Last January 15, I painted in Santa Teresa County Park with the Los Gatos Plein Air group. Since returning from Yosemite, I had not been out painting, and the LGAA was going to visit this park again, so I decided to join them.
It was a wonderful day, a little warmer, but not quite as clear as the last trip to Santa Teresa County Park. Since we were on a hill with valley’s on both sides, I decided to paint the Santa Teresa Valley side of the mountain which was the opposite side I painted last time. I did one 8×10 of the Santa Teresa neighborhood of San Jose, then a little 5×5 looking out the same way, but a little more southerly. Below are some photos of the day.
My easel while painting the overlook to San Jose’s Santa Teresa neighborhood
“Gateway to Silicon Valley” – 8×10 – Oil on panel
David at his easel.
“Santa Teresa Overlook” – 5×5 – Oil on panel
The photos of the paintings are straight from the easel and not very good quality. I will try to get some better photos in the next day or so.
Today was the last day of my short trip to Yosemite. I called Scott Burdick around 8:00 and he was already out photographing the morning light, and getting ready to paint. I went out to join him in a meadow fairly close to Yosemite Lodge. It was 27 degrees out.
By the time I got there, Scott was already painting. He was doing a study of Yosemite Falls and the surrounding cliffs. I decided to paint the morning sun as it hit the Washington Column, North Dome, and Royal Arches. The light was just wonderful. The granite cliffs were lit up as if generating their own luminescence. Below is a photo of me in the field along with the painting.
The painting took a couple of hours, and I had to get back to check out of my motel room. Scott then caught up with me and we had a quick lunch together. Then, it was back to the same field to do one last painting before time to head home.
I always use standard size canvas panels, but the last time I had painted Yosemite, I wished I had brought some wider, more panorama canvas. I brought a couple this time, so it was time to try it. My last painting of the trip was, again Cathedral Rocks, but this time from a different vantage point and a wider view. The panorama of the scene gives you a little better idea of the magnificent of Yosemite Valley.
The panoramic painting turned out well, I think and I will try the different sizes in other paintings where it warrants it in the future. Besides, it is refreshing to try something a little different!
Here is a photo of Scott. He was painting Sentinel Rock as it loomed over the meadow.
I finished the painting a little after 2:00 and it was time to head home. After packing up and saying goodbye to Scott, I wound my way out of the valley and the Sierras back to San Jose.
Since I had only gotten about 3 hours of sleep prior to coming to Yosemite, I decided to sleep in today. During the winter, the sun doesn’t really start hitting the valley in a consistent way until mid morning anyway.
After a late breakfast, I decided to paint a famous turnout called Valley View. With the granite face of El Capitan on the left, Bridalveil Falls on the right, and the Merced flowing at your feet, this is probably one of the most photographed scenes in Yosemite. Although a painting of it may be considered a cliche by some, I wanted to paint it anyway. This time of year, Valley View is always in the shade, so there was a lot of ice and snow still around.
I started in on my 16×20 panel and painted everything down to about the valley floor. By then, my hands a feet were so cold, I decided to finish the painting later. I probably didn’t come as well prepared for the cold as I should, and Scott Burdick later gave me some good tips on keeping warm. Below is my easel at Valley View. I will post the final painting at a later date as soon as I touch it up.
Driving back towards Yosemite Lodge, I saw Scott’s car along the side of the road. He wasn’t around, so I left a note to call me. I proceeded on to another location to do a small 6×8 study of the cliffs below Glacier Point. Below are some pictures of the scene and the painting.
Towards late afternoon, Scott called, and we decided to have dinner together. We originally wanted to eat at the Awahnee Lodge
Dining Room, as Scott had not been there, but they had a dress code, so we ate at the Mountain Room
in Yosemite Lodge, which is still a great place for dining. After dinner, we agreed to meet in the morning and paint together.
