I put them in as my focal point which helped brighten things up.

Dontonburi, 8x10, acrylic on canvas
Dontonburi, 8×10, acrylic on canvas
Dotonburi
Dotonburi

 
Upon returning to Maniwa, the blossoms were still not out, and due to the rain and cold, they kept pushing back the projected blossom open date. I did find one close to my sons place, so painted that…

Maniwa, 8x10, acrylic on canvas
Maniwa, 8×10, acrylic on canvas

 
So far I was not really satisfied with any paintings done the the trip and we only had a few days left. We spent the last part of our trip in Okayama. One trip was to Kurashiki Bikan, an old historic district near Okayama. It was a scenic spot, and I started a painting while the others shopped and looked around. There were just a few blossoms, so did a painting of a bridge in the district. We got there late, and I didn’t have much time, so the painting only got about half done.


 
One of the Three Great Gardens of Japan is called Korakuen (Koraku-en). Located in Okayama, Japan, it was built in 1700 by Ikeda Tsunamasa. We saved visiting Korakuen Garden until the last day so-as to catch the blossoms. Although they were not in full bloom, there was enough to paint, so did a painting in the morning, and one in the afternoon.

The morning painting is shown at the top of this blog entry. Here are a few pictures of the area–


 
The blossoms were not fully open yet so I painted the trees a little fuller with blossoms imagining what they will look like.

The afternoon painting was a little more interesting scene and turned out pretty well, but could use some touchup later.

Korakuen Afternoon, 8x10, acrylic on canvas
Korakuen Afternoon, 8×10, acrylic on canvas

Too soon we had to depart for home. I left all the paintings with my son in Japan so he could show them to friends and students.

Fire, Water, and Ice

Merced Reflections, 16x8, oil on panel
Merced Reflections, 16×8, oil on panel

I was accepted into the Yosemite Renaissance show this year, so went to attend the opening reception with a short visit to Yosemite Valley. Of course, I’ll use any excuse to visit Yosemite, as if I need one!

The art reception went well. The show is very eclectic with everything from abstract to photography to textiles to sculpture. It was a strong show, and my painting was probably the most traditional, quiet painting there…which is fine with me!

If you plan on being in Yosemite Valley the next few months, be sure to stop by the Yosemite Museum to see the show!

The weather forecast kept changing, but as it turned out, it was clear sunny weather the entire time, but cold! Upon arrival to the valley, I started the above painting, but after recently recovering from a mild case of pneumonia, didn’t want to push it, so only got about half done and finished it when I got back to the studio. I wanted to do a plein air piece which would fit in my recent ‘vertical water’ series, so did a painting of Yosemite Falls reflecting in the Merced River. This is the ninth in the “vertical water” series, but so far the only plein air piece and a little smaller than the others which you can see here.

I recently wrote a weblog entry about the Firefall I saw while there, so won’t revisit that which you can read here.

The remainder of the visit I just walked and drove around soaking up the scenery.

Here is a short video of the trip. I had posted some pictures to Facebook, and got a lot of comments on how clear the water is, so much of the video is of the water in the valley.



Firefall!!

During my adolescent years growing up in Pasadena, CA, we used to make trips to Yosemite National Park, camping in both the valley and the high country. I remember well, while camping in the valley we would shuffle out in the dark to the middle of a meadow to watch the Firefall. It used to be called the parks most famous spectacle where each evening during the summer months, a huge bonfire was built high above the valley at the edge of Glacier Point. At 9pm the glowing coals were pushed over the edge creating a luminous glittering waterfall of fire tumbling some 3200 feet. Here is a picture I gleaned off the internet —

In 1968 due to a variety of reasons, the Firefall was discontinued. However, today, there is an even more wonderous and totally natural Firefall. Each year for a week or two in February the setting sun beams up the valley and illuminates Horsetail Falls, and when conditions are perfect, it glows orange and red for a brief time. It’s hit and miss because the sky must be relatively clear, and there has to be enough flowing water in the falls. Due to the drought in California there has been no Firefall the last five years.

I happened to be in Yosemite Valley for an art opening, so was anxious to see it if conditions permitted. It was quite a crowd…hundreds of photographers and nature enthusiasts were out. The park service accommodates everyone by blocking off one lane of the road for about a mile of parking. I got lucky and there was an empty parking spot right by the best viewing area.

Of course, I have seen many pictures of it over the years, and always thought the photos had to be enhanced or touched up. Not so…I wasn’t disappointed. The falls were just glowing a bright orange for about 10 minutes. It was like someone hung a giant glow stick over the edge of the cliff. Below are photos taken with my iPhone which are not touched up or enhanced in any way.

Bucket List — Check!!


Stay tuned as I am working on a short video of my quick visit to the valley, along with video of the Firefall, plein air painting, lots of running water, and other wonders.


Just starting to glow.
Just starting to glow.

Really getting going!
Really getting going!
Going strong
Going strong
Almost over
Almost over

Flooded!

All of you have by now heard about the flooding in my hometown of San Jose around Coyote Creek, the largest watershed in Silicon Valley. During my year long quest to paint “The Creeks and Rivers of Silicon Valley” I did 18 paintings in the Coyote watershed, and 5 of Coyote Creek itself. That was also during one of the worst droughts California experienced in years. Now Coyote Creek is above flood stage.

Today, during a break between storms, the creek has subsided a bit, so I did a mini-tour of some of the locations I painted from San Jose down to Anderson Dam in Morgan Hill. Below are pictures before, now, plus the painting I did at the time. I also included a couple videos and a link to the original weblog at the time of the original painting.


Christmas Day – Coyote Creek in Hellyer Park
The original blog post — http://www.donaldneff.com/blog/eleven-christmas-day/

 
Then:

My easel painting Coyote Creek by Hellyer Park

 
Now:
This is a picture from the bridge, the creek is up to the top of the banks…way over my head from where I originally painted…

Coyote Creek at flood stage
Coyote Creek at flood stage

 
Now:
A short video from the bridge…

 
The original painting:

Christmas Day, 8×10, oil on panel


Thompson Creek
The weblog entry is here — http://www.donaldneff.com/blog/two-three-woz-way/

 
Then:

Along the banks of Thompson Creek

 
Now:
Thompson Creek was much fuller, but not overflowing.

Thompson Creek
Thompson Creek

 
The original painting:

Thompson Creek 8×10 oil on board


Evergreen – Fowler Creek confluence
The original blog post about man’s first controlled flight — http://www.donaldneff.com/blog/sixteen-the-evergreen/

 
Then:
You can’t see much of the creek as it was just a trickle–

My easel towards the end of the painting.
My easel towards the end of the painting.

 
Now:
Not flooding, but lots of flow–

 
The original painting:

The Evergreen, 8x10,oil on panel
The Evergreen, 8×10,oil on panel


El Toro – Coyote Creek Below Anderson Dam
I wasn’t able to get to the original painting location as it was roped off and guarded by park officials. I was able to get fairly close, though.
The original blog post — http://www.donaldneff.com/blog/thirtysix-el-toro/

 
Then:

 
Now:
Water from the spillway is flowing into the Coyote Creek channel

Water from the spillway flowing into the Coyote Creek channel
Water from the spillway flowing into the Coyote Creek channel

 
Now:
A short video just downstream from the original painting location…

 
The original painting:

El Toro, 8x10, oil on board
El Toro, 8×10, oil on board

 
 
For those concerned, I live in the Coyote Creek watershed, but up in the hills enough to avoid flooding!