As I mentioned in my previous post, I am off to Yosemite today. I decided to post to my blog after the trip, so am writing this several days later.
I had a fitful nights sleep, but managed to get on the road around 6:00 am. By the time I was going over Pacheco Pass into the San Juaquin Valley, the sun was an orange orb just rising over the distant Sierras. After a stop to buy some longjohns (thermal underwear) since it was going be quite cold, and a brief nap on the road, I finally wound my way into Yosemite Valley.
As I was just coming into the valley, an artist was painting right by the road. He was all bundled up and braving the cold of the morning to paint. It was probably in the 20’s. Well, I had to stop and meet this hardy artist! I pulled over, we exchanged hellos, and found out it was Scott Burdick. Scott is a internationally well known artist who primarily paints people and far off places, but he is also a well regarded plein air painter. Below is a picture of Scott along the roadside.
Scott was spending two weeks in Yosemite by himself. We promised to meet up sometime later, so I moved on to find a place to paint before checking into Yosemite Lodge. I settled on a field close to Cathedral Rocks. The light was great, just glancing blows off the massive granite structures. A few shots are below of the site and the painting.
The painting was finished about 2:00 so I decided to head over to the Yosemite Lodge to see if an early check-in was possible. It was, so I got settled, and went back out to paint and explore. I ran into Scott again, out taking pictures. We decided to maybe get together later to paint but he had to switch motels, so after leaving my cell phone number, we went our separate ways. By that time the light wasn’t great for painting, so I headed to the room for some relaxation. I had only about 3 hours sleep the night before, so a nice dinner and little rest was in store.
I am off to Yosemite Park tomorrow for two nights and three days of plein air painting. Most every year I get a special coupon where I get one night free for every night paid. It is too much to pass up, so here we go! The weather is supposed to be clear, but cold. I will try to update my blog while there, but am not sure about Internet access, so will play it as we go.
Below is a plein air painting I did on a trip last year around the same time.
Valley View * 16×20 * Oil on board
Coyote Peak stands like a sentinel guarding the southern gate to the Silicon Valley in South San Jose. It dominates the ridge of the Santa Teresa Hills and greets visitors approaching the Bay Area from the south. The peak is part of the mostly wild and undeveloped lands protected by Santa Teresa County Park. The Los Gatos Plein Air group was painting there today, so I decided to join them.
It was quite cold, and I was recovering from a cold, so I waited until it was a little warmer to head out to the park. Although it is only about 15 minutes from my home, I had actually never gone there. What a great little park! It sits on top of the hill where you can see all around the Silicon Valley area.
Quite a few of the LGAA group was already there. I decided to paint the little valley leading down to Almaden Valley, which is close to the world famous IBM Almaden Research facility (although I could not see it from my vantage point). The painting turned out pretty, good, probably a ‘keeper’. Below are a few pictures from the morning.
Above is my work for the morning…”Almaden Valley Overlook” * 9×12 * Oil on canvas board.
Here is another painting of Crater Lake finished over the holidays.
I show in a gallery at Lake Tahoe, so I do a lot of Lake Tahoe paintings, which tend to sell quite well. The colors are similar, so I have been somewhat “at home” painting Crater Lake. The blues in Crater Lake are deeper than Tahoe. Most of this is because Crater Lake is the deepest in the US, with Tahoe second deepest at about 300 feet shallower. Also, part if it, I think, is with the topography around Crater Lake, you are always looking down from a high vantage point.
I didn’t do much painting over the holidays, but managed to finish a couple paintings of Crater Lake. I did a motorcycle trip last summer through Oregon, and this is one of the studio paintings from that trip.
For the past four years, I have been keeping a weblog on my website, done entirely “by hand”. I decided to switch to a more standard, “professional” setup. This will allow my weblog to be searched by the blogging search engines, allow RSS feeds, comments, and other features I just didn’t want to do by hand.
You can still link to the old web pages by checking out the “Old Archive” links on the bottom right